panasonic cam | Cinegear Amsterdam

Panasonic VariCam LT 4K HDR Compact Professional Cinema Camera

Sefa — Wed, 01 May 2024 03:27:29 +0000

THE CINEMATIC VARICAM LOOK IN YOUR HANDS

The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a “REVOLUTION” in streamlining workflow.

COMPACT SIZE, LIGHT WEIGHT AND TOP CINEMA QUALITY — THE VARICAM LT!

The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.

One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). This allows for even greater versatility in lens selection when shooting with the VariCam LT. The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have a dual codec recording function that allows the user to record a primary or “main” codec as well as a smaller proxy file. In addition, each camera offers an in-camera colour grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.

SAME IMAGER AS VARICAM 35

The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. This sensor received The Hollywood Post Alliance Engineering Excellence Award 2015.

14+ STOPS OF WIDE LATITUDE

The camera has a dynamic range of 14+ stops. This wide dynamic range assures accurate image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality. “V-Log” is capable of creating the 14+ stops of dynamic range offered by the VariCam LT image sensor, greatly enhancing look creation capability.

DUAL NATIVE ISO OF 800/5000

The VariCam LT has two native ISO settings: 800 and 5000. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO. The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. In order to achieve this function two dedicated analogue circuits are implemented on every pixel of the imager of the the VariCam LT for each native ISO before gain processing. This allows the camera to achieve much higher sensitivity without increased noise. Normally noise is introduced in the gain process of rating ISO in digital cameras. This functionality is revolutionary for low light scene shooting. Especially this ISO 5000 enable to capture under the natural light keeping the mood making more realistic.

EXPANSIVE COLOUR GAMUT

The VariCam LT is equipped with “V-Gamut,” giving it a wider colour gamut than that of film. V-Gamut also encompasses the entire BT. 2020 colour space.

SCENE FILES AND V-LOOK

The “V-Log” gamma curve offers 14+ stops of dynamic range and facilitates advanced colour grading adjustments in post production. The five position scene file function is new to the VariCam LT. The VariCam-LOOK (V-LOOK) mode is a newly developed setting for creating cinematic images without colour grading. A newly designed gamma curve that allows detail to be maintained over a greater tonal range within the Rec 709 colour space has also been included in the VariCam LT. The “V-709” gamma setting provides a tone suitable for viewing on standard monitors while the “BC-LOOK” creates a look that mimics traditional TV broadcast images.

MONITORING OUTPUT TERMINALS

The VariCam LT provides down conversion to Full HD via two 3G HD SDI outputs and one VF output (BNC) while shooting in 4K. Your look with in-camera colour grading and information overlay can be applied to each output.

ADVANCED SHOOTING FUNCTIONS FOR FILM MAKING

NATIVE 4K/60P SHOOTING

The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840×2160) resolution is 60p (60fps). This produces smooth, high-resolution images when recording fast-moving action scenes.

2K/HD 240P SLOW MOTION

When shooting in 2K (2048 x 1080) and HD (1920×1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. This is achieved by cropping the image sensor recording area in order to achieve a faster scanning speed. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The frame rate can be changed while recording.

INFRARED SHOOTING (IR)

The Cinema VariCam LT has an integrated, detachable IR cut filter. User can do the IR shooting to record 4K images in dark unlit nightscapes. This is ideal for capturing nocturnal wildlife and other scenes with no illumination. Also, the IR filter can be used in daylight as a creative tool for achieving a unique look.

DETACHABLE CONTROL PANEL WITH MONITOR

The supplied control panel has a built-in 3.5 type LCD display panel. It can be used for menu operation or as a live/preview monitor. The keys and dials are laid out around the display for quick and accurate operation. Frequently used settings can be accessed directly. The detachable structure allows the camera to be operated from a distance of up to 90 cm.

STANDARD HD-SDI INTERFACE FOR EVF

The VariCam LT has a regular BNC connector for the View Finder. Users can select from various HD monitors or viewfinders in addition to the new Panasonic View Finder (AU-VCVF10G). The DC power and command control connectors for the Panasonic VF are also provided.

TOUGHNESS, DURABILITY AND RELIABILITY

The lens mount is made of stainless steel, and designed to prevent flange back deviation due to temperature changes
The camera body is made of strong rigid magnesium
The top and bottom panels have been made flat for easy installation of various plates and accessories
Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories
New accessories include the new Shoulder Mount (AU-VSHL2G) and Grip Module (AU-VGRP1G)
The new Shoulder Mount (AU-VSHL2G) installs directly on a base plate

REVOLUTIONARY WORKFLOW — MULTI-CODEC AND DAILIES IN CAMERA

MULTIPLE CODEC 4K/UHD/2K/HD RECORDING

AVC-Intra 4K is a 4K-compatible version of the AVC-Intra, intra-frame compression codec that is suitable for cinema production. Using this codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ. Using the 256 GByte expressP2 card, the camera can record approximately 90 minutes of 23.98p 4K video with AVC-Intra 4K422.

* ProRes is licensed from Apple Inc. Apple ProRes codec from Atomos under license.
Atomos is trademark and copyright of Atomos Global Pty. Ltd.

IN-CAMERA COLOUR GRADING

The VariCam LT features an in-camera colour grading function (3D LUT/CDL). This enables colour tuning on set as well as in the field when using the camera control panel or 3rd party software. This means dailies which had been created after shooting can now be produced on set with the camera. Grading information such as 3D LUT files and CDL files can be recorded together with the image data, allowing you to provide the same vision that you created on set to the editorial staff.

MAIN AND PROXY RECORDING

In addition to the main codec recording the VariCam LT has the ability to record files to an SD memory card. This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card. The primary recording data is used to create deliverables while the proxy recordings are used for viewing or off-line editing. The file name and time code of each file will match exactly.

