cine | Cinegear Amsterdam https://cinegear.nl/product-tag/cine/ Fri, 12 Sep 2025 07:26:16 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://cinegear.nl/wp-content/uploads/2019/12/cropped-Transparent_Normal_Logo-1-32x32.jpg cine | Cinegear Amsterdam https://cinegear.nl/product-tag/cine/ 32 32 SMALLHD CINE 24 4K High Bright Monitor https://cinegear.nl/product/smallhd-cine-24-4k-high-bright-monitor/ Mon, 01 Nov 2021 14:23:27 +0000 https://cinegear.nl/?post_type=product&p=22953 Cine 24 brings 4K monitoring everywhere. 1350nits of sustained brightness enables clear viewing in bright daylight environments, which eliminates the need for a sun hood or viewing tent. Small4K™ Video Processing Architecture offers a total 4K Input / Output workflow with 4x 12G-SDI hardware and PageOS 4 Quad-View* for multiple 4K-input viewing. Lightweight for faster setup & teardown, this monitor is the all-around solution as a director’s monitor or for production & broadcast video villages. Cine 24 is SmallHD’s ultimate production workhorse.

  • 24" 4K High-Bright Monitor
  • 23.8in/60cm IPS LCD
  • 1350nits
  • 3840x2160 Resolution
  • 100% DCI-P3 Colour
  • Weight: 16.5lbs / 7.5kg (with handle & feet)

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]]> KEY PLATFORM HIGHLIGHTS

  • PageOS 4 software platform
    • 4K HDR waveform and scopes
    • Dual & Quad-view*
    • Colour Pipe HDR colour rendering
    • Monitor Calibration Wizard
  • Small4K™ Video Processing Architecture
    • Inputs: 4x 12G-SDI , 1x HDMI 2.0
    • Outputs: 4x 12G-SDI, 1x HDMI 2.0*
  • Unibody Smart Chassis
    • Dovetail Mounting Rail for battery and accessory mounting
    • Interchangeable mounting points
    • 2x 2-pin accessory power outputs
  • Power: Hot-swappable dual inputs: 1x 3-pin XLR, 1x Dual-GM/VM Battery Plate (sold separately)

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]]> Smallhd Cine 13 4k Production Monitor https://cinegear.nl/product/smallhd-cine-13-4k-production-monitor/ Thu, 28 Oct 2021 15:30:07 +0000 https://cinegear.nl/?post_type=product&p=22939 Cine 13 is SmallHD’s most agile, bright, and pixel-dense 4K production monitor yet. Low-profile in design, this portable field companion can be rigged in almost any situation. With brilliant daylight visibility and full 4K clarity, Cine 13 is built for those on-set creatives who require critical focusing capability for non-stop monitoring.

  • 13" 4K High-Bright Production Monitor
  • 13.3in/34cm IPS LCD
  • 1500+nits
  • 10-bit (8+2)
  • Resolution: 3840x2160
  • Weight: 3.09kg / 6.8lbs

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]]> SMALL4K™ VIDEO PROCESSING ARCHITECTURE
  • Inputs: 4x 12G-SDI , 1x HDMI 2.0
  • Outputs: 4x 12G-SDI, 1x HDMI 2.0*

UNIBODY SMART CHASSIS

  • Smartrail for battery and accessory mounting
  • 2x 2-pin accessory power outputs
  • Lower mounting rail included for ultimate flexibility

PAGEOS 4 SOFTWARE PLATFORM

  • 4K HDR waveform and scopes*
  • Dual & Quad-View*
  • Colour Pipe HDR color rendering
  • Monitor Calibration Wizard

POWER

  • Hot-swappable dual inputs
  • 1x 4-pin XLR input
  • 1x Dual-GM/VM Battery Plate (sold separately)

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]]> Blackmagic Ursa Mini Pro 12k https://cinegear.nl/product/blackmagic-ursa-mini-pro-12k/ Thu, 22 Oct 2020 16:00:12 +0000 https://cinegear.nl/?post_type=product&p=20132 Blackmagic Design has annouced its first 12K video camera, the Ursa Mini Pro 12K. It’s a higher resolution version of the existing Ursa Mini Pro, which shoots at 4.6K; the new model has a 12288 x 6480 Super 35 sensor capable of capturing 12K footage at 60 frames per second, 8K at 110 fps, and cropped 4K Super 16 at 220 fps.

  • 12K Super 35 HDR CMOS Sensor
  • 12K 17:9 up to 60 fps, DCI 8K to 100 fps
  • 14 Stops of Dynamic Range
  • User-Changeable PL Lens Mount

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]]> The camera uses a PL mount for compatibility with a wide range of high-end cinema lenses, but it can be swapped out for Canon EF and Nikon F mounts. Other features include built-in ND filters and a USB-C 3.1 Gen 2 expansion port for faster data transfer to external SSDs.

