Overview
Unleash the full cinematic potential of your storytelling with the reimagined URSA Cine 12K LF Camera by Blackmagic Design. Featuring a stunning 12K full-frame 36 x 24mm sensor with 16 stops of dynamic range, this advanced camera captures breathtaking detail in Blackmagic RAW up to 12K 3:2 open gate. Designed for versatility, it includes Wi-Fi and SRT live streaming capabilities, integrated ND filters, LEMO and Fischer standard control/power ports, high-speed networking for seamless cloud storage, and support for M.2 SSD media. Equipped with a standard PL mount, the URSA Cine 12K is ready for any professional production.
Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!
Numerous Formats
The large-format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate image, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.
Large Format Flexibility
The large format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!
Interchangeable Lens Mounts
Different projects require different lenses, which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF, and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.
Blackmagic RAW Capture
Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are designed to give you the best possible images with predictable and consistent file sizes. The URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.
In The Box
- Blackmagic Design URSA Cine 12K LF Camera (PL Mount)
- URSA Cine EF Mount
- Screw Set for EF Mount
- Media Module (8TB)
- URSA Cine Handle
- URSA Cine Top Rod Mount (15mm)
- Blackmagic Design 19mm Baseplate for URSA Cine 12K
- Folding Screen Hood for 5″ LCD
- URSA Cine Battery Plate (B-Mount)
- Wi-Fi Antenna Set
- URSA Cine PL Body Cap
- URSA Cine EF Body Cap
- Rubber Cap Set for Connectors
- 24 VDC 250W Power Supply
- DaVinci Resolve Studio Activation Key
- Blackmagic Sticker
- Pelican 1510 Case with Custom-Cut Foam
Specifications
Lens Mount |
ARRI PL
|
Sensor Resolution |
Effective: 98 Megapixel (12,288 x 8040)
|
Image Sensor |
35.64 x 23.32 mm (Full-Frame) CMOS
|
Image Stabilization |
No
|
Built-In ND Filter |
Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
|
Capture Type |
Video Only
|
Shutter Type |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
|
Advertised Dynamic Range |
16 Stops
|
Internal Recording Modes |
Blackmagic RAW
12288 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/80 fps [90 to 1432 MB/s]9648 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 12288 x 6912 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/100 fps 12288 x 6480 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 7680 x 6408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 9408 x 6264 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/100 fps [54 to 856 MB/s]8192 x 5360 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/144 fps [40 to 533 MB/s]6432 x 5360 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps 12288 x 5112 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/120 fps 9312 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 8688 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 8192 x 4608 up to 23.98/24.00/25/29.97/30.00/59.94/60.00 fps 8192 x 4320 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 8192 x 3408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/224 fps 4096 x 2680 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/144 fps [10 to 135 MB/s]4096 x 2304 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 4096 x 2160 up to 23.98/24.00/25/29.97/30.00 fps 3840 x 2160 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps 4096 x 1704 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps 1920 x 1080 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps |
External Recording Modes |
No
|
Fast-/Slow-Motion Support |
Slow-Motion Only
|
Built-In Microphone |
Stereo
|
Audio Recording |
24-Bit 48 kHz
|
IP Streaming |
RTMP, SRT
1920 x 1080 at 60p |
Media/Memory Card Slot |
Single Slot: M.2 SSD
|
Internal Memory |
8 TB
|
Video I/O |
2x BNC (12G-SDI) Output
|
Audio I/O |
2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input
1x 1/8″ / 3.5 mm TRRS Headphone/Mic Output |
Power I/O |
1x LEMO 8-Pin (12 to 24VDC) Input
1x LEMO 7-Pin (12 to 24VDC) Output 1x Fischer 3-Pin (12 to 24VDC) Output |
Other I/O |
2x USB-C (Camera Interface) Input/Output
1x USB-C (Firmware) 1x RJ45 (10 Gigabit Ethernet) Control/Data/Monitor/Video Input/Output 1x BNC (Reference, Timecode) Data Input |
Wireless |
Wi-Fi, Bluetooth
|
Mobile App Compatible |
Yes: iOS Only
App Name: Blackmagic Camera Control Functionality: Remote Control |
Global Positioning (GPS, GLONASS, etc.) |
No
|
Focus Type |
Auto and Manual Focus
|
General
Operating Conditions |
32 to 104°F / 0 to 40°C up to 90% Humidity
|
Storage Conditions |
-4 to 113°F / -20 to 45°C up to 90% Humidity
|
Battery Type |
B-Mount
|
Shoe Mount |
No
|
Tripod Mounting Thread |
4x 3/8″-16 Female (Top)
3x 1/4″-20 Female (Top) 5x 3/8″-16 Female (Bottom) 4x 1/4″-20 Female (Bottom) |
Accessory Mounting Thread |
No
|
Material of Construction |
Carbon Fiber, Magnesium Alloy
|
Dimensions (W x H x D) |
11 x 6 x 6″ / 27.9 x 15.2 x 15.2 cm
|
Weight |
8.72 lb / 3.96 kg (Body Only)
|