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Overview
MAVO mark2 S35, offering frame rates up to 6K Wide at 96fps and 4K Wide at 150fps, boasts dual native ISO settings of 3200 and 800. This ensures outstanding low-light performance, delivering cleaner images, superior highlight management, high dynamic range, and high frame rate shooting capabilities in both low-light and standard lighting conditions.
Both cameras in the MAVO mark2 series by Kinefinity streamline the MAVO Edge’s high-performance computing platform. They feature an enhanced image processing system, dual independent SDI outputs, and the capability to record ProRes4444XQ directly to NVMe M.2 SSDs. These cameras combine a fully integrated, lightweight design with a high-efficiency workflow, providing cinematographers with a classic yet efficient shooting experience at a more accessible price point.
In The Box
- Kinefinity MAVO mark2 S35 (includes active E Mount)
- Kinefinity KineMON-5U2 Ultra-Bright Monitor
- Kinefinity Kine Video Cord (0.3M)
- Kinefinity KineMAG Nano Body
- Kinefinity Movcam KineKIT-Edge Agile
Specifications
| CMOS image sensor | S35 6K 3:2 CMOS image sensor | |||
|---|---|---|---|---|
| highest resolution | 6144×4016 (3:2 full gate), 25 million | |||
| frame rate | 6K Wide 0.2~96fps | |||
| Effective photosensitive size | 24x16mm, ø 28.8mm | |||
| Dual Native ISO | Base ISO: 800; High Base ISO: 3200 | |||
| Tolerance | >14 files | |||
| shutter angle | 0.7°~358° rolling shutter | |||
| body bayonet | Native PL mount, electronic E mount, or universal KineMOUNT (realize PL/LPL/EF through a solid adapter mount) | |||
| optical filter | UV optical OLPF and IR-cut filters | |||
| Encoding formats, LUTs and recording media | ||||
| recording code | encoding type | Package format | bit depth | Remark |
| ProRes4444XQ | Quicktime mov | 12bits | KineLOG3 | |
| ProRes4444 | Quicktime mov | 12bits | KineLOG3 | |
| ProRes422HQ | Quicktime mov | 10bits | KineLOG3, including ProRes422/LT | |
| preview format | H264, mp4 format, 8bits, when the frame rate is less than or equal to 30fps | |||
| LUTs | KineLOG3, Neutral (Rec 709), supports user-defined 3D LUT | |||
| recording medium | KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards | |||
| Media Dimensions (WxHxD) | KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards | |||
| Media Dimensions (WxHxD) | 1.6×3.5×0.35”/40x88x9mm | |||
| Resolution, frame rate, photosensitive size | ||||
|---|---|---|---|---|
| S35 | resolution | frame rate | recording code | Photosensitive size |
| S35 6K OG | 6144×4016, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 24x16mm, ø 28.8mm | |
| S35 6K DCI | 6144×3240, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 24×12.9mm, ø 27.3mm | |
| S35 6K 2.4:1 | 6144×2516, 0.2~96fps | Up to ProRes 4444XQ | Photosensitive size: 24×10.0mm, ø 26.0mm | |
| S35 6K UHD | 5760×3240, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×12.9mm, ø 25.9mm | |
| S35 5K 17:9 | 5120×2700, 0.2~90fps | Up to ProRes 4444XQ | Photosensitive size: 20×10.8mm, ø 22.7mm | |
| S35 5K 2.4:1 | 5120×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 20×8.6mm, ø 21.8mm | |
| S35 5.7K 3:2 | 5760×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×15.3mm, ø 27.2mm | |
| S35 5K 4:3 | 5120×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 20×15.3mm, ø 25.2mm | |
| S35 4.8K 6:5 | 4864×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 19×15.3mm, ø 24.4mm | |
| S35 3.8K 3:2 (oversampling) | 3840×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×15.3mm, ø 27.2mm | |
| S35 4K UHD (oversampling) | 3840×2160, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×12.9mm, ø 25.9mm | |
