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	<title>Cine Camera | Cinema Camera | Cinegear Amsterdam |</title>
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	<title>Cine Camera | Cinema Camera | Cinegear Amsterdam |</title>
	<link>https://cinegear.nl/nl/product-categorie/cameras/camera/cinema/</link>
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	<item>
		<title>Panasonic AW-UB50 4K Multipurpose Box Camera</title>
		<link>https://cinegear.nl/nl/product/panasonic-aw-ub50-4k-multipurpose-box-camera/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Wed, 08 Jan 2025 10:51:55 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=100841</guid>

					<description><![CDATA[<ul>
<li>24.2MP Full-Frame MOS Sensor, L Mount</li>
<li>4K MP4 &#38; MOV H.264/H.265/HEVC Recording</li>
<li>Dual Native ISOs, ISO Auto Mode</li>
<li>V-Log Capture, 14+ Stops Dynamic Range</li>
<li>3G-SDI &#38; HDMI Out, PoE+ LAN, USB-C</li>
<li>Seamless Integration with Panasonic PTZs</li>
<li>Color Compatible with AW-UE160 Camera</li>
<li>NDI HX2, RTMPS &#38; SRT IP-Compatible</li>
<li>Face, Eye &#38; Body AF Recognition</li>
<li>Timecode I/O, Genlock, 2 SD Card Slots</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-aw-ub50-4k-multipurpose-box-camera/">Panasonic AW-UB50 4K Multipurpose Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
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<h3><strong>Overzicht</strong></h3>
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<p>The Panasonic AW-UB50 4K Multipurpose Box Camera redefines versatility with its exceptional full-frame imaging capabilities, delivering cine-style capture in a sleek, modular design. Tailored for gimbal and drone operations, it is equally at home in broadcast, live streaming, vlogging, and cinematic productions. Seamlessly compatible with Panasonic PTZ cameras, it supports NDI HX2 and offers advanced real-time autofocus and precise subject tracking. Featuring a 24.2MP full-frame MOS sensor, a Leica L lens mount, and an expansive 13-stop dynamic range, this digital cinema camera excels at handling even the most dramatic lighting transitions with ease.</p>
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<p>The 4K multi-purpose camera AW-UB50 delivers high-quality video and simplifies video production process whether it is corporate, education or live entertainment. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1].</p>
<p>The UB50 has been optimised for cinematic video production, featuring a shallow depth of field. The model offers real-time recognition autofocus technology, enabling the camera to automatically identify the subject and keep them in focus.</p>
<p>When linked with remote camera systems on the same network, the UB50 is fully compatible with Panasonic’s AK-HRP1010 remote operation panel, with future support planned with the AW-RP150GJ remote camera controller and Panasonic live switchers. The cameras can also act as a tally control. By installing a colour profile compatible with the Panasonic AW-UE160 4K integrated camera, it is easy to match colours in mixed operation with remote cameras.</p>
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			<img fetchpriority="high" decoding="async" width="700" height="500" src="https://cinegear.nl/wp-content/uploads/2025/01/Panasonic-AW-UB50-4K-Multipurpose-Box.jpg" class="attachment-original size-original" alt="" srcset="https://cinegear.nl/wp-content/uploads/2025/01/Panasonic-AW-UB50-4K-Multipurpose-Box.jpg 700w, https://cinegear.nl/wp-content/uploads/2025/01/Panasonic-AW-UB50-4K-Multipurpose-Box-300x214.jpg 300w" sizes="(max-width: 700px) 100vw, 700px" />						
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<h3><strong>Features</strong></h3>
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<ul>
<li>24.2M full-frame MOS sensor for emotional and cinematic video (AW-UB50)</li>
<li>Wide dynamic range with V-Log (AW-UB50: 14+ stops)</li>
<li>Compact design (height, width &amp; depth each less than 10cm, excluding lens)</li>
<li>Unified IP control protocol compatible with Panasonic PTZ camera systems</li>
<li>Compatible with Media Production Suite for multi-camera setups with PTZ cameras</li>
<li>Planned support for IP transmission standards including NDI® HX2, RTMPS, and SRT</li>
</ul>
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<h3><strong>In The Box<br />
</strong></h3>
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<p>Panasonic AW-UB50 4K Multipurpose Box Camera<br />
AC Adapter<br />
Limited 1-Year Manufacturer Warranty</p>
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<h3><strong>Specifications</strong></h3>
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<div><span style="color: #000000;"><strong>Imaging</strong></span></div>
<table>
<tbody>
<tr>
<td>Lens Mount</td>
<td>
<div>L-Mount</div>
</td>
</tr>
<tr>
<td>Lens Communication</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Sensor Resolution</td>
<td>
<div>Actual: 25.3 Megapixel<br />
Effective: 24.2 Megapixel</div>
</td>
</tr>
<tr>
<td>Image Sensor</td>
<td>
<div>35.6 x 23.8 mm (Super35) MOS</div>
</td>
</tr>
<tr>
<td>Image Stabilization</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Built-In ND Filter</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Capture Type</td>
<td>
<div>Stills &amp; Video</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Exposure Control</strong></span></div>
<table>
<tbody>
<tr>
<td>Shutter Type</td>
<td>
<div>Electronic Rolling Shutter</div>
</td>
</tr>
<tr>
<td>ISO Sensitivity Range</td>
<td>
<div>160 to 800 (Extended: 160 to 51,200)<br />
400 to 2000 (Extended: 400 to 25,600)</div>
</td>
</tr>
<tr>
<td>Advertised Dynamic Range</td>
<td>
<div>14 Stops</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Video Capture</strong></span></div>
<table>
<tbody>
<tr>
<td>Fast-/Slow-Motion Support</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Gamma Curve</td>
<td>
<div>HDR-HLG, Panasonic V-Gamut, Panasonic V-Log, Rec 2100 HLG, Rec709, V-Log</div>
</td>
</tr>
<tr>
<td>Built-In Microphone</td>
<td>
<div>Stereo</div>
</td>
</tr>
<tr>
<td>IP Streaming</td>
<td>
<div>Yes</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Interface</strong></span></div>
<table>
<tbody>
<tr>
<td>Media/Memory Card Slot</td>
<td>
<div>Dual Slot: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended]</div>
</td>
</tr>
<tr>
<td>Video I/O</td>
<td>
<div>1x BNC (3G-SDI) Output<br />
1x HDMI (Unspecified Signal) Output</div>
</td>
</tr>
<tr>
<td>Audio I/O</td>
<td>
<div>1x 1/8&#8243; / 3.5 mm TRS Stereo Mic/Line Input on Camera Body<br />
1x 1/8&#8243; / 3.5 mm TRS Stereo Headphone Output on Camera Body</div>
</td>
</tr>
<tr>
<td>Other I/O</td>
<td>
<div>1x USB-C<br />
1x BNC (Timecode) Input/Output<br />
1x BNC (Genlock) Input/Output<br />
1x RJ45 (LAN) Input/Output</div>
</td>
</tr>
<tr>
<td>Wireless</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Mobile App Compatible</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Global Positioning (GPS, GLONASS, etc.)</td>
<td>
<div>No</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Viewfinder</strong></span></div>
<table>
<tbody>
<tr>
<td>Type</td>
<td>
<div>Optional, Not Included</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Focus</strong></span></div>
<table>
<tbody>
<tr>
<td>Focus Type</td>
<td>
<div>Auto and Manual Focus</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>General</strong></span></div>
<table>
<tbody>
<tr>
<td>PoE Support</td>
<td>
<div>PoE+ 802.3at</div>
</td>
</tr>
<tr>
<td>Shoe Mount</td>
<td>
<div>1x Hot Shoe</div>
</td>
</tr>
<tr>
<td>Tripod Mounting Thread</td>
<td>
<div>2x 3/8&#8243;-16 Female (Bottom)</div>
</td>
</tr>
<tr>
<td>Accessory Mounting Thread</td>
<td>
<div>9x 3/8&#8243;-16</div>
</td>
</tr>
<tr>
<td>Material of Construction</td>
<td>
<div>Aluminum</div>
</td>
</tr>
<tr>
<td>Dimensions (W x H x D)</td>
<td>
<div>3.7 x 3.7 x 3.1&#8243; / 9.3 x 9.3 x 7.8 cm (Without Protrusions)</div>
</td>
</tr>
<tr>
<td>Weight</td>
<td>
<div>1.3 lb / 585 g (Body Only)</div>
</td>
</tr>
</tbody>
</table>
</div>
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</div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-aw-ub50-4k-multipurpose-box-camera/">Panasonic AW-UB50 4K Multipurpose Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<item>
		<title>Panasonic AW-UB10 4K Multipurpose Box Camera</title>
		<link>https://cinegear.nl/nl/product/panasonic-aw-ub10-4k-multipurpose-box-camera/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Wed, 08 Jan 2025 10:47:55 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=100840</guid>

