Pro | Cinegear Amsterdam

Hollyland Mars 300 Pro Single Transmitter

cineadmin1 — Wed, 04 May 2022 13:48:17 +0000

Add up to 1080p60 wireless video transmission to your gimbal, mirrorless, or DSLR camera rig using the lightweight Mars 300 PRO HDMI Wireless Video Transmitter from Hollyland. This model features internal antennas and a single HDMI input plus an HDMI loop-out for viewing on an onboard monitor. The transmitter features line-of-sight transmission up to 328′ to a separately available Mars 300 PRO receiver or to a Wi-Fi app for monitoring.

Using the Hollyview app for iOS or Android, you can monitor your video transmission in real time via a Wi-Fi connection. The transmitter can transmit to up to one receiver and two apps, or to a total of three apps, simultaneously. The transmitter is compact in size, featuring a bright OLED display for configuration, and a 1/4″-20 mounting thread. It is powered using a USB Type-C source, or it can be powered using a separately available L-series type battery using the battery plate. The Mars 300 transmitter also includes an accessory expansion plate, a shoe mount, and a USB Type-C cable

328′ Line-of-Sight Transmission
Transmit up to 1080p60
HDMI Input & HDMI Loop-Out
Real-Time iOS/Android App Monitoring
Integrated L-Series Battery Plate
1/4″-20 Mounting Thread
Power via USB Type-C Port

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Hollyland Mars 300 Pro HDMI Wireless Video Transmitter

cineadmin1 — Wed, 04 May 2022 13:37:31 +0000

The Hollyland Mars 300 Pro HDMI Wireless Video Transmitter is a lightweight and compact video transmitter set from Hollyland. It has a range of 120 meters, 90 meters with the app. The receiver has two HDMI outputs and the transmitter has an HDMI loopout. The menu is simple and it has a latency of only 0.08s. The video transmitter runs on NP-F batteries and supports those video formats : 1080p at 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps; 1080i at 50, 59.94, 60 fps; 720p at 50, 59.94, 60 fps; 576p at 50 fps and 480p at 60 fps.

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Kinefinity MAVO Edge 6K Body Only (Cyber Edition) + Professional Pack

cineadmin1 — Thu, 07 Apr 2022 13:23:05 +0000

MAVO Edge 6K, a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

MAVO Edge 6K comes in Deep Gray and Cyber Edition finish, which both are available to preorder now, and ready to ship to customers in May 2022.

Outstanding Highlight Performance with Stunning Image Quality

The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.

MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.

Apple ProRes Recording Codec and Uncompressed RAW

From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.

Apple ProRes is a popular intermediate codec created by Apple Inc. Nearly all post-production software in the industry supports editing and color correction with Apple ProRes.Compared to RAW and other intermediate codecs, Apple ProRes achieves faster workflow in post-production since the images already went through a debayer process, especially working with workstations running Apple M1 Pro/Max/Ultra chips. It makes proxy-free editing and color correction quickly and efficiently, saving a significant amount of time in post-production.

The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

The uncompressed RAW is not debayered in-camera instead, and it is stored in the CinemaDNG format, preserving all the image data captured by the sensor. Theoretically, it provides the maximum potential for color correction in post-production.Uncompressed RAW footage demands high bandwidth bitrate processing.

The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.

From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.

*The Uncompressed RAW is expected to be officially launched in a firmware update in Q2 2022.

More Intuitive KineOS Firmware

The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.

In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.

The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.

*The pre-recording function is expected to be officially launched in a firmware update in Q3 2022.

Integrated body design of the iF Industrial Design Award

MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.

Compact Camera Body with Internal e-ND filter

The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.

Internal motorized full-spectrum e-ND system

The MAVO Edge 6K employs an internal motorized full-spectrum e-ND system. The e-ND filter ranges from 0.6 to 2.4 which is a range from 2-8 stops neutral density and can be adjusted seamlessly over all the ranges, giving the user precise exposure control. The real-time color calibration on the e-ND filter brings sharp images with color fidelity but without any drawbacks of traditional variable ND.

