Promotions | Cinegear Amsterdam https://cinegear.nl/tr/urun-kategori/sale/promotions/ Mon, 12 Oct 2026 13:01:35 +0000 tr hourly 1 https://wordpress.org/?v=7.1.3 https://cinegear.nl/wp-content/uploads/2019/12/cropped-Transparent_Normal_Logo-1-32x32.jpg Promotions | Cinegear Amsterdam https://cinegear.nl/tr/urun-kategori/sale/promotions/ 32 32 Kinefinity Eagle EYE SDI Universal Electronic Viewfinder (Black) (Open Box) https://cinegear.nl/tr/urun/kinefinity-eagle-eye-sdi-universal-electronic-viewfinder-black-open-box/ Thu, 25 Sep 2025 01:02:30 +0000 https://cinegear.nl/?post_type=product&p=114958 The EVF utilizes a 0.7″ / 1.3cm 1920 x 1080 Micro OLED panel with a contrast ratio of 10,000:1. Supported by 10-bit processing, it ensures exceptional color depth and precision, presenting a broad spectrum of 16 million colors.

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Genel Bakış

This premium optical eyepiece of the EVF is distinguished by its high resolution, ultra-low chromatic aberration, and a broad field of view. It notably includes a built-in diopter that can be adjusted from -6D to +2D. This alleviates concerns related to myopia, ensuring a comfortable viewing experience for all users.

The Kinefinity Universal Electronic Viewfinder has a single 7-24V LEMO power input and a 3G-SDI input. The power draw of the EVF is just 2.5W.

The Kinefinity Electronic Viewfinder supports the SMPTE protocol SDI interface, allowing it to work smoothly with the vast majority of professional cinema cameras on the market. Whether it’s 3G or 1.5G SDI output video signals from various cameras, in formats like 1080p, 1080i, or 1080psf, they can all be displayed on the EVF’s Micro-OLED screen.

In The Box

1x EAGLE SDI e-Viewfinder (Black)
1x SDI e-Viewfinder Cord (D-Tap, 40cm)
1x Quick guide
1x Thanks card
1x LOGO tag

Specifications

Model Name
KVF10
Display
0.7″ Micro-OLED
Resolution
1920 x 1080
Field of View
>33°
Diopter
-6.0 to +2.0
Weight
348g/12.2oz
Video Input
3G/1.5G SDI
RS
Rec Start/Stop with Power in
Power voltage input
7-26V
Power Consumption
2.5 W
Material
Aluminum Alloy

Compatibility

Universal

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]]> BLAZAR Remus 35mm T1.6 1.5X S35 Anamorphic Lens PL Mount (openbox) https://cinegear.nl/tr/urun/blazar-remus-35mm-t1-6-1-5x-s35-anamorphic-lens-pl-mount-openbox/ Fri, 01 Aug 2025 14:31:31 +0000 https://cinegear.nl/?post_type=product&p=114006 Aperture: T1.6 to T22
Lens Mount: PL
Squeeze Factor: 1.5X
Close Focus: 0.79m / 2.6ft
Focus Rotation: 150°
Aperture Rotation: 76.7°
Weight: 1.63lbs / 742g
IRIS Blades: 16
Front Diameter: 80mm
Filter Thread: 77mm X 0.75
Image Circle: 25x17mm
Length(PL): 93mm
Lens Flare: Silver

The post BLAZAR Remus 35mm T1.6 1.5X S35 Anamorphic Lens PL Mount (openbox) appeared first on Cinegear Amsterdam.

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Genel Bakış

The Remus 35mm 1.5x series has a constant 1.5x squeeze factor and supports S35 shooting. The lens covers a 25x17mm image circle and has a T1.6 aperture stop.

The Remus 1.5x lenses have a classic anamorphic look by achieving a balance between retro character and modern cinema, giving a unique pleasing style to the image.

Tech Specs

Aperture: T1.6 to T22
Lens Mount: PL
Squeeze Factor: 1.5X
Close Focus: 0.79m / 2.6ft
Focus Rotation: 150°
Aperture Rotation: 76.7°
Weight: 1.63lbs / 742g
IRIS Blades: 16
Front Diameter: 80mm
Filter Thread: 77mm X 0.75
Image Circle: 25x17mm
Length(PL): 93mm
Lens Flare: Silver/Blue/Amber

SHOT ON REMUS 1.5X



The post BLAZAR Remus 35mm T1.6 1.5X S35 Anamorphic Lens PL Mount (openbox) appeared first on Cinegear Amsterdam.

