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Überblick
MAVO Mark 2 LF, much like the MAVO Edge 6K, features a full-frame 3:2 CMOS image sensor, enabling it to achieve high frame rates of up to 75fps in 6K and dual native ISO settings of 5120/800. The updated MAVO LF Mark 2 excels in high sensitivity, preserving more highlight details, making it ideal for scenes with complex lighting. Its large format provides a wider viewing angle, delivering a shallower depth of field for a more cinematic look.
The MAVO Mark 2 enhances lens compatibility, continuing support for the versatile KineMOUNT system, which allows for quick adaptation to EF, PL, and LPL mounts. Additionally, it introduces new native PL and electronic E-mount options, which can be installed and removed by users without the need for flange distance adjustments.
The dual MAVO Mark 2 cameras incorporate a simplified version of the MAVO Edge high-performance computing platform, significantly upgrading the image processing system. They offer independent dual SDI outputs and record in ProRes4444XQ format to NVMe M.2 SSDs within the camera. This integration results in a sleek, lightweight design and efficient workflow, providing photographers with a classic and efficient cinematography experience at a more accessible price point.
In The Box
Kinefinity MAVO Mark 2 LF (includes active PL Mount)
Kinefinity KineMON-5U2 Ultra-Bright Monitor
Kinefinity Kine Video Cord (0.3M)
Kinefinity KineMAG Nano Body
Kinefinity Movcam KineKIT-Edge Core
Specifications
| Camera Type | Large Format Digital Cinema Camera | |||
|---|---|---|---|---|
| Imaging Sensor | Full Frame 6K 3:2 CMOS Imaging Sensor | |||
| Max Record Res | 6016×3984 (3:2 Open Gate), 24M | |||
| Frame Rate | 6K Wide 0.2~75fps | |||
| Active Area | 36x24mm, ø 43.3mm | |||
| Dual Base ISO | Regular Base ISO：800 | |||
| High Base ISO：5120 | ||||
| Latitude | >14 Stops | |||
| Shutter Angle | 0.7°~358° with rolling shutter | |||
| Lens Mount | Active PL Mount, Active E Mount, Native KineMOUNT (Adapters: PL/LPL/EF) | |||
| Optical Filter | Optical LPF with UV and IR-cut filter | |||
| Resolution, Frame Rate and Optical Format | ||||
|---|---|---|---|---|
| Full Frame | Resolution | Frame Rate | Codec | Optical Format |
| FF 6K OG | 6016×3984, 0.2~48fps | up to ProRes 4444XQ | 36x24mm, ø 43.3mm | |
| FF 6K 17:9 | 6016×3172, 0.2~60fps | up to ProRes 4444XQ | 36×19.1mm, ø 41.0mm | |
| FF 6K 2.4:1 | 6016×2520, 0.2~75fps | up to ProRes 4444XQ | 36×15.2mm, ø 39.1mm | |
| FF 5.7K 3:2 | 5760×3700, 0.2~50fps | up to ProRes 4444XQ | 34.5×22.2mm, ø 41.0mm | |
| FF 6K UHD | 5760×3240, 0.2~58fps | up to ProRes 4444XQ | 34.5×19.5mm, ø 39.6 mm | |
| FF 5.7K 2.4:1 | 5760×2400, 0.2~75fps | up to ProRes 4444XQ | 34.5×14.4mm, ø 37.4mm | |
| FF 5K 4:3 | 5120×3700, 0.2~50fps | up to ProRes 4444XQ | 30.6×22.3mm, ø 37.9mm | |
| FF 5K DCI | 5120×2700, 0.2~70fps | up to ProRes 4444XQ | 30.6×16.2mm, ø 34.6mm | |
| FF 5K 2.4:1 | 5120×2160, 0.2~86fps | up to ProRes 4444XQ | 30.6×12.9mm, ø 33.2mm | |
| FF 4.6K 6:5 | 4608×3700, 0.2~50fps | up to ProRes 4444XQ | 27.6×22.3mm, ø 35.5mm | |
| FF 3.8K 3:2 (Oversample) | 3840×2460, 0.2~50fps | up to ProRes 4444XQ | 34.5×22.2mm, ø 41.0mm | |
| FF 4K UHD (Oversample) | 3840×2160, 0.2~58fps | up to ProRes 4444XQ | 34.5×19.5mm, ø39.6 mm | |
| FF 3.8K 2.4:1 (Oversample) | 3840×1600, 0.2~75fps | up to ProRes 4444XQ | 34.5×14.4mm, ø 37.4mm | |
| FF 3.4K 4:3 (Oversample) | 3456×2460, 0.2~50fps | up to ProRes 4444XQ | 31.0×22.1mm, ø 38.1mm | |
| FF 3K 6:5 (Oversample) | 3072×2460, 0.2~50fps | up to ProRes 4444XQ | 27.6×22.3mm, ø 35.3mm | |
| S35 | S35 4K 3:2 | 4096×2700, 0.2~70fps | up to ProRes 4444XQ | 24.5×16.1mm, ø 29.3mm |