Big leap on recording media

MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD with writing speed up to 10Gbps. Recording 6K ProRes4444XQ, even 6K uncompressed RAW is stable with KineMAG Nano 1TB. Kinefinity also provides a KineMAG Nano Body allowing users to install third-party NVMe M.2 2280 SSDs, which provides more storage possibilities.

The body of the KineMAG Nano is equipped with a robust camera port as well as a universal USB-C port, so it allows users to offload data to the workstation at a speed of up to 10Gbps by connecting a USB-C cable to the SSD, without a specific SSD reader.

General control ports

There are numerous ports integrated on the MAVO Edge 6K body: timecode port supporting Jam and regular Sync; an RS232 protocol embedding in Lens port for communicating with and controlling third-party accessories, and an RS port for powering and triggering an external record function.

High-quality multi-channel audio record

The MAVO Edge 6K supports four-channel 24bits /48kHz audio recording with a 3.5mm stereo MIC jack and a high-quality in-camera MIC for reference sound. Audio pre-amplifiers with a low noise floor are integrated into the camera body. Two independently controlled 48V phantom powered XLR sockets offer great convenience for field sound recording and even professional audio recording.

Dual SDI outputs

The MAVO Edge 6K provides dual 1.5G/3G SDI outputs embedded metadata and audio, enhancing the compatibility with third-party accessories such as external recorders and monitors that only support 1.5G SDI. The two SDI outputs are the same, but independent from monitoring images over the Kine video ports.

The two proprietary video ports of the MAVO Edge 6K can be connected to the Kinefinity Full-HD micro-OLED viewfinder and the KineMON-5U2/KineMON-7U2 Ultra-Bright (2000 nits) monitor that gives you sharp and clear images even outdoor.

Comprehensive power solution

The MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports standard 14.8V V-mount batteries such as KineBAT PD 75w/150w. It also supports BP-U type batteries such as GripBAT 4S to meet the setups that require handheld or gimbal shots. With UPS Baseplate from KineKit-Edge designed by Movcam and NP-F550 type batteries such as GripBAT 2S can provide UPS to the camera.

In addition, MAVO Edge 6K’s body offers a standard D-Tap port, 12V RS port, and Lens port (12V) to power the third-party accessories such as wireless video transmitters and wireless follow focus systems. These ports eliminate the need for extra batteries, simplifying the camera setup while improving the system’s stability.

Powerful wired and wireless function

With Gigabit Ethernet on RJ45 port, WIFI 5, and type-c USB port, the MAVO Edge 6K can output a monitoring/recording image to other devices by live streaming internal processing H.264 codec.

Simultaneously, an internal three-axis gyroscope can record the camera’s positioning information and be displayed as leveling indicator.

KineMOUNT matches the most kinds of lenses

Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.

MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.

Whether small creation or large production can be handled easily with MAVO Edge 6K.

The post Kinefinity MAVO Edge 6K Body Only (Cyber Edition) + Professional Pack appeared first on Cinegear Amsterdam.

Kinefinity MAVO Edge 6K Body Only (Deep Gray) + Professional Pack

cineadmin1 — Thu, 07 Apr 2022 13:20:03 +0000

Kinefitiy MAVO Edge 6K, a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

Outstanding Highlight Performance with Stunning Image Quality

The Kinefitiy MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The Kinefinity MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.

Apple ProRes Recording Codec and Uncompressed RAW

The Kinefinity MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

More Intuitive KineOS Firmware

The Kinefinity MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Compact Camera Body with Internal e-ND filter

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Blackmagic ATEM Mini Pro ISO

cineadmin1 — Mon, 04 Apr 2022 15:03:58 +0000

The ATEM Mini Pro ISO HDMI Live Stream Switcher from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual HDMI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.

The ATEM Mini Pro ISO retains the same size, button layout, and rear panel interface connections as the ATEM Mini Pro, with new electronics that allow for the ISO recording and generation of the DaVinci project file. The ATEM Mini Pro ISO supports all the same features as the ATEM Mini Pro including upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The ATEM Software Control Panel is used for control and configuration, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. And you can use the panel to set up streaming to an optional Blackmagic Design Streaming Bridge anywhere in the world, as long as it is connected to the internet.

