{"id":89381,"date":"2024-08-01T04:11:17","date_gmt":"2024-08-01T02:11:17","guid":{"rendered":"https:\/\/cinegear.nl\/?post_type=product&p=89381"},"modified":"2026-03-24T10:58:37","modified_gmt":"2026-03-24T09:58:37","slug":"kinefinity-mavo-mark-2-lf-pack","status":"publish","type":"product","link":"https:\/\/cinegear.nl\/it\/prodotto\/kinefinity-mavo-mark-2-lf-pack\/","title":{"rendered":"Kinefinity MAVO Mark 2 Pacchetto LF"},"content":{"rendered":"
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Panoramica<\/strong><\/h3>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t
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MAVO Mark 2 LF<\/strong>, proprio come la MAVO Edge 6K, \u00e8 dotata di un sensore d\u2019immagine CMOS full-frame in formato 3:2, che le consente di raggiungere alte frequenze di fotogrammi fino a 75fps in 6K e di offrire due impostazioni native ISO: 5120 e 800. La nuova MAVO LF Mark 2 eccelle in sensibilit\u00e0 elevata, preservando pi\u00f9 dettagli nelle alte luci, il che la rende ideale per scene con illuminazione complessa. Il suo formato large format offre un angolo di visione pi\u00f9 ampio e una profondit\u00e0 di campo pi\u00f9 ridotta, per un look pi\u00f9 cinematografico.<\/p>\n

L'obiettivo MAVO Mark 2<\/strong> migliora la compatibilit\u00e0 con gli obiettivi, continuando a supportare il versatile sistema KineMOUNT, che consente un rapido adattamento agli attacchi EF, PL e LPL. Inoltre, introduce nuove opzioni di attacco nativo PL ed elettronico E-mount, che possono essere installate e rimosse dagli utenti senza la necessit\u00e0 di regolare la distanza di flangia.<\/p>\n

La doppia camera MAVO Mark 2<\/strong> integra una versione semplificata della piattaforma di elaborazione ad alte prestazioni MAVO Edge, migliorando significativamente il sistema di elaborazione delle immagini. Offrono uscite SDI doppie e indipendenti e registra in formato ProRes4444XQ su SSD NVMe M.2 all\u2019interno della camera. Questa integrazione si traduce in un design elegante e leggero, oltre a un flusso di lavoro efficiente, offrendo ai fotografi un\u2019esperienza cinematografica classica ed efficace a un prezzo pi\u00f9 accessibile.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n

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Nella scatola
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Kinefinity MAVO Mark 2 LF (incluso attacco PL attivo)
\nKinefinity KineMON-5U2 Monitor Ultra-Luminoso
\nKinefinity Cavo Video Kine (0,3 m)
\nKinefinity KineMAG Nano Body
\nKinefinity Movcam KineKIT-Edge Core<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n

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Specifiche
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tipo di camera<\/th>\nCamera da Cinema Digitale Formato Large<\/td>\n<\/tr>\n
Sensore di Immagine<\/th>\nSensore d\u2019Immagine CMOS Full Frame 6K 3:2<\/td>\n<\/tr>\n
Risoluzione Massima di Registrazione<\/th>\n6016×3984 (3:2 Open Gate), 24M<\/td>\n<\/tr>\n
Frequenza di Fotogrammi<\/th>\n6K Wide 0.2~75fps<\/td>\n<\/tr>\n
Area Attiva<\/th>\n36x24mm, \u00f8 43.3mm<\/td>\n<\/tr>\n