					<description><![CDATA[<ul>
<li>10.3MP 4/3 MOS Sensor, MFT Lens Mount</li>
<li>4K MP4 &#38; MOV H.264/H.265/HEVC Recording</li>
<li>Dual Native ISOs, ISO Auto Mode</li>
<li>V-Log Capture, 13 Stops Dynamic Range</li>
<li>3G-SDI &#38; HDMI Out, PoE+ LAN, USB-C</li>
<li>Seamless Integration with Panasonic PTZs</li>
<li>Color Compatible with AW-UE160 Camera</li>
<li>NDI HX2, RTMPS &#38; SRT IP-Compatible</li>
<li>Face, Eye &#38; Body AF Recognition</li>
<li>Timecode I/O, Genlock, 2 SD Card Slots</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-aw-ub10-4k-multipurpose-box-camera/">Panasonic AW-UB10 4K Multipurpose Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
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<h3><strong>Overzicht</strong></h3>
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<p>The Panasonic AW-UB10 4K Multipurpose Box Camera stands out with its exceptional attention to detail, offering cine-style capture in a compact and modular design. Perfectly suited for gimbal and drone applications, it is also ideal for broadcast, live streaming, vlogging, and cinema production. Seamlessly integrating with Panasonic PTZ cameras, it supports NDI HX2 and features precise real-time autofocus and subject tracking capabilities. Equipped with a 10.3MP M4/3&#8243; MOS sensor, an MFT lens mount, and an impressive 13-stop dynamic range, this digital cinema camera excels in adapting to extreme lighting conditions.</p>
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<p><span style="font-size: 100%;">The UB10 is the 4K multi-purpose camera supporting all common IP control protocols used in Panasonic’s remote camera systems. The box-style 4K multi-purpose cameras can support rich, versatile image capture and are incredibly easy to operate in the field, enabling more creative video production.</span></p>
<p><span style="font-size: 100%;">The UB10 features a 10.2-million pixel full-frame sensor. It feature real-time recognition autofocus technology, enabling the cameras to automatically identify the subject and keep them in focus.</span></p>
<p><span style="font-size: 100%;">UB10 camera features the 3G-SDI OUT, HDMI Type A, LAN terminal, TC IN/OUT, GENLOCK IN, and USB Type-C input/output interfaces.</span></p>
<p><span style="font-size: 100%;">The LAN terminal is Power of Ethernet (PoE+) compatible, with video transmission, control, and power delivered via a single cable – further reducing complexity and clutter.</span></p>
<p><span style="font-size: 100%;">The camera is ideal for a variety of applications from corporate to broadcasting and live entertainment.</span></p>
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<h3><strong>Features</strong></h3>
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<ul>
<li>10.2M MOS sensor for capturing multiple subjects in a single frame (AW-UB10)</li>
<li>Wide dynamic range with V-Log ( AW-UB10: 13 stops)</li>
<li>Compact design (height, width &amp; depth each less than 10cm, excluding lens)</li>
<li>Unified IP control protocol compatible with Panasonic PTZ camera systems</li>
<li>Compatible with Media Production Suite for multi-camera setups with PTZ cameras</li>
<li>Planned support for IP transmission standards including NDI® HX2, RTMPS, and SRT</li>
</ul>
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<h3><strong>In The Box<br />
</strong></h3>
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<p>Panasonic AW-UB10 4K Multipurpose Box Camera<br />
AC Adapter<br />
Limited 1-Year Manufacturer Warranty</p>
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<h3><strong>Specifications</strong></h3>
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<div>
<div>
<div><span style="color: #000000;"><strong>Imaging</strong></span></div>
<table>
<tbody>
<tr>
<td>Lens Mount</td>
<td>
<div>Micro Four Thirds</div>
</td>
</tr>
<tr>
<td>Lens Communication</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Sensor Resolution</td>
<td>
<div>Actual: 11.9 Megapixel<br />
Effective: 10.3 Megapixel</div>
</td>
</tr>
<tr>
<td>Image Sensor</td>
<td>
<div>Four Thirds MOS</div>
</td>
</tr>
<tr>
<td>Image Stabilization</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Built-In ND Filter</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Capture Type</td>
<td>
<div>Stills &amp; Video</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Exposure Control</strong></span></div>
<table>
<tbody>
<tr>
<td>Shutter Type</td>
<td>
<div>Electronic Rolling Shutter</div>
</td>
</tr>
<tr>
<td>ISO Sensitivity Range</td>
<td>
<div>160 to 800 (Extended: 160 to 51,200)<br />
400 to 2000 (Extended: 400 to 25,600)</div>
</td>
</tr>
<tr>
<td>Advertised Dynamic Range</td>
<td>
<div>13 Stops</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Video Capture</strong></span></div>
<table>
<tbody>
<tr>
<td>Fast-/Slow-Motion Support</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Gamma Curve</td>
<td>
<div>HDR-HLG, Panasonic V-Gamut, Panasonic V-Log, Rec 2100 HLG, Rec709, V-Log</div>
</td>
</tr>
<tr>
<td>Built-In Microphone</td>
<td>
<div>Stereo</div>
</td>
</tr>
<tr>
<td>IP Streaming</td>
<td>
<div>Yes</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Interface</strong></span></div>
<table>
<tbody>
<tr>
<td>Media/Memory Card Slot</td>
<td>
<div>Dual Slot: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended]</div>
</td>
</tr>
<tr>
<td>Video I/O</td>
<td>
<div>1x BNC (3G-SDI) Output<br />
1x HDMI (Unspecified Signal) Output</div>
</td>
</tr>
<tr>
<td>Audio I/O</td>
<td>
<div>1x 1/8&#8243; / 3.5 mm TRS Stereo Mic/Line Input on Camera Body<br />
1x 1/8&#8243; / 3.5 mm TRS Stereo Headphone Output on Camera Body</div>
</td>
</tr>
<tr>
<td>Power I/O</td>
<td>
<div>1x Barrel</div>
</td>
</tr>
<tr>
<td>Other I/O</td>
<td>
<div>1x USB-C<br />
1x BNC (Timecode) Input/Output<br />
1x BNC (Genlock) Input/Output<br />
1x RJ45 (LAN) Input/Output</div>
</td>
</tr>
<tr>
<td>Wireless</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Mobile App Compatible</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Global Positioning (GPS, GLONASS, etc.)</td>
<td>
<div>No</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Viewfinder</strong></span></div>
<table>
<tbody>
<tr>
<td>Type</td>
<td>
<div>Optional, Not Included</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Focus</strong></span></div>
<table>
<tbody>
<tr>
<td>Focus Type</td>
<td>
<div>Auto and Manual Focus</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>General</strong></span></div>
<table>
<tbody>
<tr>
<td>PoE Support</td>
<td>
<div>PoE+ 802.3at</div>
</td>
</tr>
<tr>
<td>Shoe Mount</td>
<td>
<div>1x Cold Shoe</div>
</td>
</tr>
<tr>
<td>Tripod Mounting Thread</td>
<td>
<div>2x 3/8&#8243;-16 Female (Bottom)</div>
</td>
</tr>
<tr>
<td>Accessory Mounting Thread</td>
<td>
<div>9x 3/8&#8243;-16</div>
</td>
</tr>
<tr>
<td>Material of Construction</td>
<td>
<div>Aluminum</div>
</td>
</tr>
<tr>
<td>Dimensions (W x H x D)</td>
<td>
<div>3.7 x 3.7 x 3.1&#8243; / 9.3 x 9.3 x 7.8 cm (Without Protrusions)</div>
</td>
</tr>
<tr>
<td>Weight</td>
<td>
<div>1.2 lb / 545 g (Body Only)</div>
</td>
</tr>
</tbody>
</table>
</div>
</div>
</div>
<aside></aside>
		</div>
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</div>
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					</div>

	
</div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-aw-ub10-4k-multipurpose-box-camera/">Panasonic AW-UB10 4K Multipurpose Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<title>Panasonic LUMIX BGH1 4K Box Camera</title>
		<link>https://cinegear.nl/nl/product/panasonic-lumix-bgh1-4k-box-camera/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Tue, 03 Dec 2024 23:00:00 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=95872</guid>

					<description><![CDATA[<ul>
<li>10.2MP M4/3 MOS Sensor, MFT Lens Mount</li>
<li>4K60, 4:2:2, H.264/H.265/HEVC Recording</li>
<li>13 Stops of Dynamic Range, HLG Imaging</li>
<li>Dual-Native ISO, VariCam Look &#38; V-Log L</li>
<li>Variable Frame Rates from 60 to 240 fps</li>
<li>Remote Control via USB Type-C, LAN, LANC</li>
<li>Ethernet with PoE+, VBR Battery Mount</li>
<li>Anamorphic Video &#38; 3D LUT Support</li>
<li>Durable Magnesium &#38; Aluminum Body</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-lumix-bgh1-4k-box-camera/">Panasonic LUMIX BGH1 4K Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="row"  id="row-348508838">

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<h3><strong>Overzicht</strong></h3>
		</div>
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	<div id="col-1403698131" class="col medium-10 small-12 large-10"  >
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<p>Expanding the boundaries of the Lumix camera lineup, the Panasonic Lumix BGH1 introduces a modular, box-style design tailored for versatile production needs. Its compact and lightweight form factor makes it a top choice for gimbal and drone applications, as well as for broadcast, live streaming, vlogging, and cinematic projects.</p>
<p>At the heart of the BGH1 is a 10.2MP Micro Four Thirds sensor paired with an MFT lens mount, delivering exceptional flexibility and performance. With a wide dynamic range of 13 stops, it adeptly handles challenging lighting conditions. The camera supports video recording at resolutions up to 4K60 and integrates professional-grade workflows, including VariCam Look profiles such as V-Log L and Cinelike. It also features dual-native ISO technology powered by the Venus Engine, providing superior low-light performance.</p>
<p>Additional highlights include support for anamorphic lenses, Hybrid Log-Gamma (HLG) for enhanced color rendering, and advanced autofocus for precise focus control. The BGH1’s versatility is further amplified by its array of remote control options, power solutions, and compatibility with multicamera setups, making it an excellent choice for mobile production environments. Whether for creative or professional projects, this compact cinema camera packs robust features into its innovative design.</p>
		</div>
					</div>

	
</div>
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<div class="row"  id="row-457067351">

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<h3><strong>Features</strong></h3>
		</div>
					</div>

	

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				<div class="col-inner"  >
			
			
<ul>
<li>M4/3 10.2MP MOS sensor</li>
<li>Anamorphic video support</li>
<li>MFT lens mount</li>
<li>13 stops of dynamic range</li>
<li>Dual native ISO</li>
<li>Lightweight at 1.2 lb</li>
<li>Internal fan to keep camera cool</li>
<li>Measures less than 4&#8243; square for lightweight applications on drones or gimbals</li>
<li>HDMI 2.0 and 3G-SDI video outputs</li>
<li>Record up to 4K60 10-bit 4:2:2 to SD cards or HDMI/3G-SDI outputs simultaneously</li>
<li>Unlimited recording time</li>
<li>USB 3.1 Gen 1 Type-C input for control with LUMIX Tether app</li>
<li>2.5mm LANC input for camera control</li>
<li>Gigabit Ethernet via RJ45 for remote control and PoE+ power support</li>
<li>Direct IP streaming with a future firmware update</li>
<li>Wi-Fi and Bluetooth support to control the camera using a smartphone or tablet</li>
<li>Integrated stereo microphone, 3.5mm mic input, and 3.5mm headphone output</li>
<li>The optional DMW-XLR1 XLR adapter can be installed using the camera&#8217;s hot shoe</li>
<li>Four programmable Fn buttons</li>
<li>Tally lights on front and rear</li>
<li>Genlock BNC input/output</li>
<li>Timecode BNC input/output</li>
<li>Dual SD card slots</li>
<li>Included 12 VDC power adapter</li>
<li>Integrated VBR battery mount</li>
<li>Cable lock</li>
</ul>
		</div>
					</div>

	
</div>
<div class="is-divider divider clearfix" style="max-width:1600px;height:2px;"></div>
		</div>
					</div>

	
</div>
<div class="row"  id="row-1602223552">

	<div id="col-872165284" class="col small-12 large-12"  >
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<h3><strong>In The Box<br />
</strong></h3>
		</div>
					</div>

	

	<div id="col-1520647147" class="col medium-10 small-12 large-10"  >
				<div class="col-inner"  >
			
			
<p>Panasonic Lumix BGH1 Box Cinema Camera<br />
Power Adapter<br />
Cable Lock</p>
		</div>
					</div>

	
</div>
		</div>
					</div>

	
</div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-lumix-bgh1-4k-box-camera/">Panasonic LUMIX BGH1 4K Box Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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			</item>
		<item>
		<title>Blackmagic Design URSA Cine 12K LF Camera (PL Mount)</title>
		<link>https://cinegear.nl/nl/product/blackmagic-design-ursa-cine-12k-lf-camera-pl-mount/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Thu, 28 Nov 2024 04:53:05 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=94599</guid>

					<description><![CDATA[<ul>
<li>Large Format Full-Frame 12K Sensor</li>
<li>16 Stops of Dynamic Range</li>
<li>Blackmagic RAW up to 12K 3:2 Open Gate</li>
<li>Stream via RTMP/SRT via Wi-Fi/RJ45/USB-C</li>
<li>Built-In Clear, 2/4/6-Stop IRND Filters</li>
<li>Built-In Folding 5" 1500 cd/m² Monitor</li>
<li>12G-SDI Output, USB-C Expansion Ports</li>
<li>Timecode/REF, LEMO/Fischer Control Ports</li>
<li>2 x Balanced 3-Pin XLR Audio Inputs</li>
<li>Optional EVF</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/blackmagic-design-ursa-cine-12k-lf-camera-pl-mount/">Blackmagic Design URSA Cine 12K LF Camera (PL Mount)</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="row"  id="row-1905312199">