]]> Hollyland LARK M2 DUO with Lightning Connector (Shine Charcoal) https://cinegear.nl/tr/urun/hollyland-lark-m2-duo-with-lightning-connector-shine-charcoal/ Thu, 01 Aug 2024 09:40:00 +0000 https://cinegear.nl/?post_type=product&p=89423 Hollyland LARK M2 DUO 2-Person Wireless Microphone System with Lightning Connector (2.4 GHz, Shine Charcoal)

  • For Mobile Journalism, Content Creation
  • 2 x Transmitters with Built-In Omni Mics
  • Lightning Plug-In Receiver
  • Clip-On, Compact Form Factor
  • Up to 1000' Transmission Distance
  • 48 kHz 24-Bit Hi-Fi Sound
  • Environmental Noise Cancellation
  • LED Indicators, Built-In Batteries
  • iOS/Android App Control
  • Included Charging Case

The post Hollyland LARK M2 DUO with Lightning Connector (Shine Charcoal) appeared first on Cinegear Amsterdam.

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Genel Bakış

Capture up to two individuals in mobile journalism or content creation using the shine charcoal, 2.4 GHz LARK M2 DUO Wireless Combo Microphone System by Hollyland. This system comes with two transmitters featuring built-in omnidirectional microphones and dual-interface mesh, three different receivers, and a charging case. Magnetic back clips and silicone necklace cases allow for easy attachment of the transmitters to your subjects. The package also includes various adapter cables and an integrated camera shoe mount, ensuring compatibility with a wide range of devices.

Stable Audio Transmission

High-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000′ away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit, 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.

Clip-On Transmitter Units

The transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.

Plug-In Receiver with Lightning Connector

The receiver features plug-in Lightning connector design with an MFi-certified chip for compatibility with iOS. Onboard controls allow you to toggle noise cancellation and pairing. The receiver runs on plug-in power from your connected device. LED indicators show the mode status of each transmitter unit.

Long Battery Life, Charging Case

  • The transmitters feature a 90mAh internal battery with a 10-hour battery life. Once depleted, recharge the transmitters in the included charging case or via USB-C ports.
  • The charging case is specifically designed to accommodate the plug-in receiver and two transmitter units. Its 750mAh internal battery can recharge the transmitters twice for a total battery life of 40 hours.

The post Hollyland LARK M2 DUO with Lightning Connector (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]> Hollyland LARK M2 DUO with USB-C Connector (Shine Charcoal) https://cinegear.nl/tr/urun/hollyland-lark-m2-duo-with-usb-c-connector-shine-charcoal/ Thu, 01 Aug 2024 09:38:28 +0000 https://cinegear.nl/?post_type=product&p=89422 Hollyland LARK M2 DUO 2-Person Wireless Microphone System with USB-C Connector (2.4 GHz, Shine Charcoal)

  • For Mobile Journalism, Content Creation
  • 2 x Transmitters with Built-In Omni Mics
  • USB-C Plug-In Receiver
  • Clip-On, Compact Form Factor
  • Up to 1000' Transmission Distance
  • 48 kHz 24-Bit Hi-Fi Sound
  • Environmental Noise Cancellation
  • LED Indicators, Built-In Batteries
  • iOS/Android App Control
  • Included Charging Case

The post Hollyland LARK M2 DUO with USB-C Connector (Shine Charcoal) appeared first on Cinegear Amsterdam.

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Genel Bakış

Capture up to two individuals in mobile journalism or content creation using the shine charcoal, 2.4 GHz LARK M2 DUO Wireless Combo Microphone System by Hollyland. This system comes with two transmitters featuring built-in omnidirectional microphones and dual-interface mesh, three different receivers, and a charging case. Magnetic back clips and silicone necklace cases allow for easy attachment of the transmitters to your subjects. The package also includes various adapter cables and an integrated camera shoe mount, ensuring compatibility with a wide range of devices.

Stable Audio Transmission

High-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000′ away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit, 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.

Clip-On Transmitter Units

The transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.

Plug-In Receiver with USB-C Connector

The receiver features plug-in, class-compliant USB-C connector design compatible with both iOS and Android devices. Onboard controls allow you to toggle noise cancellation and pairing. The receiver runs on plug-in power from your connected device. LED indicators show the mode status of each transmitter unit.