| S35 4K DCI | 4096×2160, 0.2~112fps | up to ProRes 4444XQ | 24.5×12.9mm, ø 27.7mm | |
| S35 4K 2.4:1 | 4096×1720, 0.2~140fps | up to ProRes 4444XQ | 24.5×10.3mm, ø 26.6mm | |
| S35 4K UHD | 3840×2160, 0.2~112fps | up to ProRes 4444XQ | 23.0×12.9mm, ø 26.4mm | |
| S35 3.8K 2.4:1 | 3840×1600, 0.2~150fps | up to ProRes 4444XQ | 23.0×9.6mm, ø 24.9mm | |
| S35 3.6K 4:3 | 3712×2700, 0.2~70fps | up to ProRes 4444XQ | 22.2×16.1mm, ø 27.4mm | |
| S35 3.2K 6:5 | 3328×2700, 0.2~70fps | up to ProRes 4444XQ | 19.9×16.1mm, ø 25.6mm | |
| S35 2.7K 1:1 | 2688×2688, 0.2~70fps | up to ProRes 4444XQ | 16.1×16.1mm, ø 22.8mm | |
| S35 2K DCI (Oversample) | 2048×1080, 0.2~112fps | up to ProRes 4444XQ | 24.5×12.9mm, ø 27.7mm | |
| S35 2K 2.4:1 (Oversample) | 2048×860, 0.2~140fps | up to ProRes 4444XQ | 24.5×10.3mm, ø 26.6mm | |
| S35 2K FHD (Oversample) | 1920×1080, 0.2~112fps | up to ProRes 4444XQ | 23.0×12.9mm, ø 26.4mm | |
| S35 1.9K 2.4:1 (Oversample) | 1920×800, 0.2~140fps | up to ProRes 4444XQ | 23.0×9.6mm, ø 24.9mm | |
| Other Cropping | 3K DCI | 3072×1620, 0.2~144fps | up to ProRes 4444XQ | |
| 3K 2.4:1 | 3072×1200, 0.2~195fps | up to ProRes 4444XQ | ||
| 3K HD | 2944×1620, 0.2~145fps | up to ProRes 4444XQ | ||
| 3K HD 2.4:1 | 2944×1200, 0.2~195fps | up to ProRes 4444XQ | ||
| 2K DCI | 2048×1080, 0.2~200fps | up to ProRes 4444XQ | ||
| 2K 2.4:1 | 2048×860, 0.2~270fps | up to ProRes 4444XQ | ||
| 2K FHD | 1920×1080, 0.2~220fps | up to ProRes 4444XQ | ||
| 1.9K 2.4:1 | 1920×800, 0.2~290fps | up to ProRes 4444XQ | ||
| Codecs、LUT and Record Media | ||||
| Codec Type | Codec Format | Bit Depth | Notes | |
| Record Codec | ProRes4444XQ | Quicktime mov | 12bits | KineLOG3 |
| ProRes4444 | Quicktime mov | 12bits | KineLOG3 | |
| ProRes422HQ | Quicktime mov | 10bits | KineLOG3，包含ProRes422/LT | |
| Proxy Format | H264 | mp4 | 8bits | 帧率小于或等于30时 |
| LUT | KineLOG3，Neutral(Rec 709)，Support Custom 3D LUT | |||
| Record Media | Media Slot x1, for KineMAG Nano SSD 1TB/2TB based on NVMe M.2 SSD | 3rd party NVMe M.2 2280 cards are alsosupported via the KineMAG Nano card body | ||
| Media Size (WxHxL) | 1.6×3.5×0.35”/40x88x9mm | |||
| Monitoring | ||||
| Monitoring | KINEFINITY Proprietary Video Port x2 | For KINEFINITY Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with TouchScreen | ||
| 3G/1.5G SDI x2 with Meta data (regular BNC) | ||||
| Audio | ||||
| Audio sampling spec | Linear PCM, 24bits, 48KHz | |||
| Audio input | In-cam mono MIC | |||
| 3.5mm Stereo MIC | ||||
| 48V Phantom Power Balanced Input x2 (regular XLR) | ||||
| Audio output | 3.5mm Stereo Audio Output | |||
| Wireless & Network | ||||
| Wireless | WIFI 5 for live stream, camera control | |||
| 3-axis accelerometer | ||||
| SYNC and Control | ||||
| Timecode | Linear TC In&Out (0B5P) | |||
| Control | Lens with RS232, Power output (0B5P) | |||
| Multi-sync, Control | SYNC with RS422 and KINEFINITY camera sync(0B9P) | |||
| RS | Rec trigger input with Power output (fisher 3P) | |||
| Extention | Data&Control, EXT 1 and EXT 2 (for pogo-pin, 2×4) | |||
| USB | Type-C USB x1, can be used for firmware updates and importing custom LUTs | |||
| Power in and out | ||||
| Power consumption | 27W, when 6K HD 25p, liveview | |||
| Power Input | Integrated Hybrid battery plate, V-mount battery or BP-U compatible | |||
| DC Input (1B2P), 11~19V | ||||
| UPS EXT 3 (for pogo-pin, 2×5) | ||||
| Power outputs | RS x1, 4A | |||
| Lens x1, 6A | ||||
| Construction and Size | ||||
| Body Material | Ultra-high Strength Aluminium Alloy | |||
| Body Weight | 3.02lb/1.37kg | |||
| Size(WxHxL) | 4.1×4.8×4.3′′/106x124x109 mm (*w/o protrusion) | |||
| Operating Temp | 0°C ~ 40°C | |||
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