No-one has a 12K TV, obviously, so this camera isn’t necessarily designed for projects that will actually be viewed in 12K. Instead, Blackmagic says the extra pixels can help produce a cleaner image in 8K or 4K through downsampling, as well as letting you crop in post-production without losing resolution. Blackmagic’s own DaVinci Resolve software is capable of editing 12K footage, while the camera’s built-in compression can store 4K, 6K, and 8K versions at once for instant exporting.

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]]> Azden SGM-250MX Professional Compact Cine Mic with Mini XLR https://cinegear.nl/product/azden-sgm-250mx-professional-compact-cine-mic-with-mini-xlr/ Thu, 12 Mar 2020 16:31:22 +0000 https://cinegear.nl/?post_type=product&p=16085

  • Professional shotgun microphone for film and video production. Compact size ideal for mounting on small cameras that use the Mini XLR input. Works with Blackmagic Pocket Cinema Camera 4K and 6K. Powered by standard 48V phantom power. Hardwired Mini XLR cable.

    Features

    • Handcrafted in Japan
    • Short length ideal for mounting on compact cinema cameras
    • Works with BMPCC 4K and 6K cameras Mini XLR input
    • Supercardioid polar pattern for rejecting side noise
    • Hardwired output cable with 3-pin Mini XLR connector
    • High sensitivity, low noise condenser microphone element
    • Wide frequency response for accurate audio capture
    • Powered by P48 phantom power
    • All metal alloy case
    • 10 year warranty with online registration

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]]> The SGM-250MX is a short length, condenser shotgun microphone that is ideal for mounting on compact digital cinema cameras. Measuring a mere 6 inches in length, the SGM-250MX can easily stay out of the way. Integrated in the microphone’s design is a hardwired, 13-inch cable with a Mini XLR connector, specially made for cinema cameras that use the smaller Mini XLR input, such as the Blackmagic Pocket Cinema Camera 4K and 6K. The microphone’s highly sensitive, condenser element is powered by standard 48 V phantom power, which most XLR (Mini included) microphone inputs can provide.

The SGM-250MX includes Azden’s SMH-X shock mount which mounts to standard size camera shoe slots, as well as ¼”- 20 threaded mounts and tripods. Also included are diameter expander sheets for universal compatibility with ring-clamp style microphone mounts.

Legendary Natural Sound

The SGM-250 microphone series has become notable in the industry for its natural, professional sound. Specifically tuned to preserve the natural qualities of a speaking subject. While other manufactures hype-up the bass response on their microphones, making the audio sound muddy, or over-accentuate high mids, making dialogue tracks sound harsh, you can expect the SGM-250MX to accurately record the sound of your scene.

Not Just A Reference Microphone

You can rely on the SGM-250MX for great reference audio, but it’s capable of more than that. Its low noise, and wide frequency response performance means it can capture audio good enough for the final cut. Whether you run and gun, mount to a pistol grip or a boom pole, the SGM-250MX can be your go-to mic for great dialogue capture.

In The Box

  • SGM-250MX microphone
  • Shock mount holder
  • Windscreen
  • Carrying pouch
  • Rubber sheets

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]]> Samyang 8mm T3.8 UMC VDSLR CSII Fisheye Lens – Sony E https://cinegear.nl/product/samyang-8mm-t3-8-umc-vdslr-fisheye-csii/ Wed, 12 Feb 2020 13:14:15 +0000 https://cinegear.nl/?post_type=product&p=12986 Although the Samyang 8mm T3.8 AS IF MC Fisheye CSII DH is built for APS-C cameras, it can also be used on a Full-Frame camera if the lens hood is removed. On Full-Frame cameras, the Samyang 8mm T3.8 Fisheye provides a very wide field of view, making it ideal for spectacular video and panorama shooting.

Fisheye lenses are also popular to create special effects where distortion and field curvature, exaggerated perspective, or extreme depth of field in the shot are desired. Groups such as skaters and surfers use this Samyang 8mm T3.8 Fisheye for their action videos to document their exciting moments. The Samyang 8mm T3.8 Fisheye offers exceptional image quality for a Fisheye lens in this price range and therefore has an exceptional price/quality ratio. A specialized lens, affordable for every photographer.

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]]> Samyang’s unique Cine options
The Samyang Cine series of lenses allows more precise video work through T markings. Because the lens is equipped with a serrated focus ring, it can be used as standard with a follow focus system. You can change the aperture quietly and smoothly with the uncoupled continuously variable aperture ring. The distance scale and T numbers are also on both sides of the lens for extra ease of filming.

