| Weight | 0.99 kg |
|---|---|
| Package | Body Only, Handheld Package, Core Package, Production Package |
| Lens Mounts | E Mounting Adapter, EF Mounting Adapter II, EF Mounting Adapter II w KineEnhancer, EF Mounting Adapter w e-ND, PL Mounting Adapter II, PL Mounting Adapter w e-ND, LPL Adapter |
Description
The TERRA 4K is the entry model of the Kinefinity camera line.The TERRA features a high-speed & dual-iso 4K CMOS image sensor, with a sub-S35 image format (crop factor of 1.85 over FF).
The TERRA sensor size can be virtually enlarged by the use of Kinefinity’s own speedbooster to a crop factor of 1.3.
the TERRA 4K can record 4K wide up to 100fps and up to 240fps in 2k. At the same time, its rolling shutter effect is very low (8ms) and comparable to the Arri Alexa (6ms) and much better than cameras like the Sony Fs7 (15ms) or Blackmagic Ursa (16.3ms).
The Terra has two analogue gain circuits, supporting you with two native iso’s : 800 and 3200 iso. Due to its dual iso mode, the camera can create very low noise images at 3200 iso.
The Terra can Record in open gate  mode (1.5 aspect) giving you more vertical resolution than 4k DCI. Therefore the TERRA is perfect for anamorphic lens shooters.
TERRA camera body weighs only 920g, and its size and weight is only a fraction of the other so-called MINI cameras in the cinema market.
The TERRA is a modular camera and can be fully rigged up as a full feature cinema camera or shrunken down for light weight gimbal work.
The feature rich TERRA can be expanded by upgrading it with the univeral KINEBACK-W which adapts with 4 screws to any of the Kinefinity cameras. With the Kineback-w you get 2 sdi ports, timecode port and a sync port. You get two phantom powered xlr ports for high quality audio and a v-mount plate to adapt industry standard batteries
TERRA can be powered and controlled with theKineGRIP, with the addition of the 5inch Kinemon you  get a very small run and gun form factor.
The TERRA records in all sorts of ProRes flavors, on industry standard ssd 2.5 inch.
Note: Sunhood not included in Basic Package
What's in the box
Specifications
| Image Format | Format | Resolution | Max FPS | Codec |
| sub S35 | 4K Wide | 4096×1720 | 100 | ProRes or KRW |
| 4K | 4096×2160 | 75 | ProRes or KRW | |
| 4K HD Wide | 3840×1600 | 100 | ProRes or KRW | |
| 4K HD | 3840×2160 | 75 | ProRes or KRW | |
| 4K (Open Gate) | 4096×2700 | 50 | ProRes or KRW | |
| 3.7K 4:3 Anamorphic | 3700×2700 | 50 | ProRes or KRW | |
| 2K Wide (Oversample) | 2048×860 | 100 | ProRes | |
| 2K(Oversample) | 2048×1080 | 75 | ProRes | |
| 2K HD Wide(Oversample) | 1920×800 | 100 | ProRes | |
| 2K HD(Oversample) | 1920×1080 | 75 | ProRes | |
| sub M43 | 3K Wide | 3072×1200 | 150 | ProRes or KRW |
| 3K | 3072×1620 | 120 | ProRes or KRW | |
| 3K HD Wide | 2880×1200 | 150 | ProRes or KRW | |
| 3K HD | 2880×1620 | 120 | ProRes or KRW | |
| sub S16 | 2K Wide | 2048×860 | 240 | ProRes or KRW |
| 2K | 2048×1080 | 196 | ProRes or KRW | |
| 2K HD Wide | 1920×800 | 240 | ProRes or KRW | |
| 2K HD | 1920×1080 | 196 | ProRes or KRW |
Note:
- Frame Rate can be adjusted as 2~MAX fps, step accuracy of 0.001fps
TECHNICAL SPECIFICATION
| Camera Type | Film-Style Digital Cinema Camera | |||
| Imaging Sensor | 4K sub-S35 Format CMOS | Crop factor over FF: 1.85 | ||
| Shutter | Rolling Shutter | |||
| Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters | *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer | ||
