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Operator-friendly Focus Length Adjustment: While using the manual focus lens, the real-time Focal Length will display on the screen, simple and clear; with the help of Active E Mount, the camera also supports to adjust the Focal Length of lens with Servo System, controlling lens zooming freely through camera buttons.

Smooth Focus Control**: While the lens is on AF Mode, the camera attached with Active E Mount supports to adjust the Focus with camera buttons; While on AF/MF Mode, focusing is easy to achieve by rotating the lens focusing ring, and the focus points position would exhibit on monitor UI.

Anti-shake System: While attaching an E mount lens with Optical Image Stabilization system, enable the Anti-shake function in camera or turn on the lens’s image stabilization, realize sharper imagery no matter shooting handheld or using a telephone lens.

*Currently Active E Mount do not support Electronic E to EF Lens Mounting Adapter. The support.

**Active E Mount DOES NOT support Auto-focus Function.

Efficient Interaction For Quick Adjustments: Long press the IRIS Button to enter the E Mount Lens Controlling interface where you can adjust the Focal Length, Aperture and other parameters based on the living image.

Live Lens Parameters Display: Display the real-time metadata on the monitoring screen of MAVO Edge 8K ,  MAVO Edge 6K and MAVO mark2 just like using a cinema lens supporting the Cooke/i protocol. Users can be wise of current Aperture, Focal Length, as well as the precise Focus position.

Save the Precise Lens Metadata: Automatically identifies lens models, reads lens metadata and records them into the footage, acquiring corresponding Lens information for in-camera playback or post-processing; simplify the workflow and increase efficiency on set and in post.

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This adapter is designed to reach infinity focus while retaining the proper registration distance for maintaining optical quality when you are using vintage and modern lenses or other lenses with floating elements.

Because your camera’s body cap cannot attach to the lens adapter, a rigid-and-removable locking dust cover is provided that allows you to disconnect your lens, leave the adapter mounted, and keep your camera’s sensor protected during transportation. Additionally, a removable Arca-type tripod foot is included for use with heavier lenses.  Fine-tuning and adjustments are made possible with the supplied set of shims.

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FS7, FS7 II
FS5, FS5 II
FX3, FX6, FX9
FS100, FS700
Venice, Venice 2
EA50E
VG900
α7, α7 II, α7 III, α7 IV
α7 R, α7 R II, α7 R III, α7 R IV
α7 S, α7 S II, α7 S III, α7 S IV
α9, α9 II
A6300, A5100, A5000, A6000, A3000
NEX-5, NEX-6, NEX-3, NEX-7

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​Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.

In terms of application scenario, 24mm lens is suitable for wide-angle shots, 35mm for humanistic shots, and 50mm for subject separation shots. When trying to portray characters in a subtle way or enhance emotional rendering, those lenses seem a bit insufficient in expression. In this case, getting a portrait lens will render the narrative more natural and coherent.

This lens is free from obvious perspective distortion relative to wide angle lens, hence characters are presented in a more natural way, as if seeing right through your eyes. The 75mm focal length guarantees not only a good distance between the photographer and the model, but also an easy switch between a bust portrait and a full-length portrait.

The lens is good at filling the frame with the subject and throwing the background out of focus. Also, sharp and high-resolution imaging contributes to the depiction of subtle emotions.

The 75mm focal length excels at revealing overlooked details in a chaotic scene, providing a fresh and unique perspective for film interpretation.

Focal length of 75mm equals better long-range shooting capability, which renders long-distance shooting a worry for photographers no more.

Spatial compression created by the lens narrows the distance between the background and the subject, amplifying the background while highlighting the subject, delivering a compact yet plump effect.

This lens has got what it takes to produce a cinematic blockbuster – high-quality images without deformation, natural and saturated blue lens flares as well as elliptical bokeh.

Fast F1.8 aperture guarantees a sufficient amount of light, and the image remains sharp even with the aperture wide open. The enhanced shutter speed is favorable both for low-light shooting and snapshot taking, readily turning a casual shot into a cinematic poster.

Images produced by this lens are high in sharpness, small in chromatic aberration and curve of field, displaying distinctive Anamorphic features.

Aircraft aluminum housing, CNC machining parts, German Schott Glass with multi-layer nano coating, focus and aperture rings with anti-slip teeth and filter spec of M67*0.75 all indicate that the 75mm lens intercuts seamlessly with the entire line of Sirui Anamorphic primes in terms of appearance.

Five mounts, M4/3, Sony E, Fuji X, Nikon Z and Canon EF-M, are designed for the 75mm lens, which is durable and lends images higher resolution.

As the lightest and most affordable mirrorless Anamorphic lenses on the market today, Sirui Anamorphic lenses are perfect companions for commercial directors, studio photographers, vloggers, cinematographers, and cinematic enthusiasts.

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(M lenses on Sony, Fuji, Nikon, Canon, Leica, etc. )

The minimum focus distance will be shortened. The price ranges from 59-85 USD.

Easy to carry and affordable, the details are as follows:

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