Long Battery Life, Charging Case

  • The transmitters feature a 90mAh internal battery with a 10-hour battery life. Once depleted, recharge the transmitters in the included charging case or via USB-C ports.
  • The charging case is specifically designed to accommodate the plug-in receiver and two transmitter units. Its 750mAh internal battery can recharge the transmitters twice for a total battery life of 40 hours.

The post Hollyland LARK M2 DUO with USB-C Connector (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]> Hollyland LARK M2 DUO Camera-Mount Microphone System (Shine Charcoal) https://cinegear.nl/tr/urun/hollyland-lark-m2-duo-camera-mount-microphone-system-shine-charcoal/ Thu, 01 Aug 2024 09:36:17 +0000 https://cinegear.nl/?post_type=product&p=89421 Hollyland LARK M2 DUO 2-Person Wireless Camera-Mount Microphone System (2.4 GHz, Shine Charcoal)

  • For Mobile Journalism, Content Creation
  • 2 x Transmitters with Built-In Omni Mics
  • Dual-Channel Camera-Mount Receiver
  • Clip-On, Compact Form Factor
  • Up to 1000' Transmission Distance
  • 48 kHz 24-Bit Hi-Fi Sound
  • Environmental Noise Cancellation
  • LED Indicators, Built-In Batteries
  • iOS/Android App Control
  • Included Charging Case

The post Hollyland LARK M2 DUO Camera-Mount Microphone System (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]>

Genel Bakış

Capture up to two individuals in mobile journalism or content creation using the shine charcoal, 2.4 GHz LARK M2 DUO Wireless Combo Microphone System by Hollyland. This system comes with two transmitters featuring built-in omnidirectional microphones and dual-interface mesh, three different receivers, and a charging case. Magnetic back clips and silicone necklace cases allow for easy attachment of the transmitters to your subjects. The package also includes various adapter cables and an integrated camera shoe mount, ensuring compatibility with a wide range of devices.

Stable Audio Transmission

High-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000′ away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit, 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.

Clip-On Transmitter Units

The transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.

Dual-Channel Camera-Mount Receiver

The receiver is dual-channel and features an integrated camera-mount interface. A 3.5mm TRS output port records audio directly to your device of choice. Onboard controls allow you to toggle between stereo and mono modes or adjust the volume of your recording. LED indicators show the mode status of each transmitter unit. Use the included USB-C, USB-C to Lightning, and 3.5mm TRS cables to adapt the existing ports on the receiver to a wide variety of devices.

Long Battery Life, Charging Case

  • The transmitters feature a 90mAh internal battery with a 10-hour battery life. The camera-mount receiver features a 145mAh internal battery with a 9-hour battery life. Once depleted, recharge all of the components in the included charging case in just 2 hours or via USB-C in 1.5 hours.
  • The charging case is specifically designed to accommodate the camera-mount receiver and two transmitter units. Its 1950mAh internal battery can recharge the entire system three times for a total battery life of 40 hours.

The post Hollyland LARK M2 DUO Camera-Mount Microphone System (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]> Hollyland LARK M2 Combo DUO (Shine Charcoal) https://cinegear.nl/tr/urun/hollyland-lark-m2-combo-duo-shine-charcoal/ Thu, 01 Aug 2024 09:33:03 +0000 https://cinegear.nl/?post_type=product&p=89420 Hollyland LARK M2 DUO 2-Person Wireless Combo Microphone System (2.4 GHz, Shine Charcoal)

  • For Mobile Journalism, Content Creation
  • 2 x Transmitters with Built-In Omni Mics
  • Camera-Mount and Plug-In Receivers
  • Clip-On, Compact Form Factor
  • Up to 1000' Transmission Distance
  • 48 kHz, 24-Bit Hi-Fi Sound
  • Environmental Noise Cancellation
  • LED Indicators, Built-In Batteries
  • iOS/Android App Control
  • Included Charging Case

The post Hollyland LARK M2 Combo DUO (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]>

Genel Bakış

Capture up to two individuals in mobile journalism or content creation using the shine charcoal, 2.4 GHz LARK M2 DUO Wireless Combo Microphone System by Hollyland. This system comes with two transmitters featuring built-in omnidirectional microphones and dual-interface mesh, three different receivers, and a charging case. Magnetic back clips and silicone necklace cases allow for easy attachment of the transmitters to your subjects. The package also includes various adapter cables and an integrated camera shoe mount, ensuring compatibility with a wide range of devices.

