MixPre-6 vs Zoom F6: A Comprehensive Comparison
Talking with several audio professionals, about the differences between various audio recorders on the market. We will compare the popular Mixpre-6 to the easy-to-use Zoom F6. Be sure to stick around because we’ll reveal another interesting higher-end model.
Comparison between the Mixpre 6 II and Zoom F6
Based on: price, useability, use-cases and sound quality
Sound quality
Mixpre 6
Preamps
The MixPre 6 II from Sound Devices features Kashmir preamps, which are renowned for their low noise floor (-128dBu), providing extremely quiet operation. This makes it ideal for sensitive audio recording environments where even slight noise can be an issue
Sound Quality
The sound quality is generally considered excellent and comparable to the Zoom F6 for many practical purposes. If you’ve not been in the game for some years you won’t notice a different audio quality-wise.
Limiters
With the mixpre 6 you have the option to either use Analog limiters or Digital limiters.
Zoom F6
Preamps
The Zoom F6, on the other hand, has preamps that are nearly as quiet (-127dBu), making them very competitive.
They are suitable for most field recording needs, including moderately quiet environments like temperate forests during autumn.
Sound Quality
The sound quality is generally considered excellent and comparable to the MixPre for many practical purposes. If you’ve not been in the game for some years you won’t notice a different audio quality-wise.
Limiters
The Zoom F6 has digital limiters built in. Not sure if you would prefer Analog or digital limiters? Discover the differences below
Differences between Analog and Digital limiters
| Analog Limiters | Digital Limiters |
|---|---|
| Work with the audio signal before it is converted to digital. | Operate on the audio signal after it has been digitized. |
| Use voltage-controlled amplifiers to manage volume levels. | Utilize algorithms to adjust audio waveform peaks. |
| Can smoothly reduce volume, often adding a warm sound quality. | Offer precise control, effectively handling sudden spikes. |
| May introduce less noticeable artifacts when compressing. | Can introduce artifacts like distortion or ‘pumping’ effects. |
| Preferred for their natural compression characteristics. | Preferred for their accuracy and system protection capabilities. |
Usability
Mixpre 6
The Mixpre 6 offers more customizability, what comes with more options that might overwhelm a beginner. It will take some time to be able to quickly navigate through the advanced menus but once learned you’ll reap the fruits.
Zoom F6
The Zoom F6 holds your hand a little bit more compared to the Mixpre 6. The automatic limiters will make sure you don’t clip and are great quality. However the drawback is that you have less customizability. You do have the option to change the limiters but it’s not easy to find in the menus.
Use-cases
Mixpre 6
“If you’re setting up a simple audio mix with just a boom and a lavalier mic for left and right channels, it’s the easiest system to use. Simply assign one channel to the left and the other to the right for perfect audio. Clipping is rarely an issue with 24-bit recordings because the limiters are highly effective. The system is user-friendly and virtually foolproof, making it difficult to accidentally disable the limiters.”
Popular use-cases
- video production industries: for its high-quality audio recording capabilities. It supports up to six tracks of external sources plus a stereo mix, making it ideal for capturing dialogue and ambient sounds simultaneously.
- Music Recording and Performance: Musicians can utilize the MixPre-6 II as an 8-input/4-output USB audio interface, allowing recording directly to a computer or standalone using SD cards. It also offers features like overdubbing and punch-in recording, which are beneficial for music production.
- Ambisonic and VR Content: With the optional Ambisonics plugin, the MixPre-6 II supports formats needed for VR content creation, including binaural and AmbiX formats. This makes it a versatile tool for game developers and content creators working in immersive audio environments.
- Field Recording: The device’s portability, combined with its robust environmental specifications (operating in temperatures from -20°C to 60°C), makes it a strong candidate for field recordists who require reliable equipment in various climates.
Zoom F6
“From my experience the Zoom F6 is a little bit more complicated than the Mixpre 6, because of its broad spectrum of configuration options. The Zoom F6 is a compact field recorder designed with advanced features that make it suitable for a wide range of audio recording needs. Its versatile design and functionality cater to professional and enthusiast audio recorders alike.”
Popular use-cases
- Multitrack Field Recording: The F6’s 32-bit float recording capability and dual A/D converters provide immense headroom, eliminating the need to worry about clipping and allowing for post-production flexibility. This makes it suitable for dynamic environments where audio levels are unpredictable.
- Location Sound: Its compact size and ability to be powered via batteries make it ideal for location sound professionals who need a reliable and lightweight recorder during shoots.
- Broadcasting: The F6’s precise timecode functionality and metadata entry capabilities make it a suitable choice for broadcasters and those involved in documentary filmmaking, where syncing audio with video in post is crucial.
- Sound Design: Thanks to its high-resolution recording and extensive input options, the Zoom F6 is excellent for sound designers looking for pristine sound quality and flexibility in capturing a wide range of sounds.
Price
Targeted more towards professionals and serious enthusiasts who require the best audio performance and durability in demanding environments.
Generally more expensive, the MixPre recorders are seen as an investment for audio professionals who require reliability and high audio fidelity. The price reflects the professional-grade components and capabilities.
Offering a range of models at various price points, Zoom recorders are more accessible to a broader audience. If you are on a budget the sweet spot falls on Mixpre 6, as far as the Mixpre series. As a beginner, there’s a chance you don’t need all the additional customizability and you just want an easy setup.
Hidden gem: Sound devices 833
It offers a compact and durable solution that does not compromise on power or functionality. This device features eight full-featured microphone preamps and three additional line-level inputs, making it suitable for multichannel recording setups. Each channel is equipped with high-pass filters, limiters, and delay options to ensure pristine sound quality and flexibility in various recording environments.
The 833 boasts an integrated 12-track recorder that writes to both SD cards and an internal 256 GB SSD for redundancy and safety. It supports 24-bit/192 kHz recording for capturing the highest quality audio. Additionally, the device offers advanced timecode capabilities, making it an excellent choice for sync with video production workflows.
The mixer-recorder is equipped with a user-friendly touchscreen interface and customizable fader panels, allowing for efficient control and monitoring during field operations. Wireless control is also supported via tablets and smartphones, adding another layer of convenience for on-the-go adjustments.
The Sound Devices 833 is particularly suitable for film, television, and broadcast professionals who require a reliable, high-quality audio solution for field productions.
Mixer accessories
Essentials
Sound Devices MX-LMount
Mixers
ORca bag for Mixpre 6
NPF Batteries
DV Batteries
Orca bag for Zoom F6
High quality XLR cable
Orca bag for Mixpre 10
Conclusion
In conclusion, the choice between the Zoom F6 and the MixPre-6 largely depends on the user’s specific needs and professional requirements. The Zoom F6 stands out for its 32-bit float recording technology, offering unparalleled flexibility in handling extreme dynamic ranges, making it ideal for field recordists and sound designers who encounter unpredictable environments and need ample headroom in post-production. On the other hand, the MixPre-6 is lauded for its superior preamps and user-friendly interface, appealing to those in podcasting and filmmaking who prioritize audio quality and ease of use straight out of the box.
If you’re new to the game, I would highly suggest the Zoom F6, since it’s so easy to use. However, if you’ve already got some experience behind your belt, opt for the Mixpre-6.
