Overview
Tailored for solo, mobile cine-style shooting, the Sony BURANO 8K Digital Cinema Camera delivers up to 8.6K video recording in a lightweight, full-frame design. Featuring innovative in-camera stabilization compatible with both E- and PL-mount lenses, Fast Hybrid Autofocus, and a conveniently adjustable ND filter, it streamlines single-operator workflows. Perfectly suited as a companion to VENICE cameras, the CineAlta BURANO excels as a B or C camera with seamless image consistency.
Full-Frame 8.6K CMOS Sensor
BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.
Â


ARRI PL and Sony E Mounts
- The BURANO features the robust and dependable PL- and E-mount systems found in the VENICE series, providing access to an extensive range of lens options.
- The PL mount accommodates both Super35 and full-frame PL lenses, including spherical and anamorphic types. It also integrates Cooke/i technology for frame-specific metadata and ZEISS eXtended Data support.
- The E-mount ensures metadata compatibility when paired with Sony E-mount lenses.
Smarter Shooting
BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.
* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount
Â


Multiple Image Scan Modes
BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements.
* Only 17:9 in Super 35 Cropped (S35c) mode
Dual Base ISO
Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight.
Â


New in-camera Looks for Ready-to-Use Footage
BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow.
s709: Kodak 2383-like natural tones and colours
s709(800): Standard 709 tone curve for accurate colour reproduction*
Â
In The Box
- Sony BURANO 8K Digital Motion Picture Camera
- PL Mount
- Handle with Viewfinder Arm
- 4 x Handle Mounting Screw
- LCD Monitor
- Viewfinder Loupe
- Viewfinder Mount Adapter
- Circular Shim
- 15 x 1/3 Arc Shim
- E-Mount Cap
- PL-Mount Cap
Specifications
Imaging
Lens Mount |
ARRI PL with Included Adapter
Sony E |
Lens Communication |
Yes, Cooke /i, Zeiss eXtended Data
|
Sensor Resolution |
Effective: 41.9 Megapixel (8632 x 4856)
|
Image Sensor |
35.9 x 24 mm (Full-Frame) CMOS
|
Image Stabilization |
Sensor-Shift, 5-Axis
|
Built-In ND Filter |
Mechanical Filter Wheel with Clear ND Filters and a 2 to 7 Stop Electronic ND Filter
|
Internal Filter Holder |
No
|
Capture Type |
Video Only
|
Shutter Type |
Electronic Rolling ShutterÂ
|
Shutter Speed |
1/8000 to 1 Second
|
ISO Sensitivity Range |
800
3200 |
Gain |
-3 to 18 dB
|
Advertised Dynamic Range |
16 Stops
|
Video Capture
Internal Recording Modes |
X-OCN LT
8632 x 4856 at 23.98/25/29.97 fps 8632 x 4552 at 23.98/24.00/25/29.97 fps 6052 x 3404 at 23.98/25/29.97/50/59.94 fps 5760 x 3240 at 23.98/25/29.97/50/59.94 fps 6052 x 3192 at 23.98/24.00/25/29.97/50/59.94 fps 5760 x 3036 at 23.98/24.00/25/29.97/50/59.94 fps 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94/100/120 fps XAVC 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps 3840 x 2160 at 23.98/25/29.97/50/59.94 fps 1920 x 1080 at 23.98/25/29.97/50/59.94 fps XAVC H-I HQ/XAVC H-I SQ 8192 x 4320 at 23.98/24.00/25/29.97 fps 7680 x 4320 at 23.98/25/29.97 fps XAVC H-L 7680 x 4320 at 23.98/25/29.97 fps |
Recording Sensor Crop |
Crops to Output Resolution in All Recording Modes
|
Fast-/Slow-Motion Support |
Yes
|
Built-In Microphone |
Mono
|
Audio Recording |
4-Channel 24-Bit 48 kHz LPCM Audio
|
IP Streaming |
No
|
Media/Memory Card Slot |
Dual Slot: CFexpress Type B
Single Slot: SD/SDHC/SDXC |
Video I/O |
1x BNC (12G-SDI) Output
1x BNC (3G-SDI) Output 1x HDMI (Unspecified Signal) Output |
Audio I/O |
2x XLR 3-Pin Mic/Line Input
1x 1/8″ / 3.5 mm TRS Stereo Headphone Output |
Power I/O |
1x XLR 4-Pin (11 to 17VDC) Input
|
Other I/O |
1x BNC (Timecode) Input/Output
1x BNC (Genlock) Input/Output 1x 1/8″ / 3.5 mm (LANC) Control Input 1x RJ45 (Ethernet) 1x USB-C (USB 3.2 / 3.1 Gen 2) |
Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac) Video Output, Control
|
Mobile App Compatible |
Yes: Android & iOS
|
Global Positioning (GPS, GLONASS, etc.) |
No
|
Viewfinder
Type |
Removable Electronic
|
Focus
Focus Type |
Auto and Manual Focus
|
Autofocus Points |
Phase Detection: 627
|
General
Operating Conditions |
32 to 104°F / 0 to 40°CÂ
|
Storage Conditions |
-4 to 140°F / -20 to 60°CÂ
|
Battery Type |
V-Mount
|
Power Consumption |
50 W
|
Shoe Mount |
No
|
Tripod Mounting Thread |
4x 1/4″-20 Female (Bottom)
4x 3/8″-16 Female (Bottom) |
Accessory Mounting Thread |
10x 1/4″-20 on Included Handle
4x 3/8″-16 on Included Handle 6x M3 on Included Handle 8x 1/4″-20 on Camera Body 6x 3/8″-16 on Camera Body 8x M3 on Camera Body 1x M2 on Camera Body |
Netflix Approved |
Yes
|
Material of Construction |
Magnesium Alloy
|
Dimensions (W x H x D) |
5.7 x 5.6 x 8.6″ / 145.7 x 142.5 x 218.1Â mm (Without Protrusions)
|
Weight |
5.3Â lb / 2.4Â kg (Body Only)
6.4 lb / 2.9 kg (With Lens Mount Adapter) |