Overview
Extending coverage beyond traditional full-frame sensors, these professional-grade optics deliver a consistent 1.5x anamorphic squeeze ratio. Featuring interchangeable ARRI PL and Canon EF lens mounts, the system easily adapts to various camera platforms using optional bayonets. Additionally, compatibility with MOFAGE POCO drop-in filters enhances versatility, making this lens an exceptional choice for high-end cinematography and filmmaking projects.
Features
-
Full-Frame+ Coverage:
44.7mm image circle ideal for ARRI ALEXA LF and full-frame sensors. -
1.5x Anamorphic Squeeze:
Pronounced cinematic aspect ratios (e.g., 2.66:1 on 16:9 sensors). -
Uniform, Cinematic Bokeh:
Smooth, consistent background blur from center to edge. -
Superior Optical Quality:
Sharp images with excellent contrast, suitable for high-end productions. -
Minimal Edge Distortion:
Reduces compression artifacts, ensuring creative framing flexibility. -
Low Focus Breathing:
Stable framing during focus shifts for professional transitions. -
Compact, Lightweight Design:
Ideal balance between portability and professional usability; gimbal-compatible. -
Precision Focus Control:
Extended 270° focus throw for accurate adjustments. -
Easy Back-Focus Adjustment:
Quick and simple calibration mechanism. -
Interchangeable Mount System:
Default ARRI PL mount; optional Canon EF and other mounts available.
Included
Laowa Nanomorph 32mm T2.9 1.5X LF Anamorphic Lens (Amber Flare) PL/EF
ARRI PL Mount Kit with Shims
Canon EF Mount Kit with Shims
Limited 3-Year Manufacturer Warranty
Specifications
| Maximum Aperture |
T2.9
|
| Minimum Aperture |
T22
|
| Lens Mount |
ARRI PL
|
| Interchangeable Mount |
Yes
|
| Horizontal Squeeze (Anamorphic) |
1.5x
|
| Flare Color |
Amber
|
| Lens Format Coverage |
Full Frame
|
| Image Circle |
44.7 mm
|
| Angle of View |
Full Frame
Horizontal: 81 to 43.5° |
| Focus Scales |
Metric, Imperial
|
| Optical Design |
17 Elements in 15 Groups
|
| Filter Thread |
77 mm
|
| Minimum Focus Distance |
19″ / 48.3 cm
|
| Diaphragm Blades |
13
|
| Image Stabilization |
No
|
| Gear Standard |
0.8 MOD
|
| Gear Rotation |
Not Specified by Manufacturer
|
| Electronic Communication |
No
|
| Coating |
No
|
| Diameter |
Front: 3.1″ / 80 mm
|
| Length |
4.8″ / 121 mm
|
| Weight |
2.34 lb / 1.06 kg
|
Compatibility
| ARRI ALEXA 35 | ARRI ALEXA 35 Live | ARRI ALEXA Mini LF | ARRI ALEXA SXT |
| ARRI AMIRA | Blackmagic Cinema Camera 6K | Blackmagic PYXIS 6K | Blackmagic Pocket Cinema Camera 6K |
| Blackmagic Pocket Cinema Camera 6K G2 | Blackmagic Pocket Cinema Camera 6K Pro | Blackmagic URSA Cine 12K | Blackmagic URSA Cine 17K |
| Blackmagic URSA Mini 4.6K | Blackmagic URSA Mini 4K | Blackmagic URSA Mini Pro 12K | Blackmagic URSA Mini Pro 4.6K |
| Blackmagic URSA Mini Pro 4.6K G2 | Canon EOS C100 | Canon EOS C100 Mark II | Canon EOS C200 |
| Canon EOS C300 | Canon EOS C300 Mark II | Canon EOS C300 Mark III | Canon EOS C500 |
| Canon EOS C500 Mark II | Canon EOS C700 | Canon EOS C700 FF | Canon EOS C700 GS |
| FREEFLY Ember S2.5K | FREEFLY Ember S5K | For.A FT-ONE | JVC GY-LS300 |
| Kinefinity MAVO LF MKII | Kinefinity MAVO S35 MKII | Panasonic AU-EVA1 | Panasonic VariCam 35 |
| Panasonic VariCam 35B | Panasonic VariCam LT | RED DIGITAL CINEMA DSMC2 BRAIN | RED DIGITAL CINEMA DSMC2 BRAIN Monochrome |
| RED DIGITAL CINEMA EPIC-W | RED DIGITAL CINEMA KOMODO | RED DIGITAL CINEMA RANGER | RED DIGITAL CINEMA RAVEN |
| RED DIGITAL CINEMA SCARLET-W | RED DIGITAL CINEMA V-RAPTOR XL S35 | RED DIGITAL CINEMA V-RAPTOR XL VV | RED DIGITAL CINEMA V-RAPTOR XL X VV |
| RED DIGITAL CINEMA WEAPON | Sony BURANO | Sony BURANO CineAlta Digital | Sony PMW-F3 |
| Sony PMW-F5 | Sony PMW-F55 | Sony SRW-9000PL | Sony VENICE 2 6K |
| Sony VENICE 2 8K | Sony VENICE 2 LIVE | Sony VENICE 4K LIVE BUNDLE | Sony VENICE 6K |
| Z CAM E2-F6 | Z CAM E2-F6 MKII | Z CAM E2-F6 Pro | Z CAM E2-F8 |
| Z CAM E2-S6 | Z CAM E2-S6 MKII | Z CAM E2-S6G | Blackmagic URSA Broadcast G2 |





