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<h3><strong>Overzicht</strong></h3>
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<p>Unleash the full cinematic potential of your storytelling with the reimagined <strong><span style="color: #000000;">URSA Cine 12K LF Camera</span></strong> by Blackmagic Design. Featuring a stunning 12K full-frame 36 x 24mm sensor with 16 stops of dynamic range, this advanced camera captures breathtaking detail in Blackmagic RAW up to 12K 3:2 open gate. Designed for versatility, it includes Wi-Fi and SRT live streaming capabilities, integrated ND filters, LEMO and Fischer standard control/power ports, high-speed networking for seamless cloud storage, and support for M.2 SSD media. Equipped with a standard PL mount, the <strong><span style="color: #000000;">URSA Cine 12K</span></strong> is ready for any professional production.</p>
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<h4>Cinematic Large Format Sensor</h4>
<p>URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!</p>
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<h4>Numerous Formats</h4>
<p>The large-format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate image, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.</p>
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<h4>Large Format Flexibility</p>
</h4>
<p>The large format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!</p>
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<h4>Interchangeable Lens Mounts</h4>
<p>Different projects require different lenses, which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF, and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.</p>
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<h4>Blackmagic RAW Capture</h4>
<p>Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are designed to give you the best possible images with predictable and consistent file sizes. The URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.</p>
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<h3><strong>In The Box<br />
</strong></h3>
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<ul>
<li>Blackmagic Design URSA Cine 12K LF Camera (PL Mount)</li>
<li>URSA Cine EF Mount</li>
<li>Screw Set for EF Mount</li>
<li>Media Module (8TB)</li>
<li>URSA Cine Handle</li>
<li>URSA Cine Top Rod Mount (15mm)</li>
<li>Blackmagic Design 19mm Baseplate for URSA Cine 12K</li>
<li>Folding Screen Hood for 5&#8243; LCD</li>
<li>URSA Cine Battery Plate (B-Mount)</li>
<li>Wi-Fi Antenna Set</li>
<li>URSA Cine PL Body Cap</li>
<li>URSA Cine EF Body Cap</li>
<li>Rubber Cap Set for Connectors</li>
<li>24 VDC 250W Power Supply</li>
<li>DaVinci Resolve Studio Activation Key</li>
<li>Blackmagic Sticker</li>
<li>Pelican 1510 Case with Custom-Cut Foam</li>
</ul>
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<h3><strong>Specifications<br />
</strong></h3>
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<div>
<div><strong><span style="color: #000000;">Imaging</span></strong></div>
<table>
<tbody>
<tr>
<td>Lens Mount</td>
<td>
<div>ARRI PL</div>
</td>
</tr>
<tr>
<td>Sensor Resolution</td>
<td>
<div>Effective: 98 Megapixel (12,288 x 8040)</div>
</td>
</tr>
<tr>
<td>Image Sensor</td>
<td>
<div>35.64 x 23.32 mm (Full-Frame) CMOS</div>
</td>
</tr>
<tr>
<td>Image Stabilization</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Built-In ND Filter</td>
<td>
<div>Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters</div>
</td>
</tr>
<tr>
<td>Capture Type</td>
<td>
<div>Video Only</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><strong><span style="color: #000000;">Exposure Control</span></strong></div>
<table>
<tbody>
<tr>
<td>Shutter Type</td>
<td>
<div>Mechanical Focal Plane Shutter and Electronic Rolling Shutter </div>
</td>
</tr>
<tr>
<td>Advertised Dynamic Range</td>
<td>
<div>16 Stops</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><span style="color: #000000;"><strong>Video Capture</strong></span></div>
<table>
<tbody>
<tr>
<td>Internal Recording Modes</td>
<td>
<div><b>Blackmagic RAW</b><br />12288 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/80 fps [90 to 1432 MB/s]9648 x 8040 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />12288 x 6912 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/100 fps<br />12288 x 6480 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />7680 x 6408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />9408 x 6264 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/100 fps [54 to 856 MB/s]8192 x 5360 up to 23.98/24.00/25/29.97/30.00/59.94/60.00/144 fps [40 to 533 MB/s]6432 x 5360 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps<br />12288 x 5112 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/120 fps<br />9312 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />8688 x 4896 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />8192 x 4608 up to 23.98/24.00/25/29.97/30.00/59.94/60.00 fps<br />8192 x 4320 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />8192 x 3408 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/224 fps<br />4096 x 2680 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00/144 fps [10 to 135 MB/s]4096 x 2304 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />4096 x 2160 up to 23.98/24.00/25/29.97/30.00 fps<br />3840 x 2160 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps<br />4096 x 1704 up to 23.98/24.00/25/29.97/30.00/50/59.94/60.00 fps<br />1920 x 1080 up to 23.98/24.00/25/29.97/30.00/50/60.00 fps</div>
</td>
</tr>
<tr>
<td>External Recording Modes</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Fast-/Slow-Motion Support</td>
<td>
<div>Slow-Motion Only</div>
</td>
</tr>
<tr>
<td>Built-In Microphone</td>
<td>
<div>Stereo</div>
</td>
</tr>
<tr>
<td>Audio Recording</td>
<td>
<div>24-Bit 48 kHz</div>
</td>
</tr>
<tr>
<td>IP Streaming</td>
<td>
<div><b>RTMP, SRT</b><br /><b></b>1920 x 1080 at 60p</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><strong><span style="color: #000000;">Interface</span></strong></div>
<table>
<tbody>
<tr>
<td>Media/Memory Card Slot</td>
<td>
<div>Single Slot: M.2 SSD</div>
</td>
</tr>
<tr>
<td>Internal Memory</td>
<td>
<div>8 TB</div>
</td>
</tr>
<tr>
<td>Video I/O</td>
<td>
<div>2x BNC (12G-SDI) Output</div>
</td>
</tr>
<tr>
<td>Audio I/O</td>
<td>
<div>2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input<br />1x 1/8&#8243; / 3.5 mm TRRS Headphone/Mic Output</div>
</td>
</tr>
<tr>
<td>Power I/O</td>
<td>
<div>1x LEMO 8-Pin (12 to 24VDC) Input<br />1x LEMO 7-Pin (12 to 24VDC) Output<br />1x Fischer 3-Pin (12 to 24VDC) Output</div>
</td>
</tr>
<tr>
<td>Other I/O</td>
<td>
<div>2x USB-C (Camera Interface) Input/Output<br />1x USB-C (Firmware)<br />1x RJ45 (10 Gigabit Ethernet) Control/Data/Monitor/Video Input/Output<br />1x BNC (Reference, Timecode) Data Input</div>
</td>
</tr>
<tr>
<td>Wireless</td>
<td>
<div>Wi-Fi, Bluetooth</div>
</td>
</tr>
<tr>
<td>Mobile App Compatible</td>
<td>
<div>Yes: iOS Only<br />App Name: Blackmagic Camera Control<br />Functionality: Remote Control<b></b><b></b><b></b><b></b></div>
</td>
</tr>
<tr>
<td>Global Positioning (GPS, GLONASS, etc.)</td>
<td>
<div>No</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div><strong><span style="color: #000000;">Focus</span></strong></div>
<table>
<tbody>
<tr>
<td>Focus Type</td>
<td>
<div>Auto and Manual Focus</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<h4><strong><span style="color: #000000;">General</span></strong></h4>
<table>
<tbody>
<tr>
<td>Operating Conditions</td>
<td>
<div>32 to 104°F / 0 to 40°C up to 90% Humidity</div>
</td>
</tr>
<tr>
<td>Storage Conditions</td>
<td>
<div>-4 to 113°F / -20 to 45°C up to 90% Humidity</div>
</td>
</tr>
<tr>
<td>Battery Type</td>
<td>
<div>B-Mount</div>
</td>
</tr>
<tr>
<td>Shoe Mount</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Tripod Mounting Thread</td>
<td>
<div>4x 3/8&#8243;-16 Female (Top)<br />3x 1/4&#8243;-20 Female (Top)<br />5x 3/8&#8243;-16 Female (Bottom)<br />4x 1/4&#8243;-20 Female (Bottom)</div>
</td>
</tr>
<tr>
<td>Accessory Mounting Thread</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Material of Construction</td>
<td>
<div>Carbon Fiber, Magnesium Alloy</div>
</td>
</tr>
<tr>
<td>Dimensions (W x H x D)</td>
<td>
<div>11 x 6 x 6&#8243; / 27.9 x 15.2 x 15.2 cm</div>
</td>
</tr>
<tr>
<td>Weight</td>
<td>
<div>8.72 lb / 3.96 kg (Body Only)</div>
</td>
</tr>
</tbody>
</table>
</div>
<div> </div>
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</div><p>The post <a href="https://cinegear.nl/nl/product/blackmagic-design-ursa-cine-12k-lf-camera-pl-mount/">Blackmagic Design URSA Cine 12K LF Camera (PL Mount)</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<item>
		<title>Sony BURANO 8K Digital Camera Motion Picture</title>
		<link>https://cinegear.nl/nl/product/sony-burano-8k-digital-camera-motion-picture/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Thu, 28 Nov 2024 04:08:28 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=94601</guid>

					<description><![CDATA[<ul>
<li>Compact, Highly Mobile Design</li>
<li>Full-Frame CMOS 8.6K Sensor</li>
<li>Wide Colour Gamut</li>
<li>Dual Base ISO</li>
<li>16 Stops of Dynamic Range</li>
<li>In-Body Image Stabilization&#124;E &#38; PL Mount</li>
<li>Dual-Base 800/3200 ISO Range</li>
<li>Electronically Variable 0.6-21ND Filter</li>
<li>Phase Detection AF &#124; Face/Eye Tracking</li>
<li>Full-Frame &#38; Super35 Sensor Modes</li>
<li>Supports Multiple Frame Rates &#38; Codecs</li>
<li>Dual CFExpress Type B Card Slots</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/sony-burano-8k-digital-camera-motion-picture/">Sony BURANO 8K Digital Camera Motion Picture</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
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<h3><strong>Overzicht</strong></h3>
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<p>Tailored for solo, mobile cine-style shooting, the Sony BURANO 8K Digital Cinema Camera delivers up to 8.6K video recording in a lightweight, full-frame design. Featuring innovative in-camera stabilization compatible with both E- and PL-mount lenses, Fast Hybrid Autofocus, and a conveniently adjustable ND filter, it streamlines single-operator workflows. Perfectly suited as a companion to VENICE cameras, the CineAlta BURANO excels as a B or C camera with seamless image consistency.</p>
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<p><iframe loading="lazy" title="The BURANO: An Introduction" src="https://www.youtube.com/embed/5A7M3KnhdJ0" width="800" height="514" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br />

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<h4>Full-Frame 8.6K CMOS Sensor</h4>
<p>BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.</p>
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<h4>ARRI PL and Sony E Mounts</h4>
<ul>
<li>The BURANO features the robust and dependable PL- and E-mount systems found in the VENICE series, providing access to an extensive range of lens options.</li>
<li>The PL mount accommodates both Super35 and full-frame PL lenses, including spherical and anamorphic types. It also integrates Cooke/i technology for frame-specific metadata and ZEISS eXtended Data support.</li>
<li>The E-mount ensures metadata compatibility when paired with Sony E-mount lenses.</li>
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<h4>Smarter Shooting</h4>
<p>BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.</p>
<p>* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount</p>
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<h4>Multiple Image Scan Modes</h4>
<p>BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements.</p>
<p>* Only 17:9 in Super 35 Cropped (S35c) mode</p>
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<h4>Dual Base ISO</h4>
<p>Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight.</p>
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<h4>New in-camera Looks for Ready-to-Use Footage</h4>
<p>BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow.</p>
<p>s709: Kodak 2383-like natural tones and colours</p>
<p>s709(800): Standard 709 tone curve for accurate colour reproduction*</p>
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<h3><strong>In The Box<br />
</strong></h3>
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<ul>
<li>Sony BURANO 8K Digital Motion Picture Camera</li>
<li>PL Mount</li>
<li>Handle with Viewfinder Arm</li>
<li>4 x Handle Mounting Screw</li>
<li>LCD Monitor</li>
<li>Viewfinder Loupe</li>
<li>Viewfinder Mount Adapter</li>
<li>Circular Shim</li>
<li>15 x 1/3 Arc Shim</li>
<li>E-Mount Cap</li>
<li>PL-Mount Cap</li>
</ul>
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<h3><strong>Specifications<br />
</strong></h3>
		</div>
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<div>
<h4>Imaging</h4>
<table>
<tbody>
<tr>
<td>Lens Mount</td>
<td>
<div>ARRI PL with Included Adapter<br />
Sony E</div>
</td>
</tr>
<tr>
<td>Lens Communication</td>
<td>
<div>Yes, Cooke /i, Zeiss eXtended Data</div>
</td>
</tr>
<tr>
<td>Sensor Resolution</td>
<td>
<div>Effective: 41.9 Megapixel (8632 x 4856)</div>
</td>
</tr>
<tr>
<td>Image Sensor</td>
<td>
<div>35.9 x 24 mm (Full-Frame) CMOS</div>
</td>
</tr>
<tr>
<td>Image Stabilization</td>
<td>
<div>Sensor-Shift, 5-Axis</div>
</td>
</tr>
<tr>
<td>Built-In ND Filter</td>
<td>
<div>Mechanical Filter Wheel with Clear ND Filters and a 2 to 7 Stop Electronic ND Filter</div>
</td>
</tr>
<tr>
<td>Internal Filter Holder</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Capture Type</td>
<td>
<div>Video Only</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div>Exposure Control</div>
<table>
<tbody>
<tr>
<td>Shutter Type</td>
<td>
<div>Electronic Rolling Shutter</div>
</td>
</tr>
<tr>
<td>Shutter Speed</td>
<td>
<div>1/8000 to 1 Second</div>
</td>
</tr>
<tr>
<td>ISO Sensitivity Range</td>
<td>
<div>800<b></b><br />
3200<b></b></div>
</td>
</tr>
<tr>
<td>Gain</td>
<td>
<div>-3 to 18 dB</div>
</td>
</tr>
<tr>
<td>Advertised Dynamic Range</td>
<td>
<div>16 Stops</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<h4>Video Capture</h4>
<table>
<tbody>
<tr>
<td>Internal Recording Modes</td>
<td>
<div><b>X-OCN LT</b><br />
8632 x 4856 at 23.98/25/29.97 fps<br />
8632 x 4552 at 23.98/24.00/25/29.97 fps<br />
6052 x 3404 at 23.98/25/29.97/50/59.94 fps<br />
5760 x 3240 at 23.98/25/29.97/50/59.94 fps<br />
6052 x 3192 at 23.98/24.00/25/29.97/50/59.94 fps<br />
5760 x 3036 at 23.98/24.00/25/29.97/50/59.94 fps<br />
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94/100/120 fps<br />
<b>XAVC</b><br />
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps<br />
3840 x 2160 at 23.98/25/29.97/50/59.94 fps<br />
1920 x 1080 at 23.98/25/29.97/50/59.94 fps<br />
<b>XAVC H-I HQ/XAVC H-I SQ</b><br />
8192 x 4320 at 23.98/24.00/25/29.97 fps<br />
7680 x 4320 at 23.98/25/29.97 fps<br />
<b>XAVC H-L</b><br />
7680 x 4320 at 23.98/25/29.97 fps</div>
</td>
</tr>
<tr>
<td>Recording Sensor Crop</td>
<td>
<div>Crops to Output Resolution in All Recording Modes</div>
</td>
</tr>
<tr>
<td>Fast-/Slow-Motion Support</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Built-In Microphone</td>
<td>
<div>Mono</div>
</td>
</tr>
<tr>
<td>Audio Recording</td>
<td>
<div>4-Channel 24-Bit 48 kHz LPCM Audio</div>
</td>
</tr>
<tr>
<td>IP Streaming</td>
<td>
<div>No</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<div>Interface</div>
<table>
<tbody>
<tr>
<td>Media/Memory Card Slot</td>
<td>
<div>Dual Slot: CFexpress Type B<br />
Single Slot: SD/SDHC/SDXC</div>
</td>
</tr>
<tr>
<td>Video I/O</td>
<td>
<div>1x BNC (12G-SDI) Output<br />
1x BNC (3G-SDI) Output<br />
1x HDMI (Unspecified Signal) Output</div>
</td>
</tr>
<tr>
<td>Audio I/O</td>
<td>
<div>2x XLR 3-Pin Mic/Line Input<br />
1x 1/8&#8243; / 3.5 mm TRS Stereo Headphone Output</div>
</td>
</tr>
<tr>
<td>Power I/O</td>
<td>
<div>1x XLR 4-Pin (11 to 17VDC) Input</div>
</td>
</tr>
<tr>
<td>Other I/O</td>
<td>
<div>1x BNC (Timecode) Input/Output<br />
1x BNC (Genlock) Input/Output<br />
1x 1/8&#8243; / 3.5 mm (LANC) Control Input<br />
1x RJ45 (Ethernet)<br />
1x USB-C (USB 3.2 / 3.1 Gen 2)</div>
</td>
</tr>
<tr>
<td>Wireless</td>
<td>
<div>2.4 / 5 GHz Wi-Fi 5 (802.11ac) Video Output, Control</div>
</td>
</tr>
<tr>
<td>Mobile App Compatible</td>
<td>
<div>Yes: Android &amp; iOS<b></b><b></b><b></b><b></b></div>
</td>
</tr>
<tr>
<td>Global Positioning (GPS, GLONASS, etc.)</td>
<td>
<div>No</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<h4>Viewfinder</h4>
<table>
<tbody>
<tr>
<td>Type</td>
<td>
<div>Removable Electronic</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<h4>Focus</h4>
<table>
<tbody>
<tr>
<td>Focus Type</td>
<td>
<div>Auto and Manual Focus</div>
</td>
</tr>
<tr>
<td>Autofocus Points</td>
<td>
<div>Phase Detection: 627</div>
</td>
</tr>
</tbody>
</table>
</div>
<div>
<h4>General</h4>
<table>
<tbody>
<tr>
<td>Operating Conditions</td>
<td>
<div>32 to 104°F / 0 to 40°C</div>
</td>
</tr>
<tr>
<td>Storage Conditions</td>
<td>
<div>-4 to 140°F / -20 to 60°C</div>
</td>
</tr>
<tr>
<td>Battery Type</td>
<td>
<div>V-Mount</div>
</td>
</tr>
<tr>
<td>Power Consumption</td>
<td>
<div>50 W</div>
</td>
</tr>
<tr>
<td>Shoe Mount</td>
<td>
<div>No</div>
</td>
</tr>
<tr>
<td>Tripod Mounting Thread</td>
<td>
<div>4x 1/4&#8243;-20 Female (Bottom)<br />
4x 3/8&#8243;-16 Female (Bottom)</div>
</td>
</tr>
<tr>
<td>Accessory Mounting Thread</td>
<td>
<div>10x 1/4&#8243;-20 on Included Handle<br />
4x 3/8&#8243;-16 on Included Handle<br />
6x M3 on Included Handle<br />
8x 1/4&#8243;-20 on Camera Body<br />
6x 3/8&#8243;-16 on Camera Body<br />
8x M3 on Camera Body<br />
1x M2 on Camera Body</div>
</td>
</tr>
<tr>
<td>Netflix Approved</td>
<td>
<div>Yes</div>
</td>
</tr>
<tr>
<td>Material of Construction</td>
<td>
<div>Magnesium Alloy</div>
</td>
</tr>
<tr>
<td>Dimensions (W x H x D)</td>
<td>
<div>5.7 x 5.6 x 8.6&#8243; / 145.7 x 142.5 x 218.1 mm (Without Protrusions)</div>
</td>
</tr>
<tr>
<td>Weight</td>
<td>
<div>5.3 lb / 2.4 kg (Body Only)<br />
6.4 lb / 2.9 kg (With Lens Mount Adapter)</div>
</td>
</tr>
</tbody>
</table>
</div>
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</div><p>The post <a href="https://cinegear.nl/nl/product/sony-burano-8k-digital-camera-motion-picture/">Sony BURANO 8K Digital Camera Motion Picture</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Kinefinity MAVO Mark2 S35 Pack</title>
		<link>https://cinegear.nl/nl/product/kinefinity-mavo-mark2-s35-pack/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Thu, 01 Aug 2024 02:15:23 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=89382</guid>

					<description><![CDATA[<p><strong>MAVO S35 Mark 2</strong> comes with a new S35 3:2 CMOS image sensor and a new high-performance computing platform</p>
<p>The post <a href="https://cinegear.nl/nl/product/kinefinity-mavo-mark2-s35-pack/">Kinefinity MAVO Mark2 S35 Pack</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
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<h3><strong>Overzicht</strong></h3>
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<p><strong>MAVO mark2 S35</strong>, offering frame rates up to 6K Wide at 96fps and 4K Wide at 150fps, boasts dual native ISO settings of 3200 and 800. This ensures outstanding low-light performance, delivering cleaner images, superior highlight management, high dynamic range, and high frame rate shooting capabilities in both low-light and standard lighting conditions.</p>
<p>Both cameras in the <strong>MAVO mark2</strong> series by Kinefinity streamline the MAVO Edge&#8217;s high-performance computing platform. They feature an enhanced image processing system, dual independent SDI outputs, and the capability to record ProRes4444XQ directly to NVMe M.2 SSDs. These cameras combine a fully integrated, lightweight design with a high-efficiency workflow, providing cinematographers with a classic yet efficient shooting experience at a more accessible price point.</p>
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<h3><strong>In The Box<br />
</strong></h3>
		</div>
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<ul>
<li>Kinefinity MAVO mark2 S35 (includes active E Mount)</li>
<li>Kinefinity KineMON-5U2 Ultra-Bright Monitor</li>
<li>Kinefinity Kine Video Cord (0.3M)</li>
<li>Kinefinity KineMAG Nano Body</li>
<li>Kinefinity Movcam KineKIT-Edge Agile</li>
</ul>
		</div>
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<h3><strong>Specifications<br />
</strong></h3>
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<table>
<tbody>
<tr>
<th>CMOS image sensor</th>
<td colspan="4">S35 6K 3:2 CMOS image sensor</td>
</tr>
<tr>
<th>highest resolution</th>
<td colspan="4">6144×4016 (3:2 full gate), 25 million</td>
</tr>
<tr>
<th>frame rate</th>
<td colspan="4">6K Wide 0.2~96fps</td>
</tr>
<tr>
<th>Effective photosensitive size</th>
<td colspan="4">24x16mm, ø 28.8mm</td>
</tr>
<tr>
<th>Dual Native ISO    </th>
<td colspan="4">Base ISO: 800; High Base ISO: 3200</td>
</tr>
<tr>
<th>Tolerance</th>
<td colspan="4">&gt;14 files</td>
</tr>
<tr>
<th>shutter angle</th>
<td colspan="4">0.7°~358° rolling shutter</td>
</tr>
<tr>
<th>body bayonet</th>
<td colspan="4">Native PL mount, electronic E mount, or universal KineMOUNT (realize PL/LPL/EF through a solid adapter mount)</td>
</tr>
<tr>
<th>optical filter</th>
<td colspan="4">UV optical OLPF and IR-cut filters</td>
</tr>
<tr>
<th colspan="5">Encoding formats, LUTs and recording media</th>
</tr>
<tr>
<th rowspan="4">recording code</th>
<td><strong>encoding type</strong></td>
<td><strong>Package format</strong></td>
<td><strong>bit depth</strong></td>
<td><strong>Remark</strong></td>
</tr>
<tr>
<td>ProRes4444XQ</td>
<td>Quicktime mov</td>
<td>12bits</td>
<td>KineLOG3</td>
</tr>
<tr>
<td>ProRes4444</td>
<td>Quicktime mov</td>
<td>12bits</td>
<td>KineLOG3</td>
</tr>
<tr>
<td>ProRes422HQ</td>
<td>Quicktime mov</td>
<td>10bits</td>
<td>KineLOG3, including ProRes422/LT</td>
</tr>
<tr>
<th>preview format</th>
<td colspan="4">H264, mp4 format, 8bits, when the frame rate is less than or equal to 30fps</td>
</tr>
<tr>
<th>LUTs</th>
<td colspan="4">KineLOG3, Neutral (Rec 709), supports user-defined 3D LUT</td>
</tr>
<tr>
<th>recording medium</th>
<td colspan="4">KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards</td>
</tr>
<tr>
<th>Media Dimensions (WxHxD)</th>
<td colspan="4">KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards</td>
</tr>
<tr>
<th>Media Dimensions (WxHxD)</th>
<td colspan="4">1.6×3.5×0.35”/40x88x9mm</td>
</tr>
</tbody>
</table>
<table>
<tbody>
<tr>
<th colspan="5">Resolution, frame rate, photosensitive size</th>
</tr>
<tr>
<th rowspan="15">S35</th>
<td><strong>resolution</strong></td>
<td><strong>frame rate</strong></td>
<td><strong>recording code</strong></td>
<td><strong>Photosensitive size</strong></td>
</tr>
<tr>
<td>S35 6K OG</td>
<td>6144&#215;4016, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 24x16mm, ø 28.8mm</td>
</tr>
<tr>
<td>S35 6K DCI</td>
<td>6144&#215;3240, 0.2~75fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 24&#215;12.9mm, ø 27.3mm</td>
</tr>
<tr>
<td>S35 6K 2.4:1</td>
<td>6144&#215;2516, 0.2~96fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 24&#215;10.0mm, ø 26.0mm</td>
</tr>
<tr>
<td>S35 6K UHD</td>
<td>5760&#215;3240, 0.2~75fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 22.5&#215;12.9mm, ø 25.9mm</td>
</tr>
<tr>
<td>S35 5K 17:9</td>
<td>5120&#215;2700, 0.2~90fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 20&#215;10.8mm, ø 22.7mm</td>
</tr>
<tr>
<td>S35 5K 2.4:1</td>
<td>5120&#215;2160, 0.2~112fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 20&#215;8.6mm, ø 21.8mm</td>
</tr>
<tr>
<td>S35 5.7K 3:2</td>
<td>5760&#215;3840, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 22.5&#215;15.3mm, ø 27.2mm</td>
</tr>
<tr>
<td>S35 5K 4:3</td>
<td>5120&#215;3840, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 20&#215;15.3mm, ø 25.2mm</td>
</tr>
<tr>
<td>S35 4.8K 6:5</td>
<td>4864&#215;3840, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 19&#215;15.3mm, ø 24.4mm</td>
</tr>
<tr>
<td>S35 3.8K 3:2 (oversampling)</td>
<td>3840&#215;2460, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 22.5&#215;15.3mm, ø 27.2mm</td>
</tr>
<tr>
<td>S35 4K UHD (oversampling)</td>
<td>3840&#215;2160, 0.2~75fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 22.5&#215;12.9mm, ø 25.9mm</td>
</tr>
<tr>
<td>S35 3.8K 2.4:1 (oversampling)</td>
<td>3840&#215;1600, 0.2~96fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 24&#215;10.0mm, ø 26.0mm</td>
</tr>
<tr>
<td>S35 3.4K 4:3 (oversampling)</td>
<td>3456&#215;2460, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 20&#215;15.3mm, ø 25.2mm</td>
</tr>
<tr>
<td>S35 3K 6:5 (oversampling)</td>
<td>3072&#215;2460, 0.2~60fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 19&#215;15.3mm, ø 24.4mm</td>
</tr>
<tr>
<th rowspan="10">M43</th>
<td><strong>resolution</strong></td>
<td><strong>frame rate</strong></td>
<td><strong>recording code</strong></td>
<td><strong>Photosensitive size</strong></td>
</tr>
<tr>
<td>M43 4K 17:9</td>
<td>4096&#215;2160, 0.2~112fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 16&#215;8.6mm, ø 18.2mm</td>
</tr>
<tr>
<td>M43 4K 2.4:1</td>
<td>4096&#215;1720, 0.2~140fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 16&#215;6.8mm, ø 17.4mm</td>
</tr>
<tr>
<td>M43 4K UHD</td>
<td>3840&#215;2160, 0.2~112fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 15&#215;8.6mm, ø 17.3mm</td>
</tr>
<tr>
<td>M43 3.8K 2.4:1</td>
<td>3840&#215;1600, 0.2~150fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 15&#215;6.4mm, ø 16.3mm</td>
</tr>
<tr>
<td>M43 4K 4:3</td>
<td>4096&#215;3072, 0.2~75fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 16&#215;12.2mm, ø 20.1mm</td>
</tr>
<tr>
<td>M43 2K 17:9 (oversampling)</td>
<td>2048&#215;1080, 0.2~112fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 16&#215;8.6mm, ø 18.2mm</td>
</tr>
<tr>
<td>M43 2K 2.4:1 (oversampling)</td>
<td>2048&#215;860, 0.2~140fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 16&#215;6.8mm, ø 17.4mm</td>
</tr>
<tr>
<td>M43 2K FHD (oversampling)</td>
<td>1920&#215;1080, 0.2~112fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 15&#215;8.6mm, ø 17.3mm</td>
</tr>
<tr>
<td>M43 1.9K 2.4:1 (overshot)</td>
<td>1920&#215;800, 0.2~150fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 15&#215;6.4mm, ø 16.3mm</td>
</tr>
<tr>
<th rowspan="5">S16</th>
<td><strong>resolution</strong></td>
<td><strong>frame rate</strong></td>
<td><strong>recording code</strong></td>
<td><strong>Photosensitive size</strong></td>
</tr>
<tr>
<td>S16 2K 17:9</td>
<td>2048&#215;1080, 0.2~220fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 8&#215;4.3mm, ø 9.1mm</td>
</tr>
<tr>
<td>S16 2K 2.4:1</td>
<td>2048&#215;860, 0.2~270fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 8&#215;3.4mm, ø 8.7mm</td>
</tr>
<tr>
<td>S16 2K FHD</td>
<td>1920&#215;1080, 0.2~220fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 7.5&#215;4.3mm, ø 8.6mm</td>
</tr>
<tr>
<td>S16 1.9K 2.4:1</td>
<td>1920&#215;800, 0.2~270fps</td>
<td>Up to ProRes 4444XQ</td>
<td>Photosensitive size: 7.5&#215;3.2mm, ø 8.2mm</td>
</tr>
<tr>
<th colspan="5">Monitor</th>
</tr>
<tr>
<th>KINEFINITY proprietary Video port x2</th>
<td colspan="4">Can be connected to KINEFINITY Micro OLED EVF viewfinder and KineMON-5U2/KineMON-7U2 ultra-bright monitor that supports touch operation<br />3G/1.5G SDI output x2 with metadata and audio (standard BNC)</td>
</tr>
<tr>
<th colspan="5">audio</th>
</tr>
<tr>
<th>Audio Sample Metrics</th>
<td colspan="4">Linear PCM output, 24bits, 48KHz</td>
</tr>
<tr>
<th>audio input</th>
<td colspan="4">Built-in mono MIC<br />Stereo MIC 3.5mm socket<br />Phantom 48V input x2 (standard XLR port)</td>
</tr>
<tr>
<th>Audio output</th>
<td colspan="4">3.5mm stereo monitor output</td>
</tr>
<tr>
<th colspan="5">Network and Wireless Interface</th>
</tr>
<tr>
<th>wireless</th>
<td colspan="4">WIFI5 wireless network, can be used for streaming and camera control<br />Three-axis accelerometer</td>
</tr>
<tr>
<th colspan="5">Synchronization and Control</th>
</tr>
<tr>
<th>time code</th>
<td colspan="4">Linear time code input &amp; output (0B5P)</td>
</tr>
<tr>
<th>control</th>
<td colspan="4">RS232 open Lens port, power output (0B5P)</td>
</tr>
<tr>
<th>Multi-machine synchronization, control</th>
<td colspan="4">RS422 synchronization and KINEFINITY camera synchronization (0B9P)</td>
</tr>
<tr>
<th>RS interface</th>
<td colspan="4">Power output and trigger recording input (fisher 3P)</td>
</tr>
<tr>
<th>expand</th>
<td colspan="4">Data and Control, EXT 1 and EXT 2 (gold contacts, 2×4)</td>
</tr>
<tr>
<th>USB</th>
<td colspan="4">USB Type-C x1 for firmware updates and importing custom 3D LUTs</td>
</tr>
<tr>
<th colspan="5">Power input and output</th>
</tr>
<tr>
<th>power consumption</th>
<td colspan="4">Under 6K HD 25p viewfinder, 27W</td>
</tr>
<tr>
<th>power input</th>
<td colspan="4">Integrated hybrid battery plate (compatible with V-mount batteries and BP-U batteries)<br />DC power input (1B2P), 11~26V<br />UPS EXT 3 (gold contacts, 2×5)</td>
</tr>
<tr>
<th>Power Output</th>
<td colspan="4">RS interface x1, power output @4A<br />SYNC port x1, power output @3A<br />Lens port x1, power output @6A</td>
</tr>
<tr>
<th colspan="5">Body Construction and Dimensions</th>
</tr>
<tr>
<th>color</th>
<td colspan="4">black</td>
</tr>
<tr>
<th>material</th>
<td colspan="4">High-strength aviation aluminum alloy</td>
</tr>
<tr>
<th>weight</th>
<td colspan="4">1.35kg</td>
</tr>
<tr>
<th>size</th>
<td colspan="4">106x124x107 mm (body only without protrusions, width x height x length)</td>
</tr>
<tr>
<th>Working temperature</th>
<td colspan="4">0°C ~ 40°C</td>
</tr>
</tbody>
</table>
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</div><p>The post <a href="https://cinegear.nl/nl/product/kinefinity-mavo-mark2-s35-pack/">Kinefinity MAVO Mark2 S35 Pack</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<item>
		<title>Kinefinity MAVO Mark 2 LF Pack</title>
		<link>https://cinegear.nl/nl/product/kinefinity-mavo-mark-2-lf-pack/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Thu, 01 Aug 2024 02:11:17 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=89381</guid>

					<description><![CDATA[<p>Kinefinity <strong>MAVO LF Mark 2</strong> delivers advanced technology and integration for high-end production. Providing great performance, advanced features and an enticing price offer.</p>
<p>The post <a href="https://cinegear.nl/nl/product/kinefinity-mavo-mark-2-lf-pack/">Kinefinity MAVO Mark 2 LF Pack</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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<h3><strong>Overzicht</strong></h3>
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<p><strong>MAVO Mark 2 LF</strong>, much like the MAVO Edge 6K, features a full-frame 3:2 CMOS image sensor, enabling it to achieve high frame rates of up to 75fps in 6K and dual native ISO settings of 5120/800. The updated MAVO LF Mark 2 excels in high sensitivity, preserving more highlight details, making it ideal for scenes with complex lighting. Its large format provides a wider viewing angle, delivering a shallower depth of field for a more cinematic look.</p>
<p>The <strong>MAVO Mark 2</strong> enhances lens compatibility, continuing support for the versatile KineMOUNT system, which allows for quick adaptation to EF, PL, and LPL mounts. Additionally, it introduces new native PL and electronic E-mount options, which can be installed and removed by users without the need for flange distance adjustments.</p>
<p>The dual <strong>MAVO Mark 2</strong> cameras incorporate a simplified version of the MAVO Edge high-performance computing platform, significantly upgrading the image processing system. They offer independent dual SDI outputs and record in ProRes4444XQ format to NVMe M.2 SSDs within the camera. This integration results in a sleek, lightweight design and efficient workflow, providing photographers with a classic and efficient cinematography experience at a more accessible price point.</p>
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<h3><strong>In The Box<br />
</strong></h3>
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<p>Kinefinity MAVO Mark 2 LF (includes active PL Mount)<br />
Kinefinity KineMON-5U2 Ultra-Bright Monitor<br />
Kinefinity Kine Video Cord (0.3M)<br />
Kinefinity KineMAG Nano Body<br />
Kinefinity Movcam KineKIT-Edge Core</p>
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<h3><strong>Specifications<br />
</strong></h3>
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<table>
<tbody>
<tr>
<th>Camera Type</th>
<td colspan="4">Large Format Digital Cinema Camera</td>
</tr>
<tr>
<th>Imaging Sensor</th>
<td colspan="4">Full Frame 6K 3:2 CMOS Imaging Sensor</td>
</tr>
<tr>
<th>Max Record Res</th>
<td colspan="4">6016&#215;3984 (3:2 Open Gate), 24M</td>
</tr>
<tr>
<th>Frame Rate</th>
<td colspan="4">6K Wide 0.2~75fps</td>
</tr>
<tr>
<th>Active Area</th>
<td colspan="4">36x24mm, ø 43.3mm</td>
</tr>
<tr>
<th rowspan="2">Dual Base ISO</th>
<td colspan="4">Regular Base ISO：800</td>
</tr>
<tr>
<td colspan="4">High Base ISO：5120</td>
</tr>
<tr>
<th>Latitude</th>
<td colspan="4">&gt;14 Stops</td>
</tr>
<tr>
<th>Shutter Angle</th>
<td colspan="4">0.7°~358° with rolling shutter</td>
</tr>
<tr>
<th>Lens Mount</th>
<td colspan="4">Active PL Mount, Active E Mount, Native KineMOUNT (Adapters: PL/LPL/EF)</td>
</tr>
<tr>
<th>Optical Filter</th>
<td colspan="4">Optical LPF with UV and IR-cut filter</td>
</tr>
</tbody>
</table>
<table>
<tbody>
<tr>
<th colspan="5">Resolution, Frame Rate and Optical Format</th>
</tr>
<tr>
<th rowspan="16">Full Frame</th>
<th>Resolution</th>
<th>Frame Rate</th>
<th>Codec</th>
<th>Optical Format</th>
</tr>
<tr>
<td>FF 6K OG</td>
<td>6016&#215;3984, 0.2~48fps</td>
<td>up to ProRes 4444XQ</td>
<td>36x24mm, ø 43.3mm</td>
</tr>
<tr>
<td>FF 6K 17:9</td>
<td>6016&#215;3172, 0.2~60fps</td>
<td>up to ProRes 4444XQ</td>
<td>36&#215;19.1mm, ø 41.0mm</td>
</tr>
<tr>
<td>FF 6K 2.4:1</td>
<td>6016&#215;2520, 0.2~75fps</td>
<td>up to ProRes 4444XQ</td>
<td>36&#215;15.2mm, ø 39.1mm</td>
</tr>
<tr>
<td>FF 5.7K 3:2</td>
<td>5760×3700, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5×22.2mm, ø 41.0mm</td>
</tr>
<tr>
<td>FF 6K UHD</td>
<td>5760×3240, 0.2~58fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5×19.5mm, ø 39.6 mm</td>
</tr>
<tr>
<td>FF 5.7K 2.4:1</td>
<td>5760×2400, 0.2~75fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5×14.4mm, ø 37.4mm</td>
</tr>
<tr>
<td>FF 5K 4:3</td>
<td>5120×3700, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>30.6×22.3mm, ø 37.9mm</td>
</tr>
<tr>
<td>FF 5K DCI</td>
<td>5120×2700, 0.2~70fps</td>
<td>up to ProRes 4444XQ</td>
<td>30.6×16.2mm, ø 34.6mm</td>
</tr>
<tr>
<td>FF 5K 2.4:1</td>
<td>5120×2160, 0.2~86fps</td>
<td>up to ProRes 4444XQ</td>
<td>30.6×12.9mm, ø 33.2mm</td>
</tr>
<tr>
<td>FF 4.6K 6:5</td>
<td>4608×3700, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>27.6×22.3mm, ø 35.5mm</td>
</tr>
<tr>
<td>FF 3.8K 3:2 (Oversample)</td>
<td>3840×2460, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5×22.2mm, ø 41.0mm</td>
</tr>
<tr>
<td>FF 4K UHD (Oversample)</td>
<td>3840&#215;2160, 0.2~58fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5&#215;19.5mm, ø39.6 mm</td>
</tr>
<tr>
<td>FF 3.8K 2.4:1 (Oversample)</td>
<td>3840&#215;1600, 0.2~75fps</td>
<td>up to ProRes 4444XQ</td>
<td>34.5&#215;14.4mm, ø 37.4mm</td>
</tr>
<tr>
<td>FF 3.4K 4:3 (Oversample)</td>
<td>3456×2460, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>31.0×22.1mm, ø 38.1mm</td>
</tr>
<tr>
<td>FF 3K 6:5 (Oversample)</td>
<td>3072×2460, 0.2~50fps</td>
<td>up to ProRes 4444XQ</td>
<td>27.6×22.3mm, ø 35.3mm</td>
</tr>
<tr>
<th rowspan="12">S35</th>
<td>S35 4K 3:2</td>
<td>4096×2700, 0.2~70fps</td>
<td>up to ProRes 4444XQ</td>
<td>24.5×16.1mm, ø 29.3mm</td>
</tr>
<tr>
<td>S35 4K DCI</td>
<td>4096×2160, 0.2~112fps</td>
<td>up to ProRes 4444XQ</td>
<td>24.5×12.9mm, ø 27.7mm</td>
</tr>
<tr>
<td>S35 4K 2.4:1</td>
<td>4096×1720, 0.2~140fps</td>
<td>up to ProRes 4444XQ</td>
<td>24.5×10.3mm, ø 26.6mm</td>
</tr>
<tr>
<td>S35 4K UHD</td>
<td>3840×2160, 0.2~112fps</td>
<td>up to ProRes 4444XQ</td>
<td>23.0×12.9mm, ø 26.4mm</td>
</tr>
<tr>
<td>S35 3.8K 2.4:1</td>
<td>3840×1600, 0.2~150fps</td>
<td>up to ProRes 4444XQ</td>
<td>23.0×9.6mm, ø 24.9mm</td>
</tr>
<tr>
<td>S35 3.6K 4:3</td>
<td>3712×2700, 0.2~70fps</td>
<td>up to ProRes 4444XQ</td>
<td>22.2×16.1mm, ø 27.4mm</td>
</tr>
<tr>
<td>S35 3.2K 6:5</td>
<td>3328×2700, 0.2~70fps</td>
<td>up to ProRes 4444XQ</td>
<td>19.9×16.1mm, ø 25.6mm</td>
</tr>
<tr>
<td>S35 2.7K 1:1</td>
<td>2688×2688, 0.2~70fps</td>
<td>up to ProRes 4444XQ</td>
<td>16.1×16.1mm, ø 22.8mm</td>
</tr>
<tr>
<td>S35 2K DCI (Oversample)</td>
<td>2048×1080, 0.2~112fps</td>
<td>up to ProRes 4444XQ</td>
<td>24.5×12.9mm, ø 27.7mm</td>
</tr>
<tr>
<td>S35 2K 2.4:1 (Oversample)</td>
<td>2048×860, 0.2~140fps</td>
<td>up to ProRes 4444XQ</td>
<td>24.5×10.3mm, ø 26.6mm</td>
</tr>
<tr>
<td>S35 2K FHD (Oversample)</td>
<td>1920×1080, 0.2~112fps</td>
<td>up to ProRes 4444XQ</td>
<td>23.0×12.9mm, ø 26.4mm</td>
</tr>
<tr>
<td>S35 1.9K 2.4:1 (Oversample)</td>
<td>1920×800, 0.2~140fps</td>
<td>up to ProRes 4444XQ</td>
<td>23.0×9.6mm, ø 24.9mm</td>
</tr>
<tr>
<th rowspan="8">Other Cropping</th>
<td>3K DCI</td>
<td>3072&#215;1620, 0.2~144fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>3K 2.4:1</td>
<td>3072&#215;1200, 0.2~195fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>3K HD</td>
<td>2944&#215;1620, 0.2~145fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>3K HD 2.4:1</td>
<td>2944&#215;1200, 0.2~195fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>2K DCI</td>
<td>2048&#215;1080, 0.2~200fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>2K 2.4:1</td>
<td>2048&#215;860, 0.2~270fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>2K FHD</td>
<td>1920&#215;1080, 0.2~220fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<td>1.9K 2.4:1</td>
<td>1920&#215;800, 0.2~290fps</td>
<td>up to ProRes 4444XQ</td>
<td> </td>
</tr>
<tr>
<th colspan="5">Codecs、LUT and Record Media</th>
</tr>
<tr>
<th> </th>
<th>Codec Type</th>
<th>Codec Format</th>
<th>Bit Depth</th>
<th>Notes</th>
</tr>
<tr>
<th rowspan="3">Record Codec</th>
<td>ProRes4444XQ</td>
<td>Quicktime mov</td>
<td>12bits</td>
<td>KineLOG3</td>
</tr>
<tr>
<td>ProRes4444</td>
<td>Quicktime mov</td>
<td>12bits</td>
<td>KineLOG3</td>
</tr>
<tr>
<td>ProRes422HQ</td>
<td>Quicktime mov</td>
<td>10bits</td>
<td>KineLOG3，包含ProRes422/LT</td>
</tr>
<tr>
<th>Proxy Format</th>
<td>H264</td>
<td>mp4</td>
<td>8bits</td>
<td>帧率小于或等于30时</td>
</tr>
<tr>
<th>LUT</th>
<td colspan="3">KineLOG3，Neutral(Rec 709)，Support Custom 3D LUT</td>
<td> </td>
</tr>
<tr>
<th>Record Media</th>
<td colspan="3">Media Slot x1, for KineMAG Nano SSD 1TB/2TB based on NVMe M.2 SSD</td>
<td>3rd party NVMe M.2 2280 cards are alsosupported via the KineMAG Nano card body</td>
</tr>
<tr>
<th>Media Size (WxHxL)</th>
<td colspan="4">1.6&#215;3.5&#215;0.35&#8221;/40x88x9mm</td>
</tr>
<tr>
<th colspan="5">Monitoring</th>
</tr>
<tr>
<th rowspan="2">Monitoring</th>
<td colspan="3">KINEFINITY Proprietary Video Port x2</td>
<td>For KINEFINITY Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with TouchScreen</td>
</tr>
<tr>
<td colspan="4">3G/1.5G SDI x2 with Meta data (regular BNC)</td>
</tr>
<tr>
<th colspan="5">Audio</th>
</tr>
<tr>
<th>Audio sampling spec</th>
<td colspan="4">Linear PCM, 24bits, 48KHz</td>
</tr>
<tr>
<th rowspan="3">Audio input</th>
<td colspan="4">In-cam mono MIC</td>
</tr>
<tr>
<td colspan="4">3.5mm Stereo MIC</td>
</tr>
<tr>
<td colspan="4">48V Phantom Power Balanced Input x2 (regular XLR)</td>
</tr>
<tr>
<th>Audio output</th>
<td colspan="4">3.5mm Stereo Audio Output</td>
</tr>
<tr>
<th colspan="5">Wireless &amp; Network</th>
</tr>
<tr>
<th rowspan="2">Wireless</th>
<td colspan="4">WIFI 5 for live stream, camera control</td>
</tr>
<tr>
<td colspan="4">3-axis accelerometer</td>
</tr>
<tr>
<th colspan="5">SYNC and Control</th>
</tr>
<tr>
<th>Timecode</th>
<td colspan="4">Linear TC In&amp;Out (0B5P)</td>
</tr>
<tr>
<th>Control</th>
<td colspan="4">Lens with RS232, Power output (0B5P)</td>
</tr>
<tr>
<th>Multi-sync, Control</th>
<td colspan="4">SYNC with RS422 and KINEFINITY camera sync(0B9P)</td>
</tr>
<tr>
<th>RS</th>
<td colspan="4">Rec trigger input with Power output (fisher 3P)</td>
</tr>
<tr>
<th>Extention</th>
<td colspan="4">Data&amp;Control, EXT 1 and EXT 2 (for pogo-pin, 2&#215;4)</td>
</tr>
<tr>
<th>USB</th>
<td colspan="4">Type-C USB x1, can be used for firmware updates and importing custom LUTs</td>
</tr>
<tr>
<th colspan="5">Power in and out</th>
</tr>
<tr>
<th>Power consumption</th>
<td colspan="4">27W, when 6K HD 25p, liveview</td>
</tr>
<tr>
<th rowspan="3">Power Input</th>
<td colspan="4">Integrated Hybrid battery plate, V-mount battery or BP-U compatible</td>
</tr>
<tr>
<td colspan="4">DC Input (1B2P), 11~19V</td>
</tr>
<tr>
<td colspan="4">UPS EXT 3 (for pogo-pin, 2&#215;5)</td>
</tr>
<tr>
<th rowspan="2">Power outputs</th>
<td colspan="4">RS x1, 4A</td>
</tr>
<tr>
<td colspan="4">Lens x1, 6A</td>
</tr>
<tr>
<th colspan="5">Construction and Size</th>
</tr>
<tr>
<th>Body Material</th>
<td colspan="4">Ultra-high Strength Aluminium Alloy</td>
</tr>
<tr>
<th>Body Weight</th>
<td colspan="4">3.02lb/1.37kg</td>
</tr>
<tr>
<th>Size(WxHxL)</th>
<td colspan="4">4.1×4.8×4.3′′/106x124x109 mm (*w/o protrusion)</td>
</tr>
<tr>
<th>Operating Temp</th>
<td colspan="4">0°C ~ 40°C</td>
</tr>
</tbody>
</table>
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</div><p>The post <a href="https://cinegear.nl/nl/product/kinefinity-mavo-mark-2-lf-pack/">Kinefinity MAVO Mark 2 LF Pack</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<title>Panasonic VariCam LT 4K HDR Compact Professional Cinema Camera</title>
		<link>https://cinegear.nl/nl/product/panasonic-varicam-lt-4k-hdr-compact-professional-cinema-camera/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Wed, 01 May 2024 03:27:29 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=83953</guid>

					<description><![CDATA[<ul>
<li>Features a compact and lightweight magnesium body, weighing only 5.9lb (2.7kg)</li>
<li>Newly-developed Super 35mm MOS sensor that provides true 4K images with 14+ stops of latitude for HDR content</li>
<li>Dual-native ISO 800/5000 ISO feature that achieves higher sensitivity without increasing noise</li>
<li>Expansive color gamut, V-Gamut, has a wider color gamut than that of film and exceeds BT2020 color space required for HDR content delivery</li>
<li>Standard EF mount offers a wide array of lens choise, but can be removed by end-user and replaced with an optional PL mount</li>
<li>Netflix Approved</li>
</ul>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-varicam-lt-4k-hdr-compact-professional-cinema-camera/">Panasonic VariCam LT 4K HDR Compact Professional Cinema Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
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<h3>THE CINEMATIC VARICAM LOOK IN YOUR HANDS</h3>
		
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<p>The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a &#8220;REVOLUTION&#8221; in streamlining workflow.</p>
<h4>COMPACT SIZE, LIGHT WEIGHT AND TOP CINEMA QUALITY — THE VARICAM LT!</h4>
<p>The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a &#8220;REVOLUTION&#8221; in streamlining workflow.</p>
<p>The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.</p>
<p>One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). This allows for even greater versatility in lens selection when shooting with the VariCam LT. The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have a dual codec recording function that allows the user to record a primary or “main” codec as well as a smaller proxy file. In addition, each camera offers an in-camera colour grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.</p>
<h4>SAME IMAGER AS VARICAM 35</h4>
<p>The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. This sensor received The Hollywood Post Alliance Engineering Excellence Award 2015.</p>
<h4>14+ STOPS OF WIDE LATITUDE</h4>
<p>The camera has a dynamic range of 14+ stops. This wide dynamic range assures accurate image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality. “V-Log” is capable of creating the 14+ stops of dynamic range offered by the VariCam LT image sensor, greatly enhancing look creation capability.</p>
<h4>DUAL NATIVE ISO OF 800/5000</h4>
<p>The VariCam LT has two native ISO settings: 800 and 5000. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO. The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. In order to achieve this function two dedicated analogue circuits are implemented on every pixel of the imager of the the VariCam LT for each native ISO before gain processing. This allows the camera to achieve much higher sensitivity without increased noise. Normally noise is introduced in the gain process of rating ISO in digital cameras. This functionality is revolutionary for low light scene shooting. Especially this ISO 5000 enable to capture under the natural light keeping the mood making more realistic.</p>
<h4>EXPANSIVE COLOUR GAMUT</h4>
<p>The VariCam LT is equipped with &#8220;V-Gamut,&#8221; giving it a wider colour gamut than that of film. V-Gamut also encompasses the entire BT. 2020 colour space.</p>
<h4>SCENE FILES AND V-LOOK</h4>
<p>The &#8220;V-Log&#8221; gamma curve offers 14+ stops of dynamic range and facilitates advanced colour grading adjustments in post production. The five position scene file function is new to the VariCam LT. The VariCam-LOOK (V-LOOK) mode is a newly developed setting for creating cinematic images without colour grading. A newly designed gamma curve that allows detail to be maintained over a greater tonal range within the Rec 709 colour space has also been included in the VariCam LT. The &#8220;V-709&#8221; gamma setting provides a tone suitable for viewing on standard monitors while the &#8220;BC-LOOK&#8221; creates a look that mimics traditional TV broadcast images.</p>
<h4>MONITORING OUTPUT TERMINALS</h4>
<p>The VariCam LT provides down conversion to Full HD via two 3G HD SDI outputs and one VF output (BNC) while shooting in 4K. Your look with in-camera colour grading and information overlay can be applied to each output.</p>
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<h3>ADVANCED SHOOTING FUNCTIONS FOR FILM MAKING</h3>
		
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<h4>NATIVE 4K/60P SHOOTING</h4>
<p>The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840&#215;2160) resolution is 60p (60fps). This produces smooth, high-resolution images when recording fast-moving action scenes.</p>
<h4>2K/HD 240P SLOW MOTION</h4>
<p>When shooting in 2K (2048 x 1080) and HD (1920&#215;1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. This is achieved by cropping the image sensor recording area in order to achieve a faster scanning speed. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The frame rate can be changed while recording.</p>
<h4>INFRARED SHOOTING (IR)</h4>
<p>The Cinema VariCam LT has an integrated, detachable IR cut filter. User can do the IR shooting to record 4K images in dark unlit nightscapes. This is ideal for capturing nocturnal wildlife and other scenes with no illumination. Also, the IR filter can be used in daylight as a creative tool for achieving a unique look.</p>
<h4>DETACHABLE CONTROL PANEL WITH MONITOR</h4>
<p>The supplied control panel has a built-in 3.5 type LCD display panel. It can be used for menu operation or as a live/preview monitor. The keys and dials are laid out around the display for quick and accurate operation. Frequently used settings can be accessed directly. The detachable structure allows the camera to be operated from a distance of up to 90 cm.</p>
<h4>STANDARD HD-SDI INTERFACE FOR EVF</h4>
<p>The VariCam LT has a regular BNC connector for the View Finder. Users can select from various HD monitors or viewfinders in addition to the new Panasonic View Finder (AU-VCVF10G). The DC power and command control connectors for the Panasonic VF are also provided.</p>
<h4>TOUGHNESS, DURABILITY AND RELIABILITY</h4>
<ul>
<li>The lens mount is made of stainless steel, and designed to prevent flange back deviation due to temperature changes</li>
<li>The camera body is made of strong rigid magnesium</li>
<li>The top and bottom panels have been made flat for easy installation of various plates and accessories</li>
<li>Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories</li>
<li>New accessories include the new Shoulder Mount (AU-VSHL2G) and Grip Module (AU-VGRP1G)</li>
<li>The new Shoulder Mount (AU-VSHL2G) installs directly on a base plate</li>
</ul>
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<h3>REVOLUTIONARY WORKFLOW — MULTI-CODEC AND DAILIES IN CAMERA</h3>
		
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<h4>MULTIPLE CODEC 4K/UHD/2K/HD RECORDING</h4>
<p>AVC-Intra 4K is a 4K-compatible version of the AVC-Intra, intra-frame compression codec that is suitable for cinema production. Using this codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ. Using the 256 GByte expressP2 card, the camera can record approximately 90 minutes of 23.98p 4K video with AVC-Intra 4K422.</p>
<p><small>* ProRes is licensed from Apple Inc. Apple ProRes codec from Atomos under license.<br />
Atomos is trademark and copyright of Atomos Global Pty. Ltd.</small></p>
<h4>IN-CAMERA COLOUR GRADING</h4>
<p>The VariCam LT features an in-camera colour grading function (3D LUT/CDL). This enables colour tuning on set as well as in the field when using the camera control panel or 3rd party software. This means dailies which had been created after shooting can now be produced on set with the camera. Grading information such as 3D LUT files and CDL files can be recorded together with the image data, allowing you to provide the same vision that you created on set to the editorial staff.</p>
<h4>MAIN AND PROXY RECORDING</h4>
<p>In addition to the main codec recording the VariCam LT has the ability to record files to an SD memory card. This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card. The primary recording data is used to create deliverables while the proxy recordings are used for viewing or off-line editing. The file name and time code of each file will match exactly.</p>
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<h3>Features Panasonic VariCam LT (Netflix Approved!)</h3>
		
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<ul>
<li>Varicam LT 4K camera head</li>
<li>Compact Size, Light Weight and Top Cinema Quality — The VariCam LT!</li>
<li>Same Imager as VariCam 35</li>
<li>14+ Stops of Wide Latitude</li>
<li>Dual Native ISO of 800/5000</li>
<li>Expansive Colour Gamut</li>
<li>Scene Files and V-LOOK</li>
<li>Monitoring Output Terminals</li>
<li>Native 4K/60p Shooting</li>
<li>2K/HD 240p Slow Motion</li>
<li>Infrared Shooting (IR)</li>
<li>Detachable Control Panel with Monitor</li>
<li>Standard HD-SDI Interface for EVF</li>
<li>Multiple Codec 4K/UHD/2K/HD Recording</li>
<li>In-camera Colour Grading</li>
<li>Main and Proxy Recording</li>
</ul>
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</div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-varicam-lt-4k-hdr-compact-professional-cinema-camera/">Panasonic VariCam LT 4K HDR Compact Professional Cinema Camera</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<title>Panasonic 4K/HDR 10BIT CAMCORDER AG-CX350</title>
		<link>https://cinegear.nl/nl/product/panasonic-4k-hdr-10bit-camcorder-ag-cx350/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Wed, 01 May 2024 03:23:03 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=83947</guid>

					<description><![CDATA[<p>The AG-CX350 is the industry's lightest 4K 10-bit fixed lens camcorder with impressive new features, including 4K 10-bit 60p capture, HDR recording, RTMPS/RTMP/RTSP/RTP for live streaming, and NDI-ready IP connectivity :</p>
<p>New 15M 1.0 inch sensor for 2000 TV lines resolution and F12/F13 sensitivity<br />
Superb 4K picture with 10bits codec: ALL-I, 422LongG and new HEVC LongG<br />
Hybrid Log Gamma (HLG) and SDR control compatible<br />
Lens: 32x intelligent zoom and 5-axis hybrid image stabilization<br />
Live HD streaming to connect to broadcast platforms (YouTube Live, Twitch , etc...)</p>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-4k-hdr-10bit-camcorder-ag-cx350/">Panasonic 4K/HDR 10BIT CAMCORDER AG-CX350</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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<h3>4K HDR IMAGE IN YOUR HANDS</h3>
		
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<h4>WIDE-ANGLE 24.5MM*1 OPTICAL 20X ZOOM, PLUS I.ZOOM</h4>
<p>The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2</p>
<h4>HDR-COMPLIANT HLG (HYBRID LOG-GAMMA)</h4>
<p>Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG).</p>
<h4>NEW HIGH-DEFINITION, HIGH-SENSITIVITY 1.0-TYPE 15M MOS SENSOR</h4>
<p>The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode).</p>
<ul>
<li>Built-in 5-Axis Hybrid Image Stabilizer</li>
<li>Intelligent AF and Focus Assist</li>
<li>Manual Three Rings</li>
<li>Cabled/Wireless Remote Control Capability</li>
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<h3>SUPERB 4K IMAGE WITH 10BIT CODEC UP TO 50/59.94P WITHOUT CROPPING</h3>
		
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<h4>NEW HEVC CODEC FOR HIGH-IMAGE-QUALITY 10BIT UHD/50 FPS RECORDING AT LOW BIT RATE</h4>
<p>The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) .</p>
<h4>10BIT VARIABLE FRAME RATE (VFR) WITHOUT CROPPING</h4>
<p>In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates.</p>
<ul>
<li>MOV/AVCHD/P2 MXF* File Formats Supported</li>
<li>Freeze Frame (Still Image Capture)</li>
<li>Double Memory Card Slots Improve Recording Reliability</li>
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<h3>ENHANCED NETWORK CONNECTIVITY FOR LIVE</h3>
		
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<h4>RTMP/RTSP-COMPATIBLE HD STREAMING</h4>
<p>The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported.</p>
<h4>EASY IP CONNECTION: PREINSTALLED NDI | HX*4</h4>
<p>The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100.</p>
<ul>
<li>Wireless Control from a Tablet or Smartphone</li>
<li>Parallel Output of SDI and HDMI</li>
<li>TC Synchro Multi-Camera Recording Supported</li>
<li>Broadcast-Grade Picture Quality Adjustment Functions</li>
<li>24-bit PCM Supporting High-Resolution Audio</li>
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<h3>COMPACT, LIGHT WEIGHT, LOW POWER CONSUMPTION, AND EASE OF USE DESIGN</h3>
		
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<ul>
<li>Low Power Consuming, Large-Capacity Battery, Quick Charge</li>
<li>Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF</li>
<li>Compact, lightweight body 1.9 kg</li>
</ul>
<ol>
<li>In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey)</li>
<li>When using the digital zoom, picture quality degrades as the magnification rate increases</li>
<li>The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100.</li>
<li>NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic</li>
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<h3>In the BOX</h3>
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<p>AG-CX350<br />
1x Battery<br />
1x AC Adapter<br />
1x Strap<br />
1x Mic Holder<br />
1x Dual rapid charger<br />
*Microphone Not Included</p>
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<h3>SPECIFICATIONS</h3>
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<p><strong>Dimensions</strong>: 180mm x 173mm x 311mm (W x H x D)<br />
<strong>Weight</strong>: 1.9 kg</p>
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<div class="is-divider divider clearfix" style="margin-top:13px;margin-bottom:13px;max-width:1250px;height:4px;"></div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-4k-hdr-10bit-camcorder-ag-cx350/">Panasonic 4K/HDR 10BIT CAMCORDER AG-CX350</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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		<title>Panasonic 4K HDR ENG Shoulder-Mount Camera AJ-CX4000</title>
		<link>https://cinegear.nl/nl/product/panasonic-4k-hdr-eng-shoulder-mount-camera-aj-cx4000/</link>
		
		<dc:creator><![CDATA[Sefa]]></dc:creator>
		<pubdate>Wed, 01 May 2024 01:32:03 +0000</pubdate>
				<guid ispermalink="false">https://cinegear.nl/?post_type=product&#038;p=83941</guid>

					<description><![CDATA[<p>The CX4000 is a new-gen camera for pros capturing news, sports, live events, TV shows, and documentaries. It offers impressive 4K HDR recording and advanced networking for reliable broadcast/livestreaming/NDI-based production. Ergonomically optimized for operators with enhanced workflow for editors, it's the ideal choice for the entire production team.</p>
<p>The post <a href="https://cinegear.nl/nl/product/panasonic-4k-hdr-eng-shoulder-mount-camera-aj-cx4000/">Panasonic 4K HDR ENG Shoulder-Mount Camera AJ-CX4000</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><iframe loading="lazy" title="New Panasonic ENG camera AJ-CX4000" src="https://www.youtube.com/embed/6EEBLlssy_o" width="1250" height="400" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br />

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<h3>The ENG broadcast camera revolution</h3>
		
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<p>The CX4000, a cutting-edge camera tailored for professionals capturing news, sports, live events, TV shows, documentaries, and beyond. It offers exceptional 4K HDR recording and advanced networking capabilities for dependable broadcast/livestreaming/NDI-based video productions. Designed for operator comfort and optimized workflow for editors, the CX4000 stands out as the premier choice for the entire video production crew.</p>
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<h3>4K sensor with advanced imaging technology</h3>
		
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<p>Featuring an expansive 11.14-megapixel MOS sensor, the AJ-CX4000 achieves an impressive 2000 horizontal TV lines through oversampling. Moreover, it delivers top-tier 4K visuals characterized by minimal noise, expansive dynamic range, and dual native ISO technology for exceptional low-light capabilities. With a remarkable sensitivity of F10 (59.94 Hz) / F11 (50 Hz) in high-sensitivity mode, it ensures superior image quality across diverse shooting conditions.</p>
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<h3>LSSIEL technology for improved 4K/HDR video quality</h3>
		
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<p>Utilizing a patented optical magnification system, the AJ-CX4000 enables the utilization of standard B4 lenses for broadcasting on a large sensor, all while preserving the 2/3&#8243; depth of field characteristic of these lenses.</p>
<p>Similar to its studio counterpart, the AK-UC4000, the CX4000 incorporates revolutionary LSSIEL technology. This innovation allows for the seamless use of 2/3&#8243; lenses directly on the camera, eliminating the need for external adapters. The internal lens is meticulously crafted for large sensors, ensuring exceptional video quality. Like the UC4000, the CX4000 features a large-format sensor, delivering high resolution, impressive sensitivity, minimal noise, and expansive dynamic range.</p>
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<h3>Livestream directly on YouTube / Facebook Live</h3>
		
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<p>With the AJ-CX4000, streaming HD video directly to YouTube, Facebook Live, and other platforms is seamless, thanks to its support for RTSP, RTMP, and RTMPS8 protocols. Additionally, the CX4000 facilitates multicast streaming for broadcasting to multiple destinations simultaneously, along with the convenience of simultaneous streaming and recording functionalities.</p>
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</div><p>The post <a href="https://cinegear.nl/nl/product/panasonic-4k-hdr-eng-shoulder-mount-camera-aj-cx4000/">Panasonic 4K HDR ENG Shoulder-Mount Camera AJ-CX4000</a> appeared first on <a href="https://cinegear.nl/nl">Cinegear Amsterdam</a>.</p>
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