Features Panasonic VariCam LT (Netflix Approved!)

Varicam LT 4K camera head
Compact Size, Light Weight and Top Cinema Quality — The VariCam LT!
Same Imager as VariCam 35
14+ Stops of Wide Latitude
Dual Native ISO of 800/5000
Expansive Colour Gamut
Scene Files and V-LOOK
Monitoring Output Terminals
Native 4K/60p Shooting
2K/HD 240p Slow Motion
Infrared Shooting (IR)
Detachable Control Panel with Monitor
Standard HD-SDI Interface for EVF
Multiple Codec 4K/UHD/2K/HD Recording
In-camera Colour Grading
Main and Proxy Recording

The post Panasonic VariCam LT 4K HDR Compact Professional Cinema Camera appeared first on Cinegear Amsterdam.

Panasonic 4K/HDR 10BIT CAMCORDER AG-CX350

Sefa — Wed, 01 May 2024 03:23:03 +0000

4K HDR IMAGE IN YOUR HANDS

WIDE-ANGLE 24.5MM*1 OPTICAL 20X ZOOM, PLUS I.ZOOM

The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2

HDR-COMPLIANT HLG (HYBRID LOG-GAMMA)

Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG).

NEW HIGH-DEFINITION, HIGH-SENSITIVITY 1.0-TYPE 15M MOS SENSOR

The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode).

Built-in 5-Axis Hybrid Image Stabilizer
Intelligent AF and Focus Assist
Manual Three Rings
Cabled/Wireless Remote Control Capability

SUPERB 4K IMAGE WITH 10BIT CODEC UP TO 50/59.94P WITHOUT CROPPING

NEW HEVC CODEC FOR HIGH-IMAGE-QUALITY 10BIT UHD/50 FPS RECORDING AT LOW BIT RATE

The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) .

10BIT VARIABLE FRAME RATE (VFR) WITHOUT CROPPING

In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates.

MOV/AVCHD/P2 MXF* File Formats Supported
Freeze Frame (Still Image Capture)
Double Memory Card Slots Improve Recording Reliability

ENHANCED NETWORK CONNECTIVITY FOR LIVE

RTMP/RTSP-COMPATIBLE HD STREAMING

The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported.

EASY IP CONNECTION: PREINSTALLED NDI | HX*4

The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100.

Wireless Control from a Tablet or Smartphone
Parallel Output of SDI and HDMI
TC Synchro Multi-Camera Recording Supported
Broadcast-Grade Picture Quality Adjustment Functions
24-bit PCM Supporting High-Resolution Audio

COMPACT, LIGHT WEIGHT, LOW POWER CONSUMPTION, AND EASE OF USE DESIGN

Low Power Consuming, Large-Capacity Battery, Quick Charge
Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF
Compact, lightweight body 1.9 kg

In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey)
When using the digital zoom, picture quality degrades as the magnification rate increases
The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100.
NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

In the BOX

AG-CX350
1x Battery
1x AC Adapter
1x Strap
1x Mic Holder
1x Dual rapid charger
*Microphone Not Included

SPECIFICATIONS

Dimensions: 180mm x 173mm x 311mm (W x H x D)
Weight: 1.9 kg

The post Panasonic 4K/HDR 10BIT CAMCORDER AG-CX350 appeared first on Cinegear Amsterdam.

Panasonic 4K HDR ENG Shoulder-Mount Camera AJ-CX4000

Sefa — Wed, 01 May 2024 01:32:03 +0000

The ENG broadcast camera revolution

The CX4000, a cutting-edge camera tailored for professionals capturing news, sports, live events, TV shows, documentaries, and beyond. It offers exceptional 4K HDR recording and advanced networking capabilities for dependable broadcast/livestreaming/NDI-based video productions. Designed for operator comfort and optimized workflow for editors, the CX4000 stands out as the premier choice for the entire video production crew.

4K sensor with advanced imaging technology

Featuring an expansive 11.14-megapixel MOS sensor, the AJ-CX4000 achieves an impressive 2000 horizontal TV lines through oversampling. Moreover, it delivers top-tier 4K visuals characterized by minimal noise, expansive dynamic range, and dual native ISO technology for exceptional low-light capabilities. With a remarkable sensitivity of F10 (59.94 Hz) / F11 (50 Hz) in high-sensitivity mode, it ensures superior image quality across diverse shooting conditions.

LSSIEL technology for improved 4K/HDR video quality

Utilizing a patented optical magnification system, the AJ-CX4000 enables the utilization of standard B4 lenses for broadcasting on a large sensor, all while preserving the 2/3″ depth of field characteristic of these lenses.

Similar to its studio counterpart, the AK-UC4000, the CX4000 incorporates revolutionary LSSIEL technology. This innovation allows for the seamless use of 2/3″ lenses directly on the camera, eliminating the need for external adapters. The internal lens is meticulously crafted for large sensors, ensuring exceptional video quality. Like the UC4000, the CX4000 features a large-format sensor, delivering high resolution, impressive sensitivity, minimal noise, and expansive dynamic range.

Livestream directly on YouTube / Facebook Live

With the AJ-CX4000, streaming HD video directly to YouTube, Facebook Live, and other platforms is seamless, thanks to its support for RTSP, RTMP, and RTMPS8 protocols. Additionally, the CX4000 facilitates multicast streaming for broadcasting to multiple destinations simultaneously, along with the convenience of simultaneous streaming and recording functionalities.

The post Panasonic 4K HDR ENG Shoulder-Mount Camera AJ-CX4000 appeared first on Cinegear Amsterdam.