​Designed with a unique structure, the lens squeezes images down 1.33 times horizontally to fit onto the camera sensor, which you then have to desqueeze in post. Images produced in this way would be in 2.4:1 wide-screen aspect ratio and of high resolution, way better than that of just cropping and adding black bars.

In terms of application scenario, 24mm lens is suitable for wide-angle shots, 35mm for humanistic shots, and 50mm for subject separation shots. When trying to portray characters in a subtle way or enhance emotional rendering, those lenses seem a bit insufficient in expression. In this case, getting a portrait lens will render the narrative more natural and coherent.

This lens is free from obvious perspective distortion relative to wide angle lens, hence characters are presented in a more natural way, as if seeing right through your eyes. The 75mm focal length guarantees not only a good distance between the photographer and the model, but also an easy switch between a bust portrait and a full-length portrait.

The lens is good at filling the frame with the subject and throwing the background out of focus. Also, sharp and high-resolution imaging contributes to the depiction of subtle emotions.

The 75mm focal length excels at revealing overlooked details in a chaotic scene, providing a fresh and unique perspective for film interpretation.

Focal length of 75mm equals better long-range shooting capability, which renders long-distance shooting a worry for photographers no more.

Spatial compression created by the lens narrows the distance between the background and the subject, amplifying the background while highlighting the subject, delivering a compact yet plump effect.

This lens has got what it takes to produce a cinematic blockbuster – high-quality images without deformation, natural and saturated blue lens flares as well as elliptical bokeh.

Fast F1.8 aperture guarantees a sufficient amount of light, and the image remains sharp even with the aperture wide open. The enhanced shutter speed is favorable both for low-light shooting and snapshot taking, readily turning a casual shot into a cinematic poster.

Images produced by this lens are high in sharpness, small in chromatic aberration and curve of field, displaying distinctive Anamorphic features.

Aircraft aluminum housing, CNC machining parts, German Schott Glass with multi-layer nano coating, focus and aperture rings with anti-slip teeth and filter spec of M67*0.75 all indicate that the 75mm lens intercuts seamlessly with the entire line of Sirui Anamorphic primes in terms of appearance.

Five mounts, M4/3, Sony E, Fuji X, Nikon Z and Canon EF-M, are designed for the 75mm lens, which is durable and lends images higher resolution.

As the lightest and most affordable mirrorless Anamorphic lenses on the market today, Sirui Anamorphic lenses are perfect companions for commercial directors, studio photographers, vloggers, cinematographers, and cinematic enthusiasts.

The post Sirui 75mm f/1.8 1.33x Anamorphic Lens (Fuji X Mount) appeared first on Cinegear Amsterdam.

The Fujinon Premista 28-100mm Cine Zoom Lens is a standard zoom lens that covers 28-100mm focal lengths. Since this is normally covered by 6 different prime lenses, the lens can help to save time caused by frequently changing lenses on productions.

It is especially convenient when the camera is on a crane or helicopter where it is often difficult to access the lens.

A minimum image circle of 46.3mm provides full coverage of all of the current large format digital cinema cameras available.

A new 13-blade iris allows for a pleasant bokeh effect and a wide dynamic range of light can be captured thanks to dedicated optical design to suppress unwanted flare and ghosting. Thanks to its large-diameter aspherical lens elements and new focus/zoom system, the Premista series achieves stunning optical quality from the center to the corner at all focal lengths.

The lens weighs only 3.8kg/8.4 lbs, yet is still very durable, allowing professional use even in harsh conditions. The focus ring has a 280-degree angle turn with smooth torque.

Fujifilm has been deeply rooted in the film industry since its first product, motion picture film, was launched in 1934. Fujifilm started research and development of cine lenses in 2000; 17 years later, FUJINON Cine Zoom Lenses were awarded a 69th Engineering Emmy® Award by the Television Academy.

The post Fujinon Premista 28-100mm T2.9 appeared first on Cinegear Amsterdam.

The Fujinon Premista 80-250mm Cine Zoom Lens complements the 28-100mm by having identically matched colour balance, as well as matched focus, zoom and iris ring locations and by being the same weight.

The 80-250mm has a constant T2.9 speed from 80-200mm, before gradually ramping less than a full stop to T3.5 between 201-250mm.

A minimum image circle of 46.3mm provides full coverage of all of the current large format digital cinema cameras available.

A new 13-blade iris allows for a pleasant bokeh effect and a wide dynamic range of light can be captured thanks to dedicated optical design to suppress unwanted flare and ghosting. Thanks to its large-diameter aspherical lens elements and new focus/zoom system, the Premista series achieves stunning optical quality from the center to the corner at all focal lengths.

The lens weighs only 3.8kg/8.4 lbs, yet is still very durable, allowing professional use even in harsh conditions. The focus ring has a 280-degree angle turn with smooth torque.

Fujifilm has been deeply rooted in the film industry since its first product, motion picture film, was launched in 1934. Fujifilm started research and development of cine lenses in 2000; 17 years later, FUJINON Cine Zoom Lenses were awarded a 69th Engineering Emmy® Award by the Television Academy.

The post Fujinon Premista 80-250mm T2.9-3.5 appeared first on Cinegear Amsterdam.

The post Fujifilm MK 50-135mm T2.9 E-mount appeared first on Cinegear Amsterdam.

The post Fujifilm MK 18-55mm T2.9 E-mount appeared first on Cinegear Amsterdam.