Overview
Designed to surpass full-frame sensor coverage, its superior optical design delivers a uniform 1.5x anamorphic squeeze ratio. The lens comes standard with an interchangeable ARRI PL mount that can effortlessly be replaced with optional bayonets for compatibility with various camera systems. Enhanced versatility is further achieved through seamless integration with MOFAGE POCO drop-in filters, positioning this lens as an indispensable tool for premium filmmaking.
Features
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Full-Frame Coverage: 44.7mm image circle reduces vignetting, covering ARRI ALEXA LF 4.5K Open Gate.
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1.5x Anamorphic Squeeze: Provides cinematic 2.66:1 aspect ratio on 16:9 sensors.
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Uniform Oval Bokeh: Consistent oval bokeh without edge distortion.
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Waterfall Bokeh: Smooth focus transitions and shallow depth of field.
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High Image Quality: Sharp and clear optics suitable for cinema production.
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Edge Performance: Reduces edge compression and distortion.
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Low Focus Breathing: Maintains stable framing during focus shifts.
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Compact Design: Lightweight, compatible with RS4 and RS4 Pro gimbals.
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Extended Focus Throw: 270° focus rotation for precise control.
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Easy Back Focus Calibration: Simple and quick adjustments.
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Interchangeable Mounts: ARRI PL mount included, other mounts separately available.
Included
Laowa Nanomorph 42mm T2.9 1.5X LF Anamorphic Lens (Silver Flare) PL/EF
ARRI PL Mount Kit with Shims
Canon EF Mount Kit with Shims
Limited 3-Year Manufacturer Warranty
Compatibility
ARRI ALEXA 35 | ARRI ALEXA 35 Live | ARRI ALEXA Mini LF | ARRI ALEXA SXT |
ARRI AMIRA | Blackmagic Cinema Camera 6K | Blackmagic PYXIS 6K | Blackmagic Pocket Cinema Camera 6K |
Blackmagic Pocket Cinema Camera 6K G2 | Blackmagic Pocket Cinema Camera 6K Pro | Blackmagic URSA Cine 12K | Blackmagic URSA Cine 17K |
Blackmagic URSA Mini 4.6K | Blackmagic URSA Mini 4K | Blackmagic URSA Mini Pro 12K | Blackmagic URSA Mini Pro 4.6K |
Blackmagic URSA Mini Pro 4.6K G2 | Canon EOS C100 | Canon EOS C100 Mark II | Canon EOS C200 |
Canon EOS C300 | Canon EOS C300 Mark II | Canon EOS C300 Mark III | Canon EOS C500 |
Canon EOS C500 Mark II | Canon EOS C700 | Canon EOS C700 FF | Canon EOS C700 GS |
FREEFLY Ember S2.5K | FREEFLY Ember S5K | For.A FT-ONE | JVC GY-LS300 |
Kinefinity MAVO LF MKII | Kinefinity MAVO S35 MKII | Panasonic AU-EVA1 | Panasonic VariCam 35 |
Panasonic VariCam 35B | Panasonic VariCam LT | RED DIGITAL CINEMA DSMC2 BRAIN | RED DIGITAL CINEMA DSMC2 BRAIN Monochrome |
RED DIGITAL CINEMA EPIC-W | RED DIGITAL CINEMA KOMODO | RED DIGITAL CINEMA RANGER | RED DIGITAL CINEMA RAVEN |
RED DIGITAL CINEMA SCARLET-W | RED DIGITAL CINEMA V-RAPTOR XL S35 | RED DIGITAL CINEMA V-RAPTOR XL VV | RED DIGITAL CINEMA V-RAPTOR XL X VV |
RED DIGITAL CINEMA WEAPON | Sony BURANO | Sony BURANO CineAlta Digital | Sony PMW-F3 |
Sony PMW-F5 | Sony PMW-F55 | Sony SRW-9000PL | Sony VENICE 2 6K |
Sony VENICE 2 8K | Sony VENICE 2 LIVE | Sony VENICE 4K LIVE BUNDLE | Sony VENICE 6K |
Z CAM E2-F6 | Z CAM E2-F6 MKII | Z CAM E2-F6 Pro | Z CAM E2-F8 |
Z CAM E2-S6 | Z CAM E2-S6 MKII | Z CAM E2-S6G | Blackmagic URSA Broadcast G2 |
Specifications
Maximum Aperture |
T2.9
|
Minimum Aperture |
T22
|
Lens Mount |
ARRI PL
|
Interchangeable Mount |
Yes
|
Horizontal Squeeze (Anamorphic) |
1.5x
|
Flare Color |
Silver
|
Lens Format Coverage |
Full Frame
|
Image Circle |
44.7 mm
|
Angle of View |
Full Frame
Horizontal: 66.5 to 33.8° |
Focus Scales |
Metric, Imperial
|
Optical Design |
17 Elements in 15 Groups
|
Filter Thread |
77 mm
|
Minimum Focus Distance |
20″ / 50.8 cm
|
Diaphragm Blades |
13
|
Image Stabilization |
No
|
Gear Standard |
0.8 MOD
|
Gear Rotation |
Not Specified by Manufacturer
|
Electronic Communication |
No
|
Coating |
No
|
Diameter |
Front: 3.1″ / 80 mm
|
Length |
4.8″ / 121 mm
|
Weight |
2.27 lb / 1.03 kg
|