| S35 3.8K 2.4:1 (oversampling) | 3840×1600, 0.2~96fps | Up to ProRes 4444XQ | Photosensitive size: 24×10.0mm, ø 26.0mm | |
| S35 3.4K 4:3 (oversampling) | 3456×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 20×15.3mm, ø 25.2mm | |
| S35 3K 6:5 (oversampling) | 3072×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 19×15.3mm, ø 24.4mm | |
| M43 | resolution | frame rate | recording code | Photosensitive size |
| M43 4K 17:9 | 4096×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 16×8.6mm, ø 18.2mm | |
| M43 4K 2.4:1 | 4096×1720, 0.2~140fps | Up to ProRes 4444XQ | Photosensitive size: 16×6.8mm, ø 17.4mm | |
| M43 4K UHD | 3840×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 15×8.6mm, ø 17.3mm | |
| M43 3.8K 2.4:1 | 3840×1600, 0.2~150fps | Up to ProRes 4444XQ | Photosensitive size: 15×6.4mm, ø 16.3mm | |
| M43 4K 4:3 | 4096×3072, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 16×12.2mm, ø 20.1mm | |
| M43 2K 17:9 (oversampling) | 2048×1080, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 16×8.6mm, ø 18.2mm | |
| M43 2K 2.4:1 (oversampling) | 2048×860, 0.2~140fps | Up to ProRes 4444XQ | Photosensitive size: 16×6.8mm, ø 17.4mm | |
| M43 2K FHD (oversampling) | 1920×1080, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 15×8.6mm, ø 17.3mm | |
| M43 1.9K 2.4:1 (overshot) | 1920×800, 0.2~150fps | Up to ProRes 4444XQ | Photosensitive size: 15×6.4mm, ø 16.3mm | |
| S16 | resolution | frame rate | recording code | Photosensitive size |
| S16 2K 17:9 | 2048×1080, 0.2~220fps | Up to ProRes 4444XQ | Photosensitive size: 8×4.3mm, ø 9.1mm | |
| S16 2K 2.4:1 | 2048×860, 0.2~270fps | Up to ProRes 4444XQ | Photosensitive size: 8×3.4mm, ø 8.7mm | |
| S16 2K FHD | 1920×1080, 0.2~220fps | Up to ProRes 4444XQ | Photosensitive size: 7.5×4.3mm, ø 8.6mm | |
| S16 1.9K 2.4:1 | 1920×800, 0.2~270fps | Up to ProRes 4444XQ | Photosensitive size: 7.5×3.2mm, ø 8.2mm | |
| Monitor | ||||
| KINEFINITY proprietary Video port x2 | Can be connected to KINEFINITY Micro OLED EVF viewfinder and KineMON-5U2/KineMON-7U2 ultra-bright monitor that supports touch operation 3G/1.5G SDI output x2 with metadata and audio (standard BNC) |
|||
| audio | ||||
| Audio Sample Metrics | Linear PCM output, 24bits, 48KHz | |||
| audio input | Built-in mono MIC Stereo MIC 3.5mm socket Phantom 48V input x2 (standard XLR port) |
|||
| Audio output | 3.5mm stereo monitor output | |||
| Network and Wireless Interface | ||||
| wireless | WIFI5 wireless network, can be used for streaming and camera control Three-axis accelerometer |
|||
| Synchronization and Control | ||||
| time code | Linear time code input & output (0B5P) | |||
| control | RS232 open Lens port, power output (0B5P) | |||
| Multi-machine synchronization, control | RS422 synchronization and KINEFINITY camera synchronization (0B9P) | |||
| RS interface | Power output and trigger recording input (fisher 3P) | |||
| expand | Data and Control, EXT 1 and EXT 2 (gold contacts, 2×4) | |||
| USB | USB Type-C x1 for firmware updates and importing custom 3D LUTs | |||
| Power input and output | ||||
| power consumption | Under 6K HD 25p viewfinder, 27W | |||
| power input | Integrated hybrid battery plate (compatible with V-mount batteries and BP-U batteries) DC power input (1B2P), 11~26V UPS EXT 3 (gold contacts, 2×5) |
|||
| Power Output | RS interface x1, power output @4A SYNC port x1, power output @3A Lens port x1, power output @6A |
|||
| Body Construction and Dimensions | ||||
| color | black | |||
| material | High-strength aviation aluminum alloy | |||
| weight | 1.35kg | |||
| size | 106x124x107 mm (body only without protrusions, width x height x length) | |||
| Working temperature | 0°C ~ 40°C | |||
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