General

Connecting a USB drive to the ATEM Mini Pro ISO’s USB port enables capturing the switched program stream, as well as up to four isolated (ISO) recordings of input video, as well as embedded audio, analog input audio, graphics, and a DaVinci Resolve project file of your switched program
The device has the same footprint, layout, and connections of the ATEM Mini Pro
Stream video up to 1080p HD
Quick stream, on-air, and record buttons
Hardware encoder so there’s no need for additional streaming software
Control and configure timecode, stream status
Full support and control features for BMPCC 6K/4K cameras
Simultaneous USB recording
Integration with MultiDock for live hard drive switching
Customize advanced settings with XML files
Software multiview with program previews, graphics, record status, on-air status, and audio meters
Program preview input and output buttons
Tally light control for BMPCC 6K/4K cameras
Automatic timecode sync for all cameras

Transitions

Available transitions include:

Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
Mix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
Wipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
DVE: With the powerful built-in digital video effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.

Upstream Keyer

Layer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

Luma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
Pattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

Downstream Keyers

The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

Audio Mixer

The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable on/off and audio-follow-video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.

Monitor Output

The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.

Media Player

Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

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Blackmagic ATEM Mini Pro

cineadmin1 — Mon, 04 Apr 2022 15:03:36 +0000

Similar to its predecessor, the ATEM Mini, the ATEM Mini Pro from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.

The ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10/100/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.

The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.

The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.

The ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.

New Features

Same rear panel as ATEM Mini with added buttons and software features
Stream video up to 1080p HD
Quick stream, on-air and record buttons
Hardware encoder so there’s no need for additional streaming software
Control and configure timecode, stream status
Full support and control features for BMPCC 6K and 4K cameras
Simultaneous USB recording
Integration with MultiDock for live hard drive switching
Customize advanced settings with XML files
Software multiview with program previews, graphics, record status, on air status, audio meters
Program preview input and output buttons
Tally light control for BMPCC 6K/4K cameras
Automatic timecode sync for all cameras

Transitions

Available transitions include:

Cut: when you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
Mix: the mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
Dip: just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
Wipe: built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
DVE: with the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.

Upstream Keyer

Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

Luma key: luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
Linear key: get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
Chroma key: used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
Pattern key: combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

Downstream Keyers

Audio Mixer

The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On/Off/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.

Monitor Output

The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.

Media Player

The post Blackmagic ATEM Mini Pro appeared first on Cinegear Amsterdam.

PDMOVIE REMOTE AIR PRO 3 (PD4-S1) Wireless Lens Control

cineadmin1 — Mon, 15 Mar 2021 16:10:15 +0000

PD4-S1

The Next Generation of the REMOTE AIR PRO series has been completely reimagined into a highly flexible and professional wireless follow focus system with major improvements over the previous generation. It has a 75mm diameter large follow control handwheel which is more suitable for the palm-size or gloved operator to control the focus. It also does not have any grip restrictions, meaning it can be easily attached to the included handle or mounted on any handle, monitor, or arm which has a standard 1/4-20 mount. The re-imagined controller allows you to mount any 1/4-20 accessories to it including a monitor and Blitz wireless video receiver, all while maintaining the center of gravity close to the handle. The focus controller contains a built-in LED light which allows you to see your custom markings during low light situations.

2.4G Wireless Remote（PD4-HT）*1
Master motor torque 1.2Nm（PD-RP）*1
General Handle *1
LI42B Battery(3.7V 600mAh 2.2Wh)*3 Usb Charger Divided into four * 1
USB Charging Cable（Micro usb）*1
USB Charging Cable0.9M（6pin)*1
D-Tap Power Cable0.7M（6pin) *1
15mm-19mm AdapterRing*1 Marking Disk*4
Lanyard*1 Hard case*1
Hex Spanners *2
1/4 Screws *4
Long antenna*1
Short antenna*1
Lens Gear ring *2

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Wooden Camera UFF-1 UNIVERSAL FOLLOW FOCUS (PRO) – Manual

admin2 admin — Fri, 10 Apr 2020 10:59:37 +0000

Pro UFF-1 Universal Follow Focus

The post Wooden Camera UFF-1 UNIVERSAL FOLLOW FOCUS (PRO) – Manual appeared first on Cinegear Amsterdam.