Stable Audio Transmission

High-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000′ away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit, 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.

Clip-On Transmitter Units

The transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.

Camera-Mount and Plug-In Receivers

  • The combo version of the LARK M2 includes a camera-mount receiver and two plug-in receivers—one Lightning and one USB-C.
  • The camera-mount receiver is dual-channel and features an integrated camera-mount interface. A 3.5mm TRS output port records audio directly to your device of choice. Onboard controls allow you to toggle between stereo and mono modes or adjust the volume of your recording. LED indicators show the mode status of each transmitter unit. Use the included USB-C and 3.5mm TRS cables to adapt the existing ports on the receiver to a wide variety of devices.
  • The plug-in receivers feature MFi-certified Lightning and class-compliant USB-C connectors compatible with iOS and Android devices. They run on plug-in power from your connected device. Onboard controls allow you to toggle noise cancellation and pairing. LED indicators show the mode status of each transmitter unit.

Long Battery Life, Charging Case

  • The transmitters feature a 90mAh internal battery with a 10-hour battery life. The camera-mount receiver features a 145mAh internal battery with a 9-hour battery life. Once depleted, recharge all of the components in the included charging case in just 2 hours or via USB-C in 1.5 hours.
  • The charging case is specifically designed to accommodate the camera-mount receiver and two transmitter units. Its 1950mAh internal battery can recharge the entire system three times for a total battery life of 40 hours.

The post Hollyland LARK M2 Combo DUO (Shine Charcoal) appeared first on Cinegear Amsterdam.

]]> Kinefinity MAVO Mark2 S35 Pack https://cinegear.nl/tr/urun/kinefinity-mavo-mark2-s35-pack/ Thu, 01 Aug 2024 02:15:23 +0000 https://cinegear.nl/?post_type=product&p=89382 MAVO S35 Mark 2 comes with a new S35 3:2 CMOS image sensor and a new high-performance computing platform

The post Kinefinity MAVO Mark2 S35 Pack appeared first on Cinegear Amsterdam.

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Genel Bakış

MAVO mark2 S35, offering frame rates up to 6K Wide at 96fps and 4K Wide at 150fps, boasts dual native ISO settings of 3200 and 800. This ensures outstanding low-light performance, delivering cleaner images, superior highlight management, high dynamic range, and high frame rate shooting capabilities in both low-light and standard lighting conditions.

Both cameras in the MAVO mark2 series by Kinefinity streamline the MAVO Edge’s high-performance computing platform. They feature an enhanced image processing system, dual independent SDI outputs, and the capability to record ProRes4444XQ directly to NVMe M.2 SSDs. These cameras combine a fully integrated, lightweight design with a high-efficiency workflow, providing cinematographers with a classic yet efficient shooting experience at a more accessible price point.

In The Box

  • Kinefinity MAVO mark2 S35 (includes active E Mount)
  • Kinefinity KineMON-5U2 Ultra-Bright Monitor
  • Kinefinity Kine Video Cord (0.3M)
  • Kinefinity KineMAG Nano Body
  • Kinefinity Movcam KineKIT-Edge Agile