| Record Formats | Codec Type | Codec Format | Bit Depth | |
| Compressed KineRAW 2.0 | .krw | 12bits | ||
| ProRes422HQ/422/422LT/Proxy | .mov | 10bits | ||
| Record Res | 4K | 3K | 2K | |
| 4096×2700 | 3072×1620 | 2048×1080 | 3700×2700 3.7K 4:3 | |
| Max FPS | 100@4K Wide | 150@3K Wide | 240@2K Wide | |
| Dynamic Range | 14 stops | |||
| ISO/EI | Dual Native/Base ISO | Max | ||
| 3200 (from 1280) | 800 (below 1280) | 20480 | ||
| Shutter Angle | 0.7°~358° | |||
| Monitoring | Video Port x1 | HD Port x1 | SDI x2* | *Applicable on KineBACK |
| Record Media | 2.5″ SSD with 7mm Height | |||
| Audio Capture | In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK | ||
| Sync Function | Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK | ||
| LUT | Preset: Neutral/Flat, Support Custom 3D LUT | |||
| Power | Power In | Consumption | ||
| DC IN 11~19V/SideGrip/V-Mount* | 21W | *Applicable on KineBACK | ||
| Body Color | Titanium Grey | |||
| Weight | 2.1 lb / 990 g | *Only Body | ||
| Size | 4.5×4.3×3.7″ / 115x110x95 mm | *W/o projections, WxHxL | ||
| Operating Temp | 0°C to +40°C | |||
Compare
|
MAVO LF
|
MAVO
|
TERRA 4K
|
|
|---|---|---|---|
| Price (Body) | EU €11,999 | EU €7,999 | EU €3,999 |
| CMOS Sensor | Full Frame 6K 3:2 CMOS Imaging Sensor | S35mm 6K 3:2 CMOS Imaging Sensor | sub S35 4K 3:2 CMOS Imaging Sensor |
| Crop Factor over FF | 1 | 1.5 | 1.85 |
| Max Resolution | 6016×4016 (24M Pixel) |
6016×4016 (24M Pixel) |
4096×2700 (11M Pixel) |
| Slow-Mo | FF: 75fps @6K Wide S35: 80fps @5K Wide S35: 100fps@4K Wide S16: 200fps@2K Wide |
S35: 66fps@6K Wide M43: 100fps@4K Wide 16mm: 192fps@2K Wide |
sub S35: 100fps@4K Wide sub S16: 240fps@2K Wide |
| Codec | 1. ProRes 444XQ/444 2. ProRes 422HQ/422/LT/Proxy 3. cDNG 3:1/5:1/7:1 4. KRW2.0: 2:1~10:1 *(Plan available 2019) |
1. ProRes 444XQ/444 2. ProRes 422HQ/422/LT/Proxy 3. cDNG 3:1/5:1/7:1 4. KRW2.0: 2:1~10:1 *(Plan available 2019) |
1. ProRes 422HQ/422/LT/Proxy 2. cDNG 3:1/5:1/7:1 3. KRW2.0: 2:1~10:1 *(Plan available 2019) |
| Anamorphic | FF Ana: 40fps@4:3 5376×4016 FF Ana: 40fps@6:5 4864×4016 S35 Ana: 50fps@4:3 4096×3072 S35 Ana: 50fps@1:1 3072×3072 |
S35 Ana: 40fps@4:3 5376×4016 S35 Ana: 40fps@6:5 4864×4016 |
sub S35: 4:3 3700×2700@50fps |
| Latitude(stops) | 14+ | 14+ | 13+ |
| Base ISO | Dual Native ISO 5120(From 3200) 800(below3200) |
800 | Dual Native 3200(from 1280) 800(below 1280) |
| Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters |
Native KineMOUNT as omni mount to be PL/EF/SONY Eby solid mounting adapters |
Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters |
| Powering | 1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
| Video Monitoring (KineMON) |
2 | 2 | 2* (TERRA 4K shipped from 2019.1) |
| HD Monitoring | 1 | 1 | 1 |
| Wireless Slot (For video and lens control) | 1 (only available on KineBACK-W) |
1 (only available on KineBACK-W) |
1 (only available on KineBACK-W) |
| SDI Monitoring | 2 (only available on KineBACK-W) |
2 (only available on KineBACK-W) |
2 (only available on KineBACK-W) |
| Audio | 1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
| Status Display | Yes | Yes | |
| Size (WxHxL) (Without projections) |
4.5×4.3×3.7″ / 115x110x95 mm | 4.5×4.3×3.7″ / 115x110x95 mm | 4.5×4.3×3.7″ / 115x110x95 mm |
| Weight(Body only) | 2.1 lb / 990 g | 2.1 lb / 990 g | 2.1 lb / 990 g |
| Body Color | Deep Grey | Black | Silver Grey |
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