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MAVO mark2 S35, offering frame rates up to 6K Wide at 96fps and 4K Wide at 150fps, boasts dual native ISO settings of 3200 and 800. This ensures outstanding low-light performance, delivering cleaner images, superior highlight management, high dynamic range, and high frame rate shooting capabilities in both low-light and standard lighting conditions.
Both cameras in the MAVO mark2 series by Kinefinity streamline the MAVO Edge’s high-performance computing platform. They feature an enhanced image processing system, dual independent SDI outputs, and the capability to record ProRes4444XQ directly to NVMe M.2 SSDs. These cameras combine a fully integrated, lightweight design with a high-efficiency workflow, providing cinematographers with a classic yet efficient shooting experience at a more accessible price point.
In The Box
- Kinefinity MAVO mark2 S35 (includes active E Mount)
- Kinefinity KineMON-5U2 Ultra-Bright Monitor
- Kinefinity Kine Video Cord (0.3M)
- Kinefinity KineMAG Nano Body
- Kinefinity Movcam KineKIT-Edge Agile
Specifications
| CMOS image sensor | S35 6K 3:2 CMOS image sensor | |||
|---|---|---|---|---|
| highest resolution | 6144×4016 (3:2 full gate), 25 million | |||
| frame rate | 6K Wide 0.2~96fps | |||
| Effective photosensitive size | 24x16mm, ø 28.8mm | |||
| Dual Native ISO | Base ISO: 800; High Base ISO: 3200 | |||
| Tolerance | >14 files | |||
| shutter angle | 0.7°~358° rolling shutter | |||
| body bayonet | Native PL mount, electronic E mount, or universal KineMOUNT (realize PL/LPL/EF through a solid adapter mount) | |||
| optical filter | UV optical OLPF and IR-cut filters | |||
| Encoding formats, LUTs and recording media | ||||
| recording code | encoding type | Package format | bit depth | Remark |
| ProRes4444XQ | Quicktime mov | 12bits | KineLOG3 | |
| ProRes4444 | Quicktime mov | 12bits | KineLOG3 | |
| ProRes422HQ | Quicktime mov | 10bits | KineLOG3, including ProRes422/LT | |
| preview format | H264, mp4 format, 8bits, when the frame rate is less than or equal to 30fps | |||
| LUTs | KineLOG3, Neutral (Rec 709), supports user-defined 3D LUT | |||
| recording medium | KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards | |||
| Media Dimensions (WxHxD) | KineMAG Nano SSD 1TB/2TB, single card slot; through the KineMAG Nano card body, it can support third-party NVMe M.2 2280 cards | |||
| Media Dimensions (WxHxD) | 1.6×3.5×0.35”/40x88x9mm | |||
| Resolution, frame rate, photosensitive size | ||||
|---|---|---|---|---|
| S35 | resolution | frame rate | recording code | Photosensitive size |
| S35 6K OG | 6144×4016, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 24x16mm, ø 28.8mm | |
| S35 6K DCI | 6144×3240, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 24×12.9mm, ø 27.3mm | |
| S35 6K 2.4:1 | 6144×2516, 0.2~96fps | Up to ProRes 4444XQ | Photosensitive size: 24×10.0mm, ø 26.0mm | |
| S35 6K UHD | 5760×3240, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×12.9mm, ø 25.9mm | |
| S35 5K 17:9 | 5120×2700, 0.2~90fps | Up to ProRes 4444XQ | Photosensitive size: 20×10.8mm, ø 22.7mm | |
| S35 5K 2.4:1 | 5120×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 20×8.6mm, ø 21.8mm | |
| S35 5.7K 3:2 | 5760×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×15.3mm, ø 27.2mm | |
| S35 5K 4:3 | 5120×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 20×15.3mm, ø 25.2mm | |
| S35 4.8K 6:5 | 4864×3840, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 19×15.3mm, ø 24.4mm | |
| S35 3.8K 3:2 (oversampling) | 3840×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×15.3mm, ø 27.2mm | |
| S35 4K UHD (oversampling) | 3840×2160, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 22.5×12.9mm, ø 25.9mm | |