Specifications

CMOS image sensor S35 6K 3:2 CMOS image sensor
highest resolution 6144×4016 (3:2 full gate), 25 million
frame rate 6K Wide 0.2~96fps
Effective photosensitive size 24x16mm, ø 28.8mm
Dual Native ISO     Base ISO: 800; High Base ISO: 3200
Tolerance >14 files
shutter angle 0.7°~358° rolling shutter
body bayonet Native PL mount, electronic E mount, or universal KineMOUNT (realize PL/LPL/EF through a solid adapter mount)
optical filter UV optical OLPF and IR-cut filters
Encoding formats, LUTs and recording media
recording code encoding type Package format bit depth Remark
ProRes4444XQ Quicktime mov 12bits KineLOG3
ProRes4444 Quicktime mov 12bits KineLOG3
ProRes422HQ Quicktime mov 10bits KineLOG3, including ProRes422/LT
preview format H264, mp4 format, 8bits, when the frame rate is less than or equal to 30fps
LUTs KineLOG3, Neutral (Rec 709), supports user-defined 3D LUT
recording medium KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards
Media Dimensions (WxHxD) KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards
Media Dimensions (WxHxD) 1.6×3.5×0.35”/40x88x9mm
Resolution, frame rate, photosensitive size
S35 resolution frame rate recording code Photosensitive size
S35 6K OG 6144×4016, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 24x16mm, ø 28.8mm
S35 6K DCI 6144×3240, 0.2~75fps Up to ProRes 4444XQ Photosensitive size: 24×12.9mm, ø 27.3mm
S35 6K 2.4:1 6144×2516, 0.2~96fps Up to ProRes 4444XQ Photosensitive size: 24×10.0mm, ø 26.0mm
S35 6K UHD 5760×3240, 0.2~75fps Up to ProRes 4444XQ Photosensitive size: 22.5×12.9mm, ø 25.9mm
S35 5K 17:9 5120×2700, 0.2~90fps Up to ProRes 4444XQ Photosensitive size: 20×10.8mm, ø 22.7mm
S35 5K 2.4:1 5120×2160, 0.2~112fps Up to ProRes 4444XQ Photosensitive size: 20×8.6mm, ø 21.8mm
S35 5.7K 3:2 5760×3840, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 22.5×15.3mm, ø 27.2mm
S35 5K 4:3 5120×3840, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 20×15.3mm, ø 25.2mm
S35 4.8K 6:5 4864×3840, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 19×15.3mm, ø 24.4mm
S35 3.8K 3:2 (oversampling) 3840×2460, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 22.5×15.3mm, ø 27.2mm
S35 4K UHD (oversampling) 3840×2160, 0.2~75fps Up to ProRes 4444XQ Photosensitive size: 22.5×12.9mm, ø 25.9mm
S35 3.8K 2.4:1 (oversampling) 3840×1600, 0.2~96fps Up to ProRes 4444XQ Photosensitive size: 24×10.0mm, ø 26.0mm
S35 3.4K 4:3 (oversampling) 3456×2460, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 20×15.3mm, ø 25.2mm
S35 3K 6:5 (oversampling) 3072×2460, 0.2~60fps Up to ProRes 4444XQ Photosensitive size: 19×15.3mm, ø 24.4mm
M43 resolution frame rate recording code Photosensitive size
M43 4K 17:9 4096×2160, 0.2~112fps Up to ProRes 4444XQ Photosensitive size: 16×8.6mm, ø 18.2mm
M43 4K 2.4:1 4096×1720, 0.2~140fps Up to ProRes 4444XQ Photosensitive size: 16×6.8mm, ø 17.4mm
M43 4K UHD 3840×2160, 0.2~112fps Up to ProRes 4444XQ Photosensitive size: 15×8.6mm, ø 17.3mm
M43 3.8K 2.4:1 3840×1600, 0.2~150fps Up to ProRes 4444XQ Photosensitive size: 15×6.4mm, ø 16.3mm
M43 4K 4:3 4096×3072, 0.2~75fps Up to ProRes 4444XQ Photosensitive size: 16×12.2mm, ø 20.1mm
M43 2K 17:9 (oversampling) 2048×1080, 0.2~112fps Up to ProRes 4444XQ Photosensitive size: 16×8.6mm, ø 18.2mm
M43 2K 2.4:1 (oversampling) 2048×860, 0.2~140fps Up to ProRes 4444XQ Photosensitive size: 16×6.8mm, ø 17.4mm
M43 2K FHD (oversampling) 1920×1080, 0.2~112fps Up to ProRes 4444XQ Photosensitive size: 15×8.6mm, ø 17.3mm
M43 1.9K 2.4:1 (overshot) 1920×800, 0.2~150fps Up to ProRes 4444XQ Photosensitive size: 15×6.4mm, ø 16.3mm
S16 resolution frame rate recording code Photosensitive size
S16 2K 17:9 2048×1080, 0.2~220fps Up to ProRes 4444XQ Photosensitive size: 8×4.3mm, ø 9.1mm
S16 2K 2.4:1 2048×860, 0.2~270fps Up to ProRes 4444XQ Photosensitive size: 8×3.4mm, ø 8.7mm
S16 2K FHD 1920×1080, 0.2~220fps Up to ProRes 4444XQ Photosensitive size: 7.5×4.3mm, ø 8.6mm
S16 1.9K 2.4:1 1920×800, 0.2~270fps Up to ProRes 4444XQ Photosensitive size: 7.5×3.2mm, ø 8.2mm
Monitor
KINEFINITY proprietary Video port x2 Can be connected to KINEFINITY Micro OLED EVF viewfinder and KineMON-5U2/KineMON-7U2 ultra-bright monitor that supports touch operation
3G/1.5G SDI output x2 with metadata and audio (standard BNC)
audio
Audio Sample Metrics Linear PCM output, 24bits, 48KHz
audio input Built-in mono MIC
Stereo MIC 3.5mm socket
Phantom 48V input x2 (standard XLR port)
Audio output 3.5mm stereo monitor output
Network and Wireless Interface
wireless WIFI5 wireless network, can be used for streaming and camera control
Three-axis accelerometer
Synchronization and Control
time code Linear time code input & output (0B5P)
control RS232 open Lens port, power output (0B5P)
Multi-machine synchronization, control RS422 synchronization and KINEFINITY camera synchronization (0B9P)
RS interface Power output and trigger recording input (fisher 3P)
expand Data and Control, EXT 1 and EXT 2 (gold contacts, 2×4)
USB USB Type-C x1 for firmware updates and importing custom 3D LUTs
Power input and output
power consumption Under 6K HD 25p viewfinder, 27W
power input Integrated hybrid battery plate (compatible with V-mount batteries and BP-U batteries)
DC power input (1B2P), 11~26V
UPS EXT 3 (gold contacts, 2×5)
Power Output RS interface x1, power output @4A
SYNC port x1, power output @3A
Lens port x1, power output @6A
Body Construction and Dimensions
color black
material High-strength aviation aluminum alloy
weight 1.35kg
size 106x124x107 mm (body only without protrusions, width x height x length)
Working temperature 0°C ~ 40°C