Finally, all Samyang Cine lenses are of the same length and color temperature, so that they can be exchanged without problems during filming.

 

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]]> ZEISS Milvus 21mm F2.8 Full Frame Camera Lens https://cinegear.nl/product/zeiss-milvus-2-8-21mm/ Fri, 13 Dec 2019 13:43:19 +0000 https://cinegear.nl/?post_type=product&p=7033 The ZEISS Milvus 2.8 / 21 super wide angle lens, of the ZEISS Distagon type, is the best super wide angle in its class. Thanks to the maximum aperture of f / 2.8, a very low level of internal reflections and virtually no distortion, this super wide-angle lens is ideal for spectacular image compositions with great diversity, dramatic contrast and vivid colors. The further optimization of the famous ZEISS T * coating reduces ghosting, flare and shadow effects under the most critical lighting conditions.

  • Aperture Range: f/2.8 to f/22
  • Five Low Dispersion Elements
  • Distagon Optical Design
  • ZEISS T* Anti-Reflective Coating
  • Floating Elements System
  • Manual Focus Design, Rubber Focus Ring
  • Weather-Sealed Construction

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]]> The post ZEISS Milvus 21mm F2.8 Full Frame Camera Lens appeared first on Cinegear Amsterdam.

]]> Zeiss Milvus 2.8/18mm https://cinegear.nl/product/zeiss-milvus-2-8-18mm/ Fri, 13 Dec 2019 13:39:04 +0000 https://cinegear.nl/?post_type=product&p=7026 This compact super-wide-angle lens has a completely new calculated ZEISS Distagon optical design with 14 lens elements in 12 groups, including two aspherical lens elements. The ZEISS Milvus 2.8 / 18 has a short close-up distance of only 25 centimeters and an internal focus. With an angle of 99.9 degrees, this lens is the ideal companion for landscape and architecture photographers. It offers the possibility to take creative shots with unusual perspectives. The ZEISS Milvus 2.8 / 18 delivers exceptional image quality and has a very good distortion correction, the filter thread has a diameter of 77 millimeters.

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]]> The post Zeiss Milvus 2.8/18mm appeared first on Cinegear Amsterdam.

]]> Zeiss Milvus 2.8/15mm https://cinegear.nl/product/zeiss-milvus-2-8-15mm/ Fri, 13 Dec 2019 13:35:41 +0000 https://cinegear.nl/?post_type=product&p=7020 This super wide-angle lens, with a field of view of 110 degrees, makes it possible for every photographer to make a composition with an extreme perspective. The ZEISS Milvus 2.8 / 15 has excellent image quality, even with the aperture open, thanks to the good correction of color aberrations. Color edges and distortion are therefore minimal. This is due to the ZEISS Distagon® design with 15 lens elements in 12 groups, including two aspherical lens parts, special glass with deviating partial dispersion, and a floating lens element design. A removable lens hood and a 95mm filter thread also make this lens the ideal companion for special applications with the help of optional slide-in filter holders.

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]]> Zeiss Milvus 2.0/50mm https://cinegear.nl/product/zeiss-milvus-2-0-50mm/ Fri, 13 Dec 2019 13:32:34 +0000 https://cinegear.nl/?post_type=product&p=7014 Breathtaking details in macro photography and traditional portraits are the strengths of the ZEISS Milvus 2.0 / 50 Makro-Planar. Thanks to the excellent performance at all distances, this macro lens can be used for a large number of applications. The ZEISS Milvus 2.0 / 50 is currently the brightest 50mm macro lens on the market. Due to the high brightness, the smallest details in the foreground can be displayed sharply with a very nice background blur. The further optimization of the famous ZEISS T * coating reduces ghosting, flare and shadow effects under the most critical lighting conditions.

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]]> The post Zeiss Milvus 2.0/50mm appeared first on Cinegear Amsterdam.

]]> Zeiss Milvus 2.0/35mm https://cinegear.nl/product/zeiss-milvus-2-0-35mm/ Fri, 13 Dec 2019 13:29:03 +0000 https://cinegear.nl/?post_type=product&p=7008 The ZEISS Milvus 2.0 / 35, of the ZEISS Distagon type, is a moderate wide-angle lens that is suitable for capturing all kinds of scenes in their natural perspective. Nothing escapes this bright lens, even with dim lighting. Due to the compact design and the fast and very precise manual focus, the ZEISS Milvus 2.0 / 35 is perfect for reportage photography. Thanks to the excellent image quality and the versatility, this lens is always ready for the most unexpected moments. The further optimization of the famous ZEISS T * coating reduces ghosting, flare and shadow effects under the most critical lighting conditions.

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]]> The post Zeiss Milvus 2.0/35mm appeared first on Cinegear Amsterdam.

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