| S35 3.8K 2.4:1 (oversampling) | 3840×1600, 0.2~96fps | Up to ProRes 4444XQ | Photosensitive size: 24×10.0mm, ø 26.0mm | |
| S35 3.4K 4:3 (oversampling) | 3456×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 20×15.3mm, ø 25.2mm | |
| S35 3K 6:5 (oversampling) | 3072×2460, 0.2~60fps | Up to ProRes 4444XQ | Photosensitive size: 19×15.3mm, ø 24.4mm | |
| M43 | resolution | frame rate | recording code | Photosensitive size |
| M43 4K 17:9 | 4096×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 16×8.6mm, ø 18.2mm | |
| M43 4K 2.4:1 | 4096×1720, 0.2~140fps | Up to ProRes 4444XQ | Photosensitive size: 16×6.8mm, ø 17.4mm | |
| M43 4K UHD | 3840×2160, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 15×8.6mm, ø 17.3mm | |
| M43 3.8K 2.4:1 | 3840×1600, 0.2~150fps | Up to ProRes 4444XQ | Photosensitive size: 15×6.4mm, ø 16.3mm | |
| M43 4K 4:3 | 4096×3072, 0.2~75fps | Up to ProRes 4444XQ | Photosensitive size: 16×12.2mm, ø 20.1mm | |
| M43 2K 17:9 (oversampling) | 2048×1080, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 16×8.6mm, ø 18.2mm | |
| M43 2K 2.4:1 (oversampling) | 2048×860, 0.2~140fps | Up to ProRes 4444XQ | Photosensitive size: 16×6.8mm, ø 17.4mm | |
| M43 2K FHD (oversampling) | 1920×1080, 0.2~112fps | Up to ProRes 4444XQ | Photosensitive size: 15×8.6mm, ø 17.3mm | |
| M43 1.9K 2.4:1 (overshot) | 1920×800, 0.2~150fps | Up to ProRes 4444XQ | Photosensitive size: 15×6.4mm, ø 16.3mm | |
| S16 | resolution | frame rate | recording code | Photosensitive size |
| S16 2K 17:9 | 2048×1080, 0.2~220fps | Up to ProRes 4444XQ | Photosensitive size: 8×4.3mm, ø 9.1mm | |
| S16 2K 2.4:1 | 2048×860, 0.2~270fps | Up to ProRes 4444XQ | Photosensitive size: 8×3.4mm, ø 8.7mm | |
| S16 2K FHD | 1920×1080, 0.2~220fps | Up to ProRes 4444XQ | Photosensitive size: 7.5×4.3mm, ø 8.6mm | |
| S16 1.9K 2.4:1 | 1920×800, 0.2~270fps | Up to ProRes 4444XQ | Photosensitive size: 7.5×3.2mm, ø 8.2mm | |
| Monitor | ||||
| KINEFINITY proprietary Video port x2 | Can be connected to KINEFINITY Micro OLED EVF viewfinder and KineMON-5U2/KineMON-7U2 ultra-bright monitor that supports touch operation 3G/1.5G SDI output x2 with metadata and audio (standard BNC) |
|||
| audio | ||||
| Audio Sample Metrics | Linear PCM output, 24bits, 48KHz | |||
| audio input | Built-in mono MIC Stereo MIC 3.5mm socket Phantom 48V input x2 (standard XLR port) |
|||
| Audio output | 3.5mm stereo monitor output | |||
| Network and Wireless Interface | ||||
| wireless | WIFI5 wireless network, can be used for streaming and camera control Three-axis accelerometer |
|||
| Synchronization and Control | ||||
| time code | Linear time code input & output (0B5P) | |||
| control | RS232 open Lens port, power output (0B5P) | |||
| Multi-machine synchronization, control | RS422 synchronization and KINEFINITY camera synchronization (0B9P) | |||
| RS interface | Power output and trigger recording input (fisher 3P) | |||
| expand | Data and Control, EXT 1 and EXT 2 (gold contacts, 2×4) | |||
| USB | USB Type-C x1 for firmware updates and importing custom 3D LUTs | |||
| Power input and output | ||||
| power consumption | Under 6K HD 25p viewfinder, 27W | |||
| power input | Integrated hybrid battery plate (compatible with V-mount batteries and BP-U batteries) DC power input (1B2P), 11~26V UPS EXT 3 (gold contacts, 2×5) |
|||
| Power Output | RS interface x1, power output @4A SYNC port x1, power output @3A Lens port x1, power output @6A |
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| Body Construction and Dimensions | ||||
| color | black | |||
| material | High-strength aviation aluminum alloy | |||
| weight | 1.35kg | |||
| size | 106x124x107 mm (body only without protrusions, width x height x length) | |||
| Working temperature | 0°C ~ 40°C | |||
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