The post Kinefinity MAVO Mark2 S35 Pack appeared first on Cinegear Amsterdam.

]]> Kinefinity MAVO Mark 2 LF Pack https://cinegear.nl/tr/urun/kinefinity-mavo-mark-2-lf-pack/ Thu, 01 Aug 2024 02:11:17 +0000 https://cinegear.nl/?post_type=product&p=89381 Kinefinity MAVO LF Mark 2 delivers advanced technology and integration for high-end production. Providing great performance, advanced features and an enticing price offer.

The post Kinefinity MAVO Mark 2 LF Pack appeared first on Cinegear Amsterdam.

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Genel Bakış

MAVO Mark 2 LF, much like the MAVO Edge 6K, features a full-frame 3:2 CMOS image sensor, enabling it to achieve high frame rates of up to 75fps in 6K and dual native ISO settings of 5120/800. The updated MAVO LF Mark 2 excels in high sensitivity, preserving more highlight details, making it ideal for scenes with complex lighting. Its large format provides a wider viewing angle, delivering a shallower depth of field for a more cinematic look.

The MAVO Mark 2 enhances lens compatibility, continuing support for the versatile KineMOUNT system, which allows for quick adaptation to EF, PL, and LPL mounts. Additionally, it introduces new native PL and electronic E-mount options, which can be installed and removed by users without the need for flange distance adjustments.

The dual MAVO Mark 2 cameras incorporate a simplified version of the MAVO Edge high-performance computing platform, significantly upgrading the image processing system. They offer independent dual SDI outputs and record in ProRes4444XQ format to NVMe M.2 SSDs within the camera. This integration results in a sleek, lightweight design and efficient workflow, providing photographers with a classic and efficient cinematography experience at a more accessible price point.

In The Box

Kinefinity MAVO Mark 2 LF (includes active PL Mount)
Kinefinity KineMON-5U2 Ultra-Bright Monitor
Kinefinity Kine Video Cord (0.3M)
Kinefinity KineMAG Nano Body
Kinefinity Movcam KineKIT-Edge Core