Wooden Camera ZIP BOX PRO 4X5.65 (CLAMP ON) for 100mm

admin2 admin — Thu, 09 Apr 2020 10:48:52 +0000

Wooden Camera ZIP BOX PRO 4X5.65

Lightweight and compact clamp-on mattebox
Can hold three 4×5.65 filters that are loaded from the front and held by a spring loaded latch
The included top flag is made of lightweight carbon fiber and covers the front of the mattebox which is great for protecting the lens between
Rear opening of this back can be swapped by loosening the 4 thumbscrews and replacing with clamp on backs featuring diameters of 114mm, 110mm, 104mm, 100mm, 95mm, 87mm, and 80mm
Available in the Following Diameters: 80mm, 87mm, 95mm, 100mm, 104mm,110mm, 114mm

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Tokina AT-X 17-35mm F4 PRO FX (Canon)

Thomas — Fri, 20 Mar 2020 15:45:07 +0000

Tokina AT-X 17-35mm f/4 PRO FX Lens Overview:

The Tokina AT-X 17-35mm f/4 PRO FX Lens for Nikon Cameras is a versatile ultra-wide-angle zoom lens designed for use with Nikon full-frame digital or film cameras. Offering a wide focal range, a constant f/4.0 maximum aperture, and advanced optical features, this lens is well-suited for various photographic applications.

Key Features:

Full-Frame Coverage: The lens is designed for full-frame cameras, providing a focal length range of 17-35mm. At the wide end (17mm), it offers an impressive 103.9° angle of view, making it ideal for capturing expansive landscapes or shooting in tight spaces.
Constant f/4.0 Aperture: With a constant f/4.0 maximum aperture, the lens maintains a consistent level of brightness across its zoom range. This makes it suitable for low-light photography, allowing for versatile shooting conditions.
Optical Design: The lens features advanced optics, including two Super-Low Dispersion glass elements and one aspheric glass element. This optical design enhances contrast, sharpness, and effectively controls chromatic aberration, ensuring high-quality images.
One-Touch Focus Clutch Mechanism: Tokina’s exclusive One-Touch Focus Clutch Mechanism provides a quick and simple way to switch between autofocus and manual focus. The focus ring can be easily snapped forward for AF and backward toward the lens mount for manual focusing.
Water-Resistant Design: Improved seals make the lens “water-resistant” (not waterproof), offering durability in damp conditions. The lens also features a water-repellant optical coating, providing an additional layer of protection. However, it is not suitable for submersion in water or exposure to heavy rain.
Compact and Lightweight: Despite its wide focal range, the lens maintains a reasonable size and weight, making it a practical choice for various shooting scenarios.

In the Box:

Tokina 17-35mm f/4 Pro FX Lens for Nikon Cameras
Front & Rear Caps
Lens Hood

Tokina AT-X 17-35mm F/4 PRO FX Lens Specs:

Focal Length: 17 to 35mm
Maximum Aperture: f/4
Minimum Aperture: f/22
Lens Mount: Nikon F
Lens Format Coverage: Full-Frame
Angle of View: 103.96° to 64.74°
Minimum Focus Distance: 11″ / 27.94 cm
Maximum Magnification: 0.2x
Optical Design: 13 Elements in 12 Groups
Diaphragm Blades: 9
Focus Type: Autofocus
Image Stabilization: No
Filter Size: 82 mm (Front)
Dimensions (ø x L): 3.5 x 3.7″ / 8.89 x 9.4 cm
Weight: 21.16 oz / 600 g

Enhance your creative possibilities with the Tokina AT-X 17-35mm f/4 PRO FX Lens, offering exceptional optical performance and versatility for Nikon full-frame cameras.

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