ISO Base Doppia<\/th>\nISO Base Normale: 800<\/td>\n<\/tr>\n
ISO Base Alta: 5120<\/td>\n<\/tr>\n
Latitude<\/th>\n>14 Stop<\/td>\n<\/tr>\n
Angolo di Otturatore<\/th>\n0,7\u00b0~358\u00b0 con otturatore a rotolamento<\/td>\n<\/tr>\n
Attacco obiettivo<\/th>\nAttacco PL Attivo, Attacco E Attivo, KineMOUNT Nativo (Adattatori: PL\/LPL\/EF)<\/td>\n<\/tr>\n
Filtro Ottico<\/th>\nFiltro ottico LPF con filtro UV e taglio IR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Risoluzione, Frequenza di fotogrammi e Formato ottico<\/th>\n<\/tr>\n
Full Frame<\/th>\nRisoluzione<\/th>\nFrequenza di Fotogrammi<\/th>\nCodificatore<\/th>\nFormato Ottico<\/th>\n<\/tr>\n
FF 6K OG<\/td>\n6016×3984, 0.2~48fps<\/td>\nfino a ProRes 4444XQ<\/td>\n36x24mm, \u00f8 43.3mm<\/td>\n<\/tr>\n
FF 6K 17:9<\/td>\n6016×3172, 0.2~60fps<\/td>\nfino a ProRes 4444XQ<\/td>\n36×19.1mm, \u00f8 41.0mm<\/td>\n<\/tr>\n
FF 6K 2.4:1<\/td>\n6016×2520, 0.2~75fps<\/td>\nfino a ProRes 4444XQ<\/td>\n36×15.2mm, \u00f8 39.1mm<\/td>\n<\/tr>\n
FF 5.7K 3:2<\/td>\n5760\u00d73700, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5\u00d722.2mm, \u00f8 41.0mm<\/td>\n<\/tr>\n
FF 6K UHD<\/td>\n5760\u00d73240, 0.2~58fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5\u00d719.5mm, \u00f8 39.6 mm<\/td>\n<\/tr>\n
FF 5.7K 2.4:1<\/td>\n5760\u00d72400, 0.2~75fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5\u00d714.4mm, \u00f8 37.4mm<\/td>\n<\/tr>\n
FF 5K 4:3<\/td>\n5120\u00d73700, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n30.6\u00d722.3mm, \u00f8 37.9mm<\/td>\n<\/tr>\n
FF 5K DCI<\/td>\n5120\u00d72700, 0.2~70fps<\/td>\nfino a ProRes 4444XQ<\/td>\n30.6\u00d716.2mm, \u00f8 34.6mm<\/td>\n<\/tr>\n
FF 5K 2.4:1<\/td>\n5120\u00d72160, 0.2~86fps<\/td>\nfino a ProRes 4444XQ<\/td>\n30.6\u00d712.9mm, \u00f8 33.2mm<\/td>\n<\/tr>\n
FF 4.6K 6:5<\/td>\n4608\u00d73700, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n27.6\u00d722.3mm, \u00f8 35.5mm<\/td>\n<\/tr>\n
FF 3,8K 3:2 (Sovracampionamento)<\/td>\n3840\u00d72460, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5\u00d722.2mm, \u00f8 41.0mm<\/td>\n<\/tr>\n
FF 4K UHD (Sovracampionamento)<\/td>\n3840×2160, 0.2~58fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5×19.5mm, \u00f839.6 mm<\/td>\n<\/tr>\n
FF 3,8K 2,4:1 (Sovracampionamento)<\/td>\n3840×1600, 0.2~75fps<\/td>\nfino a ProRes 4444XQ<\/td>\n34.5×14.4mm, \u00f8 37.4mm<\/td>\n<\/tr>\n
FF 3,4K 4:3 (Sovracampionamento)<\/td>\n3456\u00d72460, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n31.0\u00d722.1mm, \u00f8 38.1mm<\/td>\n<\/tr>\n
FF 3K 6:5 (Sovracampionamento)<\/td>\n3072\u00d72460, 0.2~50fps<\/td>\nfino a ProRes 4444XQ<\/td>\n27.6\u00d722.3mm, \u00f8 35.3mm<\/td>\n<\/tr>\n
S35<\/th>\nS35 4K 3:2<\/td>\n4096\u00d72700, 0.2~70fps<\/td>\nfino a ProRes 4444XQ<\/td>\n24.5\u00d716.1mm, \u00f8 29.3mm<\/td>\n<\/tr>\n
S35 4K DCI<\/td>\n4096\u00d72160, 0.2~112fps<\/td>\nfino a ProRes 4444XQ<\/td>\n24.5\u00d712.9mm, \u00f8 27.7mm<\/td>\n<\/tr>\n
S35 4K 2.4:1<\/td>\n4096\u00d71720, 0.2~140fps<\/td>\nfino a ProRes 4444XQ<\/td>\n24.5\u00d710.3mm, \u00f8 26.6mm<\/td>\n<\/tr>\n
S35 4K UHD<\/td>\n3840\u00d72160, 0.2~112fps<\/td>\nfino a ProRes 4444XQ<\/td>\n23.0\u00d712.9mm, \u00f8 26.4mm<\/td>\n<\/tr>\n
S35 3.8K 2.4:1<\/td>\n3840\u00d71600, 0.2~150fps<\/td>\nfino a ProRes 4444XQ<\/td>\n23.0\u00d79.6mm, \u00f8 24.9mm<\/td>\n<\/tr>\n
S35 3.6K 4:3<\/td>\n3712\u00d72700, 0.2~70fps<\/td>\nfino a ProRes 4444XQ<\/td>\n22.2\u00d716.1mm, \u00f8 27.4mm<\/td>\n<\/tr>\n
S35 3.2K 6:5<\/td>\n3328\u00d72700, 0.2~70fps<\/td>\nfino a ProRes 4444XQ<\/td>\n19.9\u00d716.1mm, \u00f8 25.6mm<\/td>\n<\/tr>\n
S35 2.7K 1:1<\/td>\n2688\u00d72688, 0.2~70fps<\/td>\nfino a ProRes 4444XQ<\/td>\n16.1\u00d716.1mm, \u00f8 22.8mm<\/td>\n<\/tr>\n
S35 2K DCI (Sovracampionamento)<\/td>\n2048\u00d71080, 0.2~112fps<\/td>\nfino a ProRes 4444XQ<\/td>\n24.5\u00d712.9mm, \u00f8 27.7mm<\/td>\n<\/tr>\n
S35 2K 2,4:1 (Sovracampionamento)<\/td>\n2048\u00d7860, 0.2~140fps<\/td>\nfino a ProRes 4444XQ<\/td>\n24.5\u00d710.3mm, \u00f8 26.6mm<\/td>\n<\/tr>\n
S35 2K FHD (Sovracampionamento)<\/td>\n1920\u00d71080, 0.2~112fps<\/td>\nfino a ProRes 4444XQ<\/td>\n23.0\u00d712.9mm, \u00f8 26.4mm<\/td>\n<\/tr>\n
S35 1,9K 2,4:1 (Sovracampionamento)<\/td>\n1920\u00d7800, 0.2~140fps<\/td>\nfino a ProRes 4444XQ<\/td>\n23.0\u00d79.6mm, \u00f8 24.9mm<\/td>\n<\/tr>\n
Altri Ritagli<\/th>\n3K DCI<\/td>\n3072×1620, 0.2~144fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
3K 2.4:1<\/td>\n3072×1200, 0.2~195fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
3K HD<\/td>\n2944×1620, 0.2~145fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
3K HD 2.4:1<\/td>\n2944×1200, 0.2~195fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
2K DCI<\/td>\n2048×1080, 0.2~200fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
2K 2.4:1<\/td>\n2048×860, 0.2~270fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
2K FHD<\/td>\n1920×1080, 0.2~220fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
1.9K 2.4:1<\/td>\n1920×800, 0.2~290fps<\/td>\nfino a ProRes 4444XQ<\/td>\n\u00a0<\/td>\n<\/tr>\n
Codec, LUT e Supporto di Registrazione<\/th>\n<\/tr>\n
\u00a0<\/th>\nTipo di Codec<\/th>\nFormato del Codec<\/th>\nProfondit\u00e0 di Bit<\/th>\nNote<\/th>\n<\/tr>\n
Codec di Registrazione<\/th>\nProRes4444XQ<\/td>\nQuicktime mov<\/td>\n12 bit<\/td>\nKineLOG3<\/td>\n<\/tr>\n
ProRes4444<\/td>\nQuicktime mov<\/td>\n12 bit<\/td>\nKineLOG3<\/td>\n<\/tr>\n
ProRes422HQ<\/td>\nQuicktime mov<\/td>\n10 bit<\/td>\nKineLOG3\uff0c\u5305\u542bProRes422\/LT<\/td>\n<\/tr>\n
Formato Proxy<\/th>\nH264<\/td>\nmp4<\/td>\n8bits<\/td>\n\u5e27\u7387\u5c0f\u4e8e\u6216\u7b49\u4e8e30\u65f6<\/td>\n<\/tr>\n
LUT<\/th>\nKineLOG3, Neutrale (Rec 709), Supporta LUT 3D personalizzati<\/td>\n\u00a0<\/td>\n<\/tr>\n
Supporto di Registrazione<\/th>\nSlot per supporto x1, per KineMAG Nano SSD 1TB\/2TB basato su NVMe M.2 SSD<\/td>\nLe schede NVMe M.2 2280 di terze parti sono supportate anche tramite il corpo della scheda KineMAG Nano<\/td>\n<\/tr>\n
Dimensioni del Supporto (LxAxP)<\/th>\n1.6×3.5×0.35”\/40x88x9mm<\/td>\n<\/tr>\n
Monitoraggio<\/th>\n<\/tr>\n
Monitoraggio<\/th>\nPorta video proprietaria KINEFINITY x2<\/td>\nPer il mirino KINEFINITY, monitor ultra luminoso KineMON-5U2\/7U2 con touchscreen<\/td>\n<\/tr>\n
3G\/1.5G SDI x2 con metadati (BNC normale)<\/td>\n<\/tr>\n
Audio<\/th>\n<\/tr>\n
Specifiche di campionamento audio<\/th>\nLinear PCM, 24 bit, 48 KHz<\/td>\n<\/tr>\n
Ingresso audio<\/th>\nMicrofono mono integrato nella fotocamera<\/td>\n<\/tr>\n
Microfono stereo da 3,5 mm<\/td>\n<\/tr>\n
Ingresso bilanciato con alimentazione phantom a 48V x2 (XLR normale)<\/td>\n<\/tr>\n
Uscita audio<\/th>\nUscita audio stereo da 3,5 mm<\/td>\n<\/tr>\n
Wireless e Rete<\/th>\n<\/tr>\n
Wireless<\/th>\nWIFI 5 per streaming live, controllo della fotocamera<\/td>\n<\/tr>\n
Accelerometro a 3 assi<\/td>\n<\/tr>\n
SYNC e Controllo<\/th>\n<\/tr>\n
Timecode<\/th>\nIngresso e uscita TC lineare (0B5P)<\/td>\n<\/tr>\n
Controllo<\/th>\nObiettivo con RS232, uscita di alimentazione (0B5P)<\/td>\n<\/tr>\n
Multi-sync, Controllo<\/th>\nSYNC con RS422 e sincronizzazione fotocamera KINEFINITY (0B9P)<\/td>\n<\/tr>\n
RS<\/th>\nIngresso per attivazione registrazione con uscita di alimentazione (fisher 3P)<\/td>\n<\/tr>\n
Estensione<\/th>\nDati e Controllo, EXT 1 e EXT 2 (per pogo-pin, 2\u00d74)<\/td>\n<\/tr>\n
USB<\/th>\nUSB Type-C x1, pu\u00f2 essere utilizzato per aggiornamenti firmware e importazione di LUT personalizzati<\/td>\n<\/tr>\n
Ingresso e uscita di alimentazione<\/th>\n<\/tr>\n
Consumo di energia<\/th>\n27W, quando in 6K HD 25p, liveview<\/td>\n<\/tr>\n
Ingresso di alimentazione<\/th>\nPiastra batteria ibrida integrata, compatibile con batteria V-mount o BP-U<\/td>\n<\/tr>\n
Ingresso DC (1B2P), 11~19V<\/td>\n<\/tr>\n
UPS EXT 3 (per pogo-pin, 2\u00d75)<\/td>\n<\/tr>\n
Uscite di alimentazione<\/th>\nRS x1, 4A<\/td>\n<\/tr>\n
Obiettivo x1, 6A<\/td>\n<\/tr>\n
Costruzione e Dimensioni<\/th>\n<\/tr>\n
Materiale del corpo<\/th>\nLega di alluminio ad altissima resistenza<\/td>\n<\/tr>\n
Peso del corpo<\/th>\n3.02lb\/1.37kg<\/td>\n<\/tr>\n
Dimensioni (LxAxP)<\/th>\n4.1\u00d74.8\u00d74.3\u2032\u2032\/106x124x109 mm (senza sporgenze)<\/td>\n<\/tr>\n
Temperatura di funzionamento<\/th>\n0\u00b0C ~ 40\u00b0C<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n
<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>","protected":false},"excerpt":{"rendered":"

Marchi MAVO LF Mark 2<\/strong> offre tecnologia avanzata e integrazione per produzioni di alto livello. Fornisce grandi prestazioni, funzionalit\u00e0 avanzate e un prezzo allettante.<\/p>","protected":false},"featured_media":89385,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"pwb-brand":[8397],"product_cat":[14012,10245],"product_tag":[14500,14502,14501],"class_list":{"0":"post-89381","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"pwb-brand-kinefinity","7":"product_cat-promotions","8":"product_cat-cinema","9":"product_tag-kinefinity-promotion","10":"product_tag-mavo-kinefinity","11":"product_tag-mavo-mark-promotion","13":"first","14":"onbackorder","15":"taxable","16":"shipping-taxable","17":"purchasable","18":"product-type-simple"},"acf":{"supplier":"","buy_price":"","last_sync":""},"yoast_head":"\nKinefinity MAVO Mark 2 LF Pack | Cinegear Amsterdam<\/title>\n<meta name=\"description\" content=\"Kinefinity MAVO LF Mark 2 delivers advanced technology and integration for high-end production. 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