Specifications

Camera Type Large Format Digital Cinema Camera
Imaging Sensor Full Frame 6K 3:2 CMOS Imaging Sensor
Max Record Res 6016×3984 (3:2 Open Gate), 24M
Frame Rate 6K Wide 0.2~75fps
Active Area 36x24mm, ø 43.3mm
Dual Base ISO Regular Base ISO：800
High Base ISO：5120
Latitude >14 Stops
Shutter Angle 0.7°~358° with rolling shutter
Lens Mount Active PL Mount, Active E Mount, Native KineMOUNT (Adapters: PL/LPL/EF)
Optical Filter Optical LPF with UV and IR-cut filter
Resolution, Frame Rate and Optical Format
Full Frame Resolution Frame Rate Codec Optical Format
FF 6K OG 6016×3984, 0.2~48fps up to ProRes 4444XQ 36x24mm, ø 43.3mm
FF 6K 17:9 6016×3172, 0.2~60fps up to ProRes 4444XQ 36×19.1mm, ø 41.0mm
FF 6K 2.4:1 6016×2520, 0.2~75fps up to ProRes 4444XQ 36×15.2mm, ø 39.1mm
FF 5.7K 3:2 5760×3700, 0.2~50fps up to ProRes 4444XQ 34.5×22.2mm, ø 41.0mm
FF 6K UHD 5760×3240, 0.2~58fps up to ProRes 4444XQ 34.5×19.5mm, ø 39.6 mm
FF 5.7K 2.4:1 5760×2400, 0.2~75fps up to ProRes 4444XQ 34.5×14.4mm, ø 37.4mm
FF 5K 4:3 5120×3700, 0.2~50fps up to ProRes 4444XQ 30.6×22.3mm, ø 37.9mm
FF 5K DCI 5120×2700, 0.2~70fps up to ProRes 4444XQ 30.6×16.2mm, ø 34.6mm
FF 5K 2.4:1 5120×2160, 0.2~86fps up to ProRes 4444XQ 30.6×12.9mm, ø 33.2mm
FF 4.6K 6:5 4608×3700, 0.2~50fps up to ProRes 4444XQ 27.6×22.3mm, ø 35.5mm
FF 3.8K 3:2 (Oversample) 3840×2460, 0.2~50fps up to ProRes 4444XQ 34.5×22.2mm, ø 41.0mm
FF 4K UHD (Oversample) 3840×2160, 0.2~58fps up to ProRes 4444XQ 34.5×19.5mm, ø39.6 mm
FF 3.8K 2.4:1 (Oversample) 3840×1600, 0.2~75fps up to ProRes 4444XQ 34.5×14.4mm, ø 37.4mm
FF 3.4K 4:3 (Oversample) 3456×2460, 0.2~50fps up to ProRes 4444XQ 31.0×22.1mm, ø 38.1mm
FF 3K 6:5 (Oversample) 3072×2460, 0.2~50fps up to ProRes 4444XQ 27.6×22.3mm, ø 35.3mm
S35 S35 4K 3:2 4096×2700, 0.2~70fps up to ProRes 4444XQ 24.5×16.1mm, ø 29.3mm
S35 4K DCI 4096×2160, 0.2~112fps up to ProRes 4444XQ 24.5×12.9mm, ø 27.7mm
S35 4K 2.4:1 4096×1720, 0.2~140fps up to ProRes 4444XQ 24.5×10.3mm, ø 26.6mm
S35 4K UHD 3840×2160, 0.2~112fps up to ProRes 4444XQ 23.0×12.9mm, ø 26.4mm
S35 3.8K 2.4:1 3840×1600, 0.2~150fps up to ProRes 4444XQ 23.0×9.6mm, ø 24.9mm
S35 3.6K 4:3 3712×2700, 0.2~70fps up to ProRes 4444XQ 22.2×16.1mm, ø 27.4mm
S35 3.2K 6:5 3328×2700, 0.2~70fps up to ProRes 4444XQ 19.9×16.1mm, ø 25.6mm
S35 2.7K 1:1 2688×2688, 0.2~70fps up to ProRes 4444XQ 16.1×16.1mm, ø 22.8mm
S35 2K DCI (Oversample) 2048×1080, 0.2~112fps up to ProRes 4444XQ 24.5×12.9mm, ø 27.7mm
S35 2K 2.4:1 (Oversample) 2048×860, 0.2~140fps up to ProRes 4444XQ 24.5×10.3mm, ø 26.6mm
S35 2K FHD (Oversample) 1920×1080, 0.2~112fps up to ProRes 4444XQ 23.0×12.9mm, ø 26.4mm
S35 1.9K 2.4:1 (Oversample) 1920×800, 0.2~140fps up to ProRes 4444XQ 23.0×9.6mm, ø 24.9mm
Other Cropping 3K DCI 3072×1620, 0.2~144fps up to ProRes 4444XQ  
3K 2.4:1 3072×1200, 0.2~195fps up to ProRes 4444XQ  
3K HD 2944×1620, 0.2~145fps up to ProRes 4444XQ  
3K HD 2.4:1 2944×1200, 0.2~195fps up to ProRes 4444XQ  
2K DCI 2048×1080, 0.2~200fps up to ProRes 4444XQ  
2K 2.4:1 2048×860, 0.2~270fps up to ProRes 4444XQ  
2K FHD 1920×1080, 0.2~220fps up to ProRes 4444XQ  
1.9K 2.4:1 1920×800, 0.2~290fps up to ProRes 4444XQ  
Codecs、LUT and Record Media
  Codec Type Codec Format Bit Depth Notes
Record Codec ProRes4444XQ Quicktime mov 12bits KineLOG3
ProRes4444 Quicktime mov 12bits KineLOG3
ProRes422HQ Quicktime mov 10bits KineLOG3，包含ProRes422/LT
Proxy Format H264 mp4 8bits 帧率小于或等于30时
LUT KineLOG3，Neutral(Rec 709)，Support Custom 3D LUT  
Record Media Media Slot x1, for KineMAG Nano SSD 1TB/2TB based on NVMe M.2 SSD 3rd party NVMe M.2 2280 cards are alsosupported via the KineMAG Nano card body
Media Size (WxHxL) 1.6×3.5×0.35”/40x88x9mm
Monitoring
Monitoring KINEFINITY Proprietary Video Port x2 For KINEFINITY Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with TouchScreen
3G/1.5G SDI x2 with Meta data (regular BNC)
Ses
Audio sampling spec Linear PCM, 24bits, 48KHz
Audio input In-cam mono MIC
3.5mm Stereo MIC
48V Phantom Power Balanced Input x2 (regular XLR)
Audio output 3.5mm Stereo Audio Output
Wireless & Network
Wireless WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC and Control
Timecode Linear TC In&Out (0B5P)
Control Lens with RS232, Power output (0B5P)
Multi-sync, Control SYNC with RS422 and KINEFINITY camera sync(0B9P)
RS Rec trigger input with Power output (fisher 3P)
Extention Data&Control, EXT 1 and EXT 2 (for pogo-pin, 2×4)
USB Type-C USB x1, can be used for firmware updates and importing custom LUTs
Power in and out
Power consumption 27W, when 6K HD 25p, liveview
Power Input Integrated Hybrid battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~19V
UPS EXT 3 (for pogo-pin, 2×5)
Power outputs RS x1, 4A
Lens x1, 6A
Construction and Size
Body Material Ultra-high Strength Aluminium Alloy
Body Weight 3.02lb/1.37kg
Size(WxHxL) 4.1×4.8×4.3′′/106x124x109 mm (*w/o protrusion)
Operating Temp 0°C ~ 40°C

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]]> DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 35mm+50mm+75mm+Hard Case https://cinegear.nl/tr/urun/dzofilm-vespid-prime-3-lens-kit-with-arri-pl-canon-ef-35mm50mm75mmhard-case/ Wed, 31 Jul 2024 13:28:32 +0000 https://cinegear.nl/?post_type=product&p=89377 35, 50 and 75mm Lenses
PL & EF Mounts
Focus Scales Marked in Feet and Meters
Hard Case Included

The post DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 35mm+50mm+75mm+Hard Case appeared first on Cinegear Amsterdam.

]]> The post DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 35mm+50mm+75mm+Hard Case appeared first on Cinegear Amsterdam.

]]> DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 25mm+50mm+75mm+Hard Case https://cinegear.nl/tr/urun/dzofilm-vespid-prime-3-lens-kit-with-arri-pl-canon-ef-25mm50mm75mmhard-case/ Wed, 31 Jul 2024 13:27:17 +0000 https://cinegear.nl/?post_type=product&p=89373 25, 50 and 75mm Lenses
PL & EF Mounts
Focus Scales Marked in Feet and Meters
Hard Case Included

The post DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 25mm+50mm+75mm+Hard Case appeared first on Cinegear Amsterdam.

]]> The post DZOFilm Vespid Prime 3-Lens Kit with ARRI PL & Canon EF / 25mm+50mm+75mm+Hard Case appeared first on Cinegear